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Creative writing of war
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“The Letter” by Wilfred Owen deals with the atrocities of war. The soldier writes a letter to his wife telling her what is going on around him. He lies to make everything sound better than it actually is. However, his separate conversation with his comrade reveals the truth of war. These different conversations show how protecting loved ones from the reality of war can have both comforting and damaging results- which can be delineated by the speaker’s diction, and carefully formed prosody.
Throughout the poem, the soldier tries to hide the realities of war from his wife by his conscious choice of diction; however the truth manages to reveal itself. The poem starts off with a very comfortable tone but shifts to present conversations with his
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The speaker tells his wife that “[he] don’t see much of them square-‘eaded ‘Uns” (l.5). He drops the letter “h” and makes grammatical errors that exhibit his illiteracy. His clumsy sentence formations display it, too. In line five, he means to say that he does not see many of “those Huns” but replaces “those” with "them”. The “Huns” refer the enemies of World War I. The speaker speaks to his wife in a comfortable tone to avoid causing any suspicion and to arouse optimism and hope. In contrast, the diction choice changes when the speaker converses with his comrade. When the speaker gets shot, he screams, “Guh! Christ! I’m hit/ Take ‘old/ No, damn your iodine.” (l.20-21). The “h” sound is aspirated on the word "hit" to emphasize the impact of the bullet. The immense pain makes him swear and criticize any help being offered. This shows that during turmoil, it is difficult to be discreet. Even though the soldier tries to protect his family from the truth to comfort them, the truth always manages to spill out in some way. He tries to convince his wife that the war will not harm him but his death at the end of the poem unravels the truth. In addition to this, the varying prosody also shows how protecting loved ones
The informal language and intimacy of the poem are two techniques the poet uses to convey his message to his audience. He speaks openly and simply, as if he is talking to a close friend. The language is full of slang, two-word sentences, and rambling thoughts; all of which are aspects of conversations between two people who know each other well. The fact that none of the lines ryhme adds to the idea of an ordinary conversation, because most people do not speak in verse. The tone of the poem is rambling and gives the impression that the speaker is thinking and jumping from one thought to the next very quickly. His outside actions of touching the wall and looking at all the names are causing him to react internally. He is remembering the past and is attempting to suppress the emotions that are rising within him.
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
We have all heard war stories that seemed exciting and adventurous. Some stories are of men who gladly laid down their lives in the glory of battle and would do so again if given the chance. These stories tickle our sentiment and ease the pain of real war, but they do little to help us understand war's brutality. In his poem "Dulce et Decorum Est," Wilfred Owen does not attempt to pull the blood stained wool over our eyes. Instead of a novel quip, Owen gives us a look into the real horror of war. Using images of pain and sorrow, Owen gives us a taste of the front line that crushes any romantic ideas about war.
. Stark anthesis is used to present a shocking lamentation against the barbarity of war.
Through reading this poem several times I decided that the message from the poem is that war is full of horror and there is little or no glory. Methods which I found most effective were Full rhyme and metaphor.
She is a casualty of the war, not physically, but mentally. She is wounded emotionally by the loss of her loved one. This poem is set out like a nursery rhyme, its message is simple. The message reads that, in her eyes, war has ruined everything that used to be beautiful. War is unnatural and cruel, completely the opposite of nature.
Owen’s hopelessness is obvious as he cries out from experience. The poet appears to push the solemnity on the reader. He begins this in the title of his poem, “Anthem.” Anthem means “a usually rousing popular song that typifies or is identified with a particular subculture, movement, or point of view” (Anthem). Owen desires the attention of the reader, toward the reality of soldiers whom die with no audience or appreciation. The audience is unable to feel hope when they are drawn in to “monstrous anger of the guns.” Owen only allows the reader to feel guilt and responsibility. He steals the opportunity to allow the reader to feel appreciation. Owen’s anger bleeds through his words when he says, “The shrill, demented choir of wailing shells.” Wilfred Owen’s hopeless tone paves the way for using metaphors to establish clear imagery. It is my intent to explore these devices to help give a better understanding of “Anthem for Doomed
Through the use of dramatic imagery in Wilfred Owen’s “Dulce et Decorum Est,” Owen is able to recreate a dramatic war scene and put the reader right on the front lines. The use of language is very effective in garnering the readers’ attention and putting the dire images of war into the mind. He emphasizes that war is upsetting and appalling at times. There is nothing sweet about it. He only strengthens his argument by the use of strong descriptive words and vivid figurative language. The utilization of these techniques gives the poem a strong meaning and provides the reader with a vivid portrayal of the events that took place during this grisly occurrence.
Many war pieces express a distinct sense of truth, hatred, and anger that can be found in the style, tone, and imagery they possess. Incredible images are created in ones mind as war writings are read and heard. Works written by such writers as Siegfried Sassoon, Wilfred Owen, and Tim OBrien really reach out to the audience by way of the authors choice of words and images that they use in their writing. These talented writers create very touching and heart-felt images as they write about the true occurrences, problems, feelings and emotions that soldiers encountered throughout times of war. It is by way of these writers words that the bloody truth of war is heard, rather than the glorified victories heard which overlook the pain that soldiers went through.
Hardships from hostile experiences can lead to the degradation of one's mental and physical state, breaking down their humanity. Wilfred Owen's struggles with the Great War has led to his detailed insights on the state of war, conveying his first-hand experiences as a front-line soldier. 'Dulce et Decorum Est' and 'Insensibility' displays these ideas and exposes the harsh and inhumane reality of war. From the imagery and metaphors, Owen's ideas about the deterioration of human nature resonates with the reader of the repercussions of war.
Owen, Wilfred. “Dulce Et Decorum Est.” World War I British Poets. Ed. Candace Ward. Dover Publications, Inc; New York, 1997.
World War I impacted poetry profoundly. Poets who served in the war were using poetry to share their horrific stories about the hardships they faced. These poets became known as “war poets.” They wrote about the traumatic, life changing experiences that haunted them once the war was over. Intense poems started emerging that portrayed the mental and physical struggles soldiers faced. Two examples of the impact that World War I had on poetry is seen in the poems “Dulce et Decorum Est” by Wilfred Owen and “Repression of War Experience” by Siegfried Sassoon.
Owen’s poem uses symbolism to bring home the harsh reality of war the speaker has experienced and forces the reader to think about the reality presented in romanticized poetry that treats war gently. He utilizes language that imparts the speakers experiences, as well as what he, his companions, and the dying man feels. People really die and suffer and live through nightmares during a war; Owen forcefully demonstrates this in “Dulce et Decorum Est”. He examines the horrific quality of World War I and transports the reader into the intense imagery of the emotion and experience of the speaker.
The quote shows that when the war is done, the men "will be making homes" (line 6). This shows irony as the war is just beginning however, the authorities are already discussing the events when the war finishes. This is to distract society from the dying soldiers and show them what they will win: new homes.
The poem is an easy read, but intriguing at the same time. This poem is about a person who might have been injured in a battle of some kind or a war. The setting is a hospital. Plath leaves many details to the imagination, but the setting is concrete. This poem is written in the first person.