The Malleable Yet Undying Nature of the Yellow Peril
Racial stereotypes don't die; they don't even fade away. Though Asian Americans today have "achieved" model minority status in the eyes of the white majority in America by "pulling ourselves up by our bootstraps" through our supposedly quiet, dignified demeanor and gritty, "overachieving" work ethic, the terms of the racial discrimination we face remain the same today as they have since the first Asians began settling en masse in the United States more than a century and a half ago. At the root of this discrimination is the idea of a "Yellow Peril," which, in the words of John Dower is "the core imagery of apes, lesser men, primitives, children, madmen, and beings who possessed special powers" amidst a fear of invasion from the sleeping giant of Asia. Since its inception in the late 19th century, the idea of the Yellow Peril has colored the discourse regarding Asian Americans and has changed back and forth from overt, "racist hate," to endearing terms of what Frank Chin describes as "racist love." In times of war, competition or economic strife, Asian Americans are the evil enemy; in times of ease, Asian Americans are the model minority able to assimilate into American society. What remains the same is that the discrimination, whether overt or not, is always there.
The Yellow Peril first became a major issue in the United States in California in the 1870s when white working-class laborers, fearful of losing their jobs amidst an economic decline, discriminated against the "filthy yellow hordes" from Asia, leading to the national Chinese Exclusion Act of 1882 which not only prohibited immigration from China but forbade legal residents from becoming citizens. According to t...
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...e always is an issue and I was simply naïve for thinking anything different.
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Angelina Jolie said, “Without pain, there would be no suffering, without suffering we would never learn from our mistakes. To make it right, pain and suffering is the key to windows, without it, there is no way of life.” On August 6, 1945 the atomic bomb was dropped on Hiroshima, a small city whose death toll rises to 90,000-166,000. On August 9th, a second bomb was dropped on Nagasaki, 60,000–80,000 . In total, 15 million people lost their lives during the duration of the Second World War. In John Hersey's book, Hiroshima, he provides a detailed account of six people and how the bombing of Hiroshima affected their lives. John Heresy felt it was important to focus his story on six individuals to create a remembrance that war affects more than just nations and countries, but actual human beings. Moreover, the book details the effect the bomb had on the city of Hiroshima. “Houses all around were burning, and the wind was now blowing hard.” (Hersey, 27). Before the bomb, there existed few laws to govern the use of a weapon of this magnitude because of the complexity and modern technology that the bomb used. To address the fears of the use of the atomic bomb, new laws were created to govern its use. The atom bomb should have been dropped on Japan in order to prevent the further use of such a destructive force.
Wise, T. (2012). Dear white America: Letter to a new minority. San Francisco, CA: City
Many minorities like Mukherjee and Divakaruni have expressed that although many traditional obstacles of prejudice have been made obsolete, discrimination still exists, especially in the negative responses of other Americans to their success. The peaking of Anti-Asian sentiment and violence on America’s streets and office buildings has reinforced this theme ten fold. Asians must seek to dissolve the racist love behind the distortions of the model minority paradigm.
From the beginning until the end of the Odyssey, Athena and Odysseus use physical disguise to ensure that justice and truth prevail. Athena uses her infinite disguising powers to change status, sex, and age and appear as the Mentor, a little girl, a “young man’s figure” and more (3.281). While all disguising instances are essential towards helping Odysseus go back home, the Mentor disguise seems to be the most important. In Book 2, Athena transforms into “Mentor’s form and voice” as a strategy to persuade Telemakhos to believe in his potential and pursue the journey ahead of him (2. 425). Mentor is in fact a person here, Telemakhos’s tutor and Odysseus’s comrade in batt...
Romeo and Juliet is widely known to be a tragedy, but what caused the atrocity for which it is so renowned? Some may argue fate was to blame for Romeo’s and Juliet’s deaths, that the situations these young lovers faced were depicted as being out of their control. Could Romeo have refused to attend the Capulet masque? Was Romeo destined to duel the raging Tybalt? Did Romeo and Juliet truly have to kill themselves? If one considers the specific circumstances and causes of these situations, the fact that all scenarios are the result of choice rather than chance, and the notion that the characters were never left without options, only one conclusion can be determined. It was unarguably the decisions made by characters, not those made by fate, that were responsible for the tragedy in Romeo and Juliet.
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
Lee, Alfred McClung. Race riots aren’t necessary/by Alfred McClung Lee in cooperation with the American Council on Race Relations. New York: Public Affairs Committee, 1945.
A timeless topic--fate and free will--still captivates society today. Fortune cookies, physics, and horoscopes all contribute to the obsession people have with this controversial debate over who manipulates life; fate or free will. No one is sure who really pulls the strings, but everyone has an opinion on the matter. Many famous plays center on this topic, and one such play that features characters’ views on fate and free will is Romeo and Juliet. This legendary play, written by William Shakespeare, has been beloved by people for centuries, as they contemplate who is the guiding force in life? The play discusses just this, while depicting the lives of Romeo and Juliet: two desperate teenagers each trapped in their own worlds, seeking love and freedom. The two “star-crossed lovers” are from feuding households, and each has their own distinct problems. Romeo jumps from girl to girl, never finding anyone to reciprocate his feelings until he meets Juliet. She is hidden from the world, and with every decision being made for her, she wants to control her own life, which she does with marrying Romeo. Although fate and free will are both undeniably found in the lives of Juliet and Romeo, it is ultimately fate and the way it manipulates the events, time, and the characters that brings about the untimely death of the two iconic teen lovers.
Two lovers lay dead on the ground. One with a wisp of poison on his breath, and the other with a dagger inside her. In the prologue, Shakespeare reveals to us that two star-crossed lovers die because of their families’ ongoing feud. When the two families discover what has happened and how they caused it, the families agree to end the feud and no longer quarrel. Was Romeo’s and Juliet’s death at the hand of the family in the form of fate, or did their choices cause this tragedy? In the play, Romeo and Juliet, by William Shakespeare, free will is more dominant than fate in the outcome of the play and is shown by Juliet’s actions, Romeo’s actions, and the actions of others.
We’ve all heard it said that Asian Americans are good at math; anything involving science, technology, and medicine. They study all the time, work really hard, and live a version of the American dream many of us never thought to dream of. And of course, we know these stereotypes are dangerous and often untrue, but perhaps we still find ourselves buying into them. Ronald Takaki”, the ethnic studies expert, writes about the idea that Asian Americans are more successful than any other American minority group in his article “The Harmful Myth of Asian Superiority. Takaki refutes this idea by strategically, and somewhat effectively, using reason, statistics, and word choice to show that Asian Americans still face some of the same hardships and barriers
"Social Forces." The Skin Color Paradox and the American Racial Order. Oxfordjournals,org, 2007. Web. 29 Mar. 2014.
Jean Paul Sartre is a philosopher that supports the philosophy of existentialism. Existentialism is a twentieth century philosophy that denies any crucial human nature and embraces that each of us produces our own essence through our free actions. Existentialists like Sartre believe there isn’t a God that determines people’s nature. So, existentialists believe that humans have no purpose or nature except the ones that they create for themselves. We are free and responsible for what we are and our engagements; even though we are mindful that this can cause agony.
The Impressionism period for the longest time was considered to be the first distinctly modern movement in painting. The Impression period first started in Paris in the 1860s and its influence spread throughout all of Europe and eventually made it’s way to the United States. The originators of this time period were artists who rejected the official; government subsidized exhibitions, or what the French would call, “salons”, and they were consequently shunned away by powerful academic art institutions such as the, “Acedémie des Beaux Arts" (Academy of Fine Arts). Removing themselves from the fine finish and details to which most artists of their day aspired, the Impressionists during this time, their goal was to capture the momentary, sensory
The founders did not agree with the naturalistic of color and light brush strokes in art movement of impressionism. Its focus was on emphasizing on abstract and symbolic content. This art movement was led by Paul Cezanne, Paul Gauguin, Georges Seurat and by Vincent Van Gogh. A main focus in this movement was to use vivid colors, thick application, real life subject matter, distort different forms in an expressive way and used more geometric forms. Van Gogh tried to paint the impressionist techniques with lighter stokes more natural and failed in the process. That is when, with the help with his four friends they created this movement that helped him with his paintings. In his paintings he used a lot of swirls brush strokes and thick paint application, where he also was able to express his feelings and his state of mind with painting distorted faces, movement, and darkness as well. All the founders disagreed on certain aspects on the way this movement should be structured which later disintegrated and the next art movement came along. Post impressionism played a huge role in Van Gogh’s art work and my favorite art work from his were The Starry Night, The Bedroom, and Van Gogh self-