M.L Stedman’s novel The Light Between Oceans challenges readers to recognise ideas about how the environment shapes and readjusts the identity of the main protagonist, Tom. It follows the tragic story of lighthouse keeper Tom Sherbourne and his wife Isabel who, after discovering a baby in a shipwrecked boat, must face the terrible consequences of their decision to raise the child as their own. Stedman traces the journey of his characters through the microcosmic setting of life on Janus Rock as well as the macrocosmic setting of Australia in the wake of World War One. The incandescence of Janus Light, the oil lamps, electric lamps, the candles and the darkness they stave off, all serve to illuminate the characters and their changing era. Through use of characterisation, figurative language such as metaphors, and setting, the author is able to structure the book as resting on a series of triangles, with different characters becoming the fulcrum at different times. This unity of environment intertwined with characters lives offers representations of shifting attitudes and values of the main protagonist before the resolution of the novel. The characterisation of Tom is constructed to show how he is torn between not hurting those he loves, and following the rules. Tom’s original context of World War 2 shaped him into being a tough and rigid person, with little enjoyment and fulfilment of life. “Being over there changes a man. Right and wrong don't look so different anymore to some.” This portrays how originally Tom was rigid in following orders and the battle for survival he faced every day, where his thoughts and feelings towards what were morally right was diluted. His delusions and thoughts carried through his life but upon mar... ... middle of paper ... ... his decision to unlawfully keep Lucy as their own, due to his wife’s discourse in delivering a baby. By Isabel not fulfilling the gender expectations of that time combined with the isolation of Janus Rock, Tom’s ideas favoured those of which were uncharacteristically of him. By the end of the narrative Tom has progressed from a character quieted by his hard times from WW2 to a man capable of feeling compassion and love for the people closest to his heart, like Isabel and Lucy. This shows the importance of setting reflecting themes in the text. Light, literally and metaphorically, is core to the story. The revolving light of Janus highlights Tom’s shift into manhood by emphasising his core morals and values in order to distinguish between right and wrong just like the purpose of a lighthouse; guiding the way from hazardous objects into the safety of the harbour.
Finally becoming convinced that life is unfair for his people, Tom decides to leave the family, find the union men, and work with them.
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
In Craig Lesley’s novel The Sky Fisherman, he illustrates the full desire of direction and the constant flow of life. A boy experiences a chain of life changing series of events that cause him to mature faster than a boy should. Death is an obstacle that can break down any man, a crucial role in the circle of life. It’s something that builds up your past and no direction for your future. No matter how hard life got, Culver fought through the pain and came out as a different person. Physical pain gives experience, emotional pain makes men.
The novel, The Color of Water follows the author and narrator James McBride, and his mother Ruth’s life. It explores their childhood—when they were both embarrassed by their mothers—through the part of their lives where they began to accept themselves for who they are. Moreover, this memoir is quite distinctive as McBride cleverly parallels his story to his mother, Ruth’s story using dual narration. This technique further helps contribute to the theme of self-identity. Throughout the novel, McBride searches for identity and a sense of belonging that derives from his multiracial family. By using two different narrations, McBride gradually establishes his identity and by integrating both narratives at the end, McBride also shows that although both narrators at the beginning had different upbringings, in the end they came together, and understood each other’s perspective.
James McBride's The Color of Water. James McBride's memoir, The Color of Water, demonstrates a man's search for identity and a sense of self that derives from his multiracial family. His white mother, Ruth's abusive childhood as a Jew led her to search for acceptance in the African American community, where she made her large family from the two men she marries. James defines his identity through the truth of his mother's pain and exceptionality, through the family she creates and the life she leaves behind.
The Dying of the Light is an article by Dr. Craig Bowron that captures the controversy surrounding the role of medication in prolonging life. The author describes that many medical advancements have become a burden to particularly elderly patients who in most instances are ready to embrace the reality of death. Dr. Bowron believes that dying in these modern times has become a tiring and unnatural process. “Everyone wants to grow old and die in his or her sleep, but the truth is most of us will die in pieces,” Bowron notes (Bowron). The article does not advocate for euthanasia or the management of health care costs due to terminal or chronic illness. Bowron faults humanity for not embracing life and death with dignity as it was in the past. He blames the emergence of modern medical advances and democracy as the sole reason why everyone is pursuing immortality or prolonging of life rather than embracing the natural course of things. The article is very articulate and comes out rather persuasive to its target audience that happens to be health-conscious. Craig Bowron uses effective rhetorical strategies such as logos, ethos, and pathos to pass on his message. The article’s credibility is impeccable due to the author’s authority in health matters as he is a hospital-based internist. A better placed individual to dissect this issue by analyzing his experiences in the healthcare profession. The article incorporates a passionate delivery that appeals to the readers’ hopes, opinions, and imagination.
In The Color of Water, author James McBride writes both his autobiography and a tribute to the life of his mother, Ruth McBride. In the memoirs of the author’s mother and of himself, they constantly face discrimination from their race in certain neighborhoods and of their religious beliefs. The trials and tribulations faced by these two characters have taught readers universally that everyone faces difficulties in life, but they can all be surmounted.
In looking back upon his experience in Auschwitz, Primo Levi wrote in 1988: ?It is naïve, absurd, and historically false to believe that an infernal system such as National Socialism (Nazism) sanctifies its victims. On the contrary, it degrades them, it makes them resemble itself.? (Primo Levi, The Drowned and the Saved, 40). The victims of National Socialism in Levi?s book are clearly the Jewish Haftlings. Survival in Auschwitz, a book written by Levi after he was liberated from the camp, clearly makes a case that the majority of the Jews in the lager were stripped of their human dignity. The Jewish prisoners not only went through a physical hell, but they were psychologically driven under as well. Levi writes, ??the Lager was a great machine to reduce us to beasts? We are slaves, deprived of every right, exposed to every insult, condemned to certain death?? (Levi, 41). One would be hard pressed to find passages in Survival in Auschwitz that portray victims of the camp as being martyrs. The treatment of the Jews in the book explicitly spells out the dehumanization to which they were subjected. It is important to look at how the Jews were degraded in the camp, and then examine whether or not they came to embody National Socialism after this.
The author continuously characterizes Tom in a way that makes the readers deride him and not want to follow the example of his like. For example, after Tom's wife takes all their valuables and tries to strike a bargain with the devil as Tom won't do it himself, Tom goes looking for her. The reader sees that he doesn't really care about her as much as he cares about the valuables: "He leaped with joy; for he recognized his wife's apron, and supposed it to contain the household valuables"(263). That shows that he is really greedy and ruthless; no one wants to follow someone portrayed like that. Furthermore, Tom had evidence that his wife was fighting with the devil when she tried to strike that bargain. The passage that provides his reaction has a satirical tone: "He shrugged his shoulders, and he looked at the signs of a fierce clapper clawing."Egad," said he to himself, "Old scratch must have had a tough time if it!" Tom consoled himself for the loss of his property, with the loss of his wife"(264). Contrasting words like fierce and prowess, which are serious words, with words like clapper clawing, egad and old scratch, Irving highlights...
The painting Light of Hope is a realistic painting of a light house on the coast of an American shore done by contemporary artist Thomas Kinkade. Thomas Kinkade started his career with his first lithograph, and after some time he realized he was inspired to paint not for the money but from his heart. His main goal became glorifying God and spreading His light. Kinkade grew up in Placerville, California and growing up to be a big family man. Often in his paintings he leaves little symbols representing his wife and children. Over the years he has donated his earned money to different charities and is al crediting God for his ability to paint. His purpose as a painter has been and will continue to share of the light of God (Thomaskinkade).
At the beginning of the novel, Tom is released from jail and emerges into a changed world. In stark contrast the world he grew up in, the new world is one devastated by famine, where his people starve and die. But, in spite
... he still feels guilt for leaving Laura behind. Tom cannot ignore his feelings towards Laura and accept letting her go. Tom is physically able to flee from his past and reality, but is unable to escape emotionally. Also, even a new life, filled with opportunities and self goals has troubles. Tom says that he does anything to keep busy so he can forget what he left behind. He is still not fully content with his life.
Our journey starts in the year 1853 with four Scandinavian indentured servants who are very much slaves at the cold and gloomy headquarters of the Russian-American fur-trading company in Sitka, Alaska. The story follows these characters on their tortuous journey to attempt to make it to the cost of Astoria, Oregon. Our list of characters consists of Melander, who is very much the brains of the operation as he plans the daring escape from the Russians. Next to join the team was Karlson, who was chosen by Melander because he is a skilled canoeman and knows how to survive in the unforgiving landscape of the Pacific Northwest. Third was Braaf, he was chosen because of his ability to steal and hide things, which made him a very valuable asset to the teams escape. Last to join our team is Wennberg who we know is a skilled blacksmith who happens to hear about their plan and forces himself into the equation.
In Under a Cruel Star, Heda Margolious Kovaly details the attractiveness and terror of Communism brought to Czechoslovakia following WWII. Kovaly’s accounts of how communism impacted Czechoslovakia are fascinating because they are accounts of a woman who was skeptical, but also seemed hopeful for communism’s success. Kovaly was not entirely pro-communism, nor was she entirely anti-communism during the Party’s takeover. By telling her accounts of being trapped in the Lodz Ghetto and the torture she faced in Auschwitz, Kovaly displays her terror experienced with a fascist regime and her need for change. Kovaly said that the people of Czechoslovakia welcomed communism because it provided them with the chance to make up for the passivity they had let occur during the German occupation. Communism’s appeal to
In his book “Between the World and Me”, Ta-Nehisi Coates explores what it means to be a black body living in the white world of the United States. Fashioned as a letter to his son, the book recounts Coates’ own experiences as a black man as well as his observations of the present and past treatment of the black body in the United States. Weaving together history, present, and personal, Coates ruminates about how to live in a black body in the United States. It is the wisdom that Coates finds within his own quest of self-discovery that Coates imparts to his son.