The Lion King: The Circle of life or Politics?

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The Lion King is one of the most successful movies to be made into a Broadway Musical. The musical first opened on Broadway November 13th, 1997. The success of the movie made it possible to transform the legendary film into a successful Broadway production. In the musical, the central theme pertains to the circle of life and how it affects a pride of lions, more specifically the main character, Simba. Simbas’ father, Mufasa, deals with the responsibilities of being the leader of the pride, but his brother, Scar, wants to run the pride in place of his brother. In a brilliant maneuver, Scar kills Mufasa, leaving Simba alone and Scar to become head of the pride. Simba grows into a full lion and battles to take back his father’s pride from Scar. After Scar is killed, Simba reclaims what is rightfully his. As mentioned earlier, the central theme of the movie is the circle of life. The term ‘circle of life” has many different meanings, but in terms of the musical it can be argued that it pertains to the continuum of life and death that is part of the life experience. This point is proven when Mufasa is killed in a stampede and his son, Simba, goes on a journey to find himself and become he next king of the pride. Although the main focus of the musical, and also the movie, is related to the circle of life and its effect on everyone, it can also be argued that the musical deals with the political struggle that takes over a family, resulting in the death of a king. The Lion King makes a clear reference to the political struggles that occur in any administration, or regime. Every four years, The United States becomes a frenzy of political campaigns, speeches, ads and frantic spending sprees. Just for the Democratic candidate, Barrack Obama, over 490 million dollars were spent promoting himself around the country . Nearly the same amount was spent promoting the opposition in

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