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Essays on archeology
Essays on archeology
History of the mask of agamemnon
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Heinrich Schliemann was a German businessman and an amateur archeologist who had a fascination with the work of the ancient Greek poet Homer (2). His belief that the work of Homer was more than a legend would one day lead him to discover the city of Troy and the Mycenae burial circles containing several golden masks. He believed one mask in particular belonged to King Agamemnon, the hero in Homer’s epic poem the Iliad who lead the Greeks into the city of Troy (5). Yet inconsistencies in the mask compared to others found and Schliemann’s questionable ethics would lead to an ongoing controversy over is now referred to as the “Mask of Agamemnon”. After discovering, the city of Troy in what is now Turkey, Schliemann’s search for the burial site of the ancient hero Agamemnon lead him to Mycenae (3). Schliemann went to Mycenae to survey, yet his true intentions were to excavate the site (2). …show more content…
Before becoming an amateur archeologist Schliemann was already known as a shady businessman (4). When Schliemann discovered the Prism’s Treasure in Troy and the excavation ended shortly after as if he believed all that was there to be found had been. Which lead to question concerning the items authenticity, if they had all truly be found together, or placed together to give the appearance of a larger discovery (4). It has been speculated some items may have been found earlier in the excavation and hoarded aside, purchased from dealers, or modern work creations made to look like they belonged (4). Similar events happened at Mycenae with the discovery to the “Mask of Agamemnon” and other items found in chamber V and three days later the excavation had ended (3). Scholars refer to Schielmann’s diary to help authenticate the discoveries yet at times he was vague some even accuse him of falsifying his entries to meet his agenda
“Mask of Agamemnon” and shaft graves are other important discoveries for Heinrich Schliemann. After leaving Turkey, Schliemann started digging in M...
The Trojan War and its characters are detailed in the writings of Homer, Vergil, Dante and many others. It is a fantastical tale of a decade-long siege of a powerful city by a massive pan-hellenic force. However, even though it has proved to be such a rich source of inspiration for writers, poets and artists throughout history, it is debated whether it actually took place. Heinrich Schliemann famously said “I have gazed on the face of Agamemnon.” on discovering tombs with the bodies of Mycenaean chieftains in Turkey. The German businessman-turned-archaeologist claimed to have discovered the city of Troy at the hill now called Hisarlik – about three miles from the Dardanelles. However, his claims are still disputed today. Before tackling the question of whether the Trojan War actually occurred, we must ask in what form. What exactly do we mean by “the Trojan War”? There is no definitive version of the events in the war, as our knowledge of it comes from a myriad different sources. Then we should consider Schliemann’s discoveries, and the other archaeological evidence for the Trojan War. Finally, after we have defined “Trojan War” in context of archaeology and historical fact, we must then draw conclusions about the extent to which archaeology proves its historical authenticity.
Hunt, Lynn and Thomas R. Martin, Barbara H. Rosenwein and Bonnie G. Smith. “ The Greek golden age,” in the making of the west volume 1 to 1750 2012, edited by Denise B. Wydra, 75-108. Boston: Beford/St. Martin’s, 2012.
Burckhardt, Jacob, The Greeks and Greek Civilization, St. Martin’s Press, 175 Fifth Ave, New York, NY 10010, 1998.
The Iliad alone would never have been a reliable source without archaeological evidence to verify the actuality of a Trojan war. Therefore archaeologists have been working on the site known as hissarlik since the 1800’s to uncover truths about the myth. Frank Calv...
In Aeschylus’s, Agamemnon, there is a great possibility that the death of Agamemnon could have been prevented, had the Chorus simply listened to Cassandra’s prophecy. But the words spoken between the two parties seem to have loss it’s meaning when it fell upon the Chorus; yet, they were obviously hearing what she was saying. But while they were hearing what she had to say, they did not listen to her words. Ironically, in this story, it is the women who posses all the knowledge. But once they try to share it, the men, who later suffer the consequence, ignore them. People only listen to what they want to hear, and a woman’s word is not considered important enough to listen to.
Peck, Harry T. "Harry Thurston Peck, Harpers Dictionary of Classical Antiquities (1898)." Harry Thurston Peck, Harpers Dictionary of Classical Antiquities (1898), Twelve Tables. Web. 16 May 2014.
The Odyssey by Homer is an epic about a man’s return home after fighting in war. The protagonist of the epic is Odysseus, but interactions with and stories of his fellow veterans abound. The story of Agamemnon’s death upon returning home is retold and referred to numerous times and serves as a warning to Odysseus of the dangers that could exist for him in Ithaka. The ghost of Agamemnon is encountered by Odysseus in the land of the dead and is quite changed from the friend he knew and fought with at Troy. Despite his high place in life and exploits in war, Agamemnon demonstrates the suffering of the returning veteran.
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
There has long been a fashion among critics and historians, including Sir James Frazier and Graham Hancock, to insist upon taking the account of Odysseus' voyage to Hades in Book XI of the Odyssey at near face-value as a description of people and places familiar to a Greek audience of Homer's day. Both linguistics and comparative history have been employed to discover exactly how accurately this originally oral epic conveys this gritty realism. Something, however, is not right with this purely empiric approach. What is missing is an examination through the lens of ancient religious practices. Surely a literary work so teeming with deities-wise Athena, spiteful Poseidon, impish Hermes, omnipotent Zeus-deserves such study.
...ity in Classical Athens. New York, NY: Alexander S. Onassis Public Benefit Foundation (USA) in Collaboration with the National Archaeological Museum, Athens, 2008. Print.
Agamemnon is a Greek play that has a wonderful balance of drama and action. Despite all of the thrilling and impressive dialect, the story remains a tragedy. It has several deaths mentioned and recalled, as well as thick plots being plotted, and a gripping storyline. All of these things are tragedies because of the human emotion behind them. It is what makes this story interesting.
In Aeschylus’ Agamemnon there are many different opinions about what kind of king and commander Agamemnon was. Some argued that he was good, while others dispute that his motives were wrong. Clytemnestra, Agamemnon’s wife, gained a strong hatred for him, after he sacrificed his own daughter so he could go to war. Many believe that this was not necessary and could have been overcome. The chorus seems to agree with this to an extent, and feels that Agamemnon could have prayed and requested that he not sacrifice his daughter.
GREECE & ROME. Archaeology [serial online]. November 1987;40(6):18. Available from: Academic Search Complete, Ipswich, MA. Accessed December 22, 2011.
Damrosch, David, and David Pike. The Longman Anthology of World Literature. The Ancient World. Volume A. Second Edition. New York: Pearson/Longman, 2009. Pgs. .656-691. Print.