Throughout his narrative in Joseph Conrad's Heart of Darkness, Charlie Marlow characterizes events, ideas, and locations that he encounters in terms of light or darkness. Embedded in Marlow's parlance is an ongoing metaphor equating light with knowledge and civility and darkness with mystery and savagery. When he begins his narrative, Marlow equates light and, therefore, civility, with reality, believing it to be a tangible expression of man's natural state. Similarly, Marlow uses darkness to depict savagery as a vice having absconded with nature. But as he proceeds deeper into the heart of the African jungle and begins to understand savagery as a primitive form of civilization and, therefore, a reflection on his own reality, the metaphor shifts, until the narrator raises his head at the end of the novel to discover that the Thames seemed to 'lead into the heart of an immense darkness.'' The alteration of the light-dark metaphor corresponds with Marlow's cognizance that the only 'reality', 'truth', or 'light' about civilization is that it is, regardless of appearances, unreal, absurd, and shrouded in 'darkness'.
Marlow uses the contrast between darkness and light to underscore the schism between the seemingly disparate realms of civility and savagery, repeatedly associating light with knowledge and truth; darkness with mystery and deceptive evil. When Marlow realizes that his aunt's acquaintances had misrepresented him to the Chief of the Inner Station, Marlow states, 'Light dawned upon me', as if to explicitly associate light with knowledge or cognizance. It is significant then, that Marlow later associates light with civilization. He describes the knights-errant who went out from the Thames to conquer...
... middle of paper ...
... October 2002.
Available: http://www.lawrence.edu/~johnson/heart.
Conrad, Joseph. Heart of Darkness, New York: Dover, 1990.
Hayes, Dorsha. "Heart of Darkness: An Aspect of the Shadow," Spring (1956): 43-47..
Levenson, Michael. "The Value of Facts in the Heart of Darkness." Nineteenth-Century Fiction 40 (1985):351-80.
McLynn, Frank. Hearts of Darkness: The European Exploration of Africa. New York: Carol & Gey, 1992.
Mellard, James. "Myth and Archetype in Heart of Darkness," Tennessee Studies in Literature 13 (1968): 1-15.
Rosmarin, Adena. "Darkening the Reader: Reader Response Criticism and Heart of Darkness." Joseph Conrad Heart of Darkness: A Case Study in Contemporary Criticism. Ed. Ross C. Murfin. New York: St. Martin's, 1989.
Watt, Ian. Conrad in the Nineteenth Century. San Diego: U. of California P, 1979. 168-200, 249-53.
To summarize the Fourth Amendment, it protects people from unreasonable searches and seizures. A search conducted by the government exists when the area or person being searched would reasonably have an expectation of privacy. A seizure takes place when the government takes a person or property into custody based on belief a criminal law was violated. If a search or seizure is deemed unreasonable, than any evidence obtained during that search and seizure can be omitted from court under
Conrad, Joseph. Heart of Darkness. The Longman Anthology of British Literature. Ed. David Damrosch, New York: Pearson. Copyright 2004.
Without personal access to authors, readers are left to themselves to interpret literature. This can become challenging with more difficult texts, such as Joseph Conrad’s novella Heart of Darkness. Fortunately, literary audiences are not abandoned to flounder in pieces such as this; active readers may look through many different lenses to see possible meanings in a work. For example, Conrad’s Heart of Darkness may be deciphered with a post-colonial, feminist, or archetypal mindset, or analyzed with Freudian psycho-analytic theory. The latter two would effectively reveal the greater roles of Kurtz and Marlow as the id and the ego, respectively, and offer the opportunity to draw a conclusion about the work as a whole.
As police officers continue their hunt to remove criminals off the street, search and seizure has been an ongoing pursuit. The Fourth Amendment protects our right against an unreasonable search. Just like citizens, police officers have limit caps on what they can and cannot do. Although they try to get away with coercion, our Fourth Amendment plays a crucial role in determining arbitrary and lawful search and seizures. Search and seizure has played an important role in law enforcement over the years and it still continues to shape our criminal justice system.
On July 4, 1804, an author by the name of Nathaniel Hawthorne was born (Meltzer). As Hawthorne grew, he began to develop a view of himself as “the obscurest man in American letters.” Through the use of popular themes such as isolation, guilt, and earthly imperfection, Hawthorne was able to involve much of his life and ancestral past in his work to answer his own political and religious wonders (“Nathaniel”). Hawthorne successfully “confronts reality rather than evading it” in many of his stories (Clendenning).
Asking the right questions is indeed an art form . It is however an even bigger burden to try to answer from an analytical presepective these subjective questions which inspire answers and explanations to the ultimate “why” and “how” . As readers we are obligated to carry with us an open mind, an analytical eye and room for suggestive arguments when trying to dissect a piece of writing. Joseph Conrad's novella Heart of Darkness offers the perfect platform for interpretation. With a dozen shades of foggy gray's, the short story is begging for a set of eyes that can see it through. Without proceeding too far into the novella, one can draw out a great deal of analytical suggestions as to what the title itself implies. The word Darkness seems to be a consistent theme throughout the book. So much so, that the amount of weight it carries has given it a special place on the cover. Many critics have found common ground on deciphering the interpretation of the word .The concept of darkness could be respresenting evil. However, some significant subjective questions remain unaswered: Exaclty which character in the novella has fallen victim to this evil? Is it Conrad himself, Marlow, Kurtz or the natives? All of them? Are there different forms in which this evil can manifest itself? Is it talking about darkness in the literal or figurative sense? Would we be considered naïve if we thought evil could be contained or is darkness a necessary evil we all posses and an undeniable part of our reality?
The Fourth Amendment is the basis on which defendants of privacy base their arguments in legal battles. It guarantees that citizens will never be subject to “unreasonable searches and seizures”. The key word is unreasonable; that is, indiscriminate snooping on another person's personal information. Many court cases have hinged their decisions on interpretations of the Fourth Amendment.
In this paper I am going to discuss search and seizure and how it affects us and what effect it has on us. Search and Seizure is the fourth amendment in the constitution. Its purpose is to protect people from unreasonable searches. It also helps officers from making unlawful arrests.
... writer who includes many similar elements in his works. These elements of writing which can be found in so many of his stories come together to make a style which cannot and most likely will not ever be seen in the works of anyone besides Nathaniel Hawthorne. Hawthorne distinguishes himself through the use of descriptive sentences which include complex vocabulary and contain a formal tone, the incorporation of a dark/gothic tone, also using characters who fall under scrutiny and alienation, and also the use of autobiographical elements. These are just five of the many connections which can be made between the three stories which were discussed in this paper. Also, although there were only three stories which were analyzed it is more than likely that if one read any of the other stories which Hawthorne wrote in his day than the same findings would be made.
The setting of the story is surprising. It is a little tavern on a Caribbean island. The Little Heidleberg is a place full of improvisations and the unexpected. In this tropical area resides a place with walls decorated with “bucolic scenes of country life in the Alps…” (Allende, 174). Mango and guava are used in strudel due to the absence of apples. The musicians are clad in “lederhosen, woolen knee socks, Tyrolean suspenders, and fel...
Heims, Neil. “An Introduction to Some Elements of Nathaniel Hawthorne’s Fiction.” Philadelphia: Chelsea House Publishing, 2003. Blomom;s Literary Reference Online. Fact On File, Inc. 21 January, 2011.
Nathaniel Hawthorne, known for his use of allegory and symbolism, is now one of the most studied authors. He became famous for his novels and short stories that revealed the portrayal he had of the world. His works have been properly recognized for more than a century. Hawthorne’s perspective of life comes from his history that gave him a sense of inherited guilt. Even with the setbacks during his journey to success, Hawthorne managed to surpass them and become the wonderful writer he is known to be.
While Heart of Darkness offers a powerful view into the hypocrisy of imperialism, it also delves into the morality of men. Darkness becomes a symbol of hatred, fear and symbol of the power of evil. Marlow begins his story believing that these elements exists within the jungle, then with the natives and finally makes the realization that darkness lives within the heart of each man, even himself. People must learn to restrain themselves from giving into the "darkness." Marlow discusses at one point how even suffering from starvation can lead a man to have "black" thoughts and restraining oneself from these thoughts would be almost impossible in such hardship.
Joseph Conrad’s Heart of Darkness is a great example of a Modernist novel because of its general obscurity. The language is thick and opaque. The novel is littered with words such as: inconceivable, inscrutable, gloom. Rather than defining characters in black and white terms, like good and bad, they entire novel is in different shades of gray. The unfolding of events takes the reader between many a foggy bank; the action in the book and not just the language echoes tones of gray.
Conrad, Joseph. Heart of Darkness 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical, 1988.