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Recommended: History of Jazz music
Erroll Garner (1921 - 1977) was a sophisticated jazz pianist referred to as .".. a brilliant virtuoso who sounded unlike anyone else..." . His approach to music was in the style of "Swing Music" as well as "Bop", but he still had a very unique, individual style that was heavily influenced by his lack of training (he wasn't taught how to read music), as well as many composers and particular playing styles. Over time, garner developed his own style and has been referred to as a pioneer of the "hard swinging jazz style."
The distinctiveness of Garner's individuality has often been discussed and many people believe he was ."..ultimately a very idiosyncratic player, and he didn't fit well into any of the standard piano style groupings of 40's and 50's jazz." However, it was the rare uniqueness that people admired and appreaciated that brought the chic American jazz pianist to fame.
Garner had many characteristics and traits evident throughout his compositions that help to identify the character of some his compositional styles. These techniques include octaval melodies, broken chords and tremolos, syncopation, extended chords, chromaticism and polyrhythms. All of these are obvious, common traits of past and present jazz music.
Examples of these are in the following sound excerpts:
"Dreamstreet", 1961 - tremolos and syncopation
"Left Bank Swing", 1958 - syncopation and octaval melodies "It Gets Better Every Time", 1974 - chromaticism "Other Voices", 1964 - extended chords (Sound "Misty", 1954 - broken chords and polyrhythms
These excerpts also supply an understanding of the diversity of Garner's compositions. Many composers develop and maintain a particular conceptual style that is evident throughout all their piec...
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...een his "Bop" and "Swing" pieces as he follows the basic ideas of the difference between "Bop" and "Swing" - the average tempo is faster, there are higher displays of virtuosity, the piece is more complex and often there is a more agitated feel. Many of these characteristics are displayed in the piece, "Play Piano Play", which can be contrasted to that of "Dreamy" for example.
To sum up, the uniqueness and diversity of Erroll Garner's compositions are a result of his many major influences, which are not just the basics of his influences from other composers (e.g. Earl Hines and Art Tatum), but of the time he was composing (when Bop originated) and the people he was surrounded by (particularly his musical upbringing), and most importantly, how people responded to his uniqueness and diversity encouraged him to become the amazing composer that all remember him by.
The music industry during the 1940s was filled with many talented artists who impacted the music industry and the history of rock n’ roll forever. But one of the very well known and talented artists was Buddy Holly. Buddy Holly was the first to pioneer new music genres and progressive music. Charles Hardin Holley (1936-1959) was an American musician and artist whose creative career began in 1956. The family name is correctly spelled “Holley” but his first recording contract from Decca Records in 1956 spelled his last name “Holly” and he kept it that way for the rest of his career (Griggs 1). Holly took a very influential position in the music industry and built an audience for his Rock and Roll music very quickly due to his unique voice and advanced knowledge of music. Buddy Holly is a prime example of a musical pioneer who blended resources from various music genres including a variety of popular genres such as rhythm and blues (RNB), oriental, and African (Schinder and Schwartz 85).
...leans style of music and influenced how big bands in the later eras would approach jazz. The compositions provided information on how to accurately notate improvisatory jazz music on paper and thus, laid the foundation for the next stage in the jazz timeline: the swing era.
3. Davis, Nathan T. Writings in Jazz. Kendall/Hunt Publishing Company. Dubuque, IA. 1996. p. 152-153, 163, 166.
In the 1930s, Goodman gradually gained recognition at recording sessions and radio shows in New York City, where he later formed his first band and began performing weekly on NBC’s radio show Let’s Dance (Collier 89). Around this time, Goodman had his first number one hit “Moonglow,” clearly marking his progression as a bandleader (Collier 96). This exposure allowed Goodman to achieve greater national fame that provided the foundation for the beginning of the Swing Era. With a national audience building from his radio performances, Goodman’s upbeat, hot jazz swing style was gaining traction, leading up to a pivotal performance on his band’s tour in Los Angeles that marked the transition to a new era in jazz. At Palomar Ballroom, Goodman and his band performed their new swing music, which combined elements of jazz and popular American dance music (Firestone 204). The gig is generally accepted as the start of the Swing Era, as Goodman’s style of swing music gained overwhelming positive feedback from the audience. Since the performance was broadcasted on national radio, Goodman’s jazz music dominated headlines and catapulted jazz into the forefront of American popular music. As dancers craved the upbeat swing music, bands copied Goodman’s style, which led to the proliferation of swing music and the birth of the Swing Era (“Benny Goodman:
He left a rich Jazz heritage for people around the world. People can appreciate the excellence of a grand master from the following classic singles, West End Blues, Savoy Blues, Potato Head Blues, Weather Bird, I 'm Not Rough and Heebie Jeebies and so on. Not a jazz musician could be known to and win support from every family like him. His works has been reprinted several times in the past thirty years (Gourse and Louis 342). He had a large collection of his own and other recordings. He enjoyed listening to his own recordings, and comparing his performances musically.
Edward Kennedy Ellington was born on April 29, 1899 to his middle-class parents James Edward Ellington and Daisy Kennedy Ellington, who were both pianist. At the age of 7 his parents put him in piano lessons and enforced the necessity for sophistication and etiquette, which is actually where his nickname Duke came from because his style of dress and his mannerisms reminded his friends of that of a nobleman. He attended At age 15 although he was a talented pianist, he was rough around the edges and could not read or write music, but that did not stop him from composing his first piece “Soda Fountain Rag”, which he created by ear while working as a soda jerk. Upon viewing various ragtime artists while vacationing with his mother Duke felt encouraged to better his piano skills and through the help of Dunbar High School’s Henry Lee Grant and local big band leader Oliver “Doc” Perry, Duke learned to read and write music, become far more polished in his playing techniques, and overall raise his playing ability. While by professional at this point he was a sign painter, he played party gigs and dances ...
were merely inspired by the earlier music and used the idea to write their own compositions. One
Ellington personally created most of the music played by his orchestra. He often wrote pieces for specific players with distinctive musical styles in his band, such as "Concerto for Cootie" (1940) for fellow musician and trumpeter, Cootie Williams. With the help from American trumpeter James "Bubber" Miley, Ellington often incorporated in his music the jungle effect. This effect was made by placing a plunger at the opening of a brass instrument, therefore, muffling or muting the notes played out. The result sounded like a person wailing, giving the piece a voice-like quality. In "Concerto for Cootie," Cootie Williams does a solo using the jungle effect, making it sound like a voice is singing along. His opening solo is repetitive, going over the same set of notes over and over again. The overall feeling is as if the music is wooing the listener.
During his lifetime, Ellington was able to sign his name to a Broadway musical, "Beggars Holiday", a ballet, "The River", and a full length movie score, Anatomy of a Murder. Some of his more interesting music came from the period when he wrote in a classical style. What makes his music so interesting is how it sounds so much like Beethoven yet, there is an underlying jazz feel to the music. This is something that is very unique to his writing. What is even more amazing is knowing that Duke basically taught harmony to himself and that his vast knowledge of arranging music came from experimenting with his band. Just as a chemist learns and creates in a lab, Ellington used his band to learn and create. Duke was no match for Father Time though. As death crept up on Duke Ellington, he began writing liturgical music. His most famous piece was, "In the Beginning God," which was written for orchestra chorus and soloist. Again he was still able to keep an underlying jazz
His most famous work was a piece called Body and Soul (http://library.thinkquest.org.). Hawkins has also recorded with artists such as Thelonious Monk and Duke Ellington. Other people such as Bessie Smith, Josephine Baker, Duke Ellington, and “Dizzie” Gillespie have also made many contributions to the development of jazz. By the end of World War I, Black Americans were facing their lowest point in history since slavery. Most of the blacks migrated to the northern states such as New York and Chicago.
“Music expresses that which cannot be put into words and that which cannot remain silent (Hugo, 2007).”Whether you grew up in the Roaring 20’s or in the Disco 70’s, music was a strong source of fun and entertainment. It is an art of sound in time that expresses ideas and emotions in significant forms through the elements of rhythm, melody, harmony, and color. If you ever heard the phrase “Do the Hustle” you would most likely be referring to the disco era of the 1970’s compared to the “jazz age” of the 1920’s. Both eras with their common and uncommon comparisons made a historical and unforgettable impact on today’s music.
He had exposure to several different genres growing up in his St. Louis, MO hometown. He heard country from the whites, rhythm & blues (R&B) from mostly blacks, even Latin music. His family environment set him up well for future success while growing up in a middle class home in the middle of the Great Depression of the 1930s. His parents sun...
...nt from lower pitch sound to high pitch, showing various pitches they can make. They differed in style when they went solo. Ron Eschete mixed high and low pitch sound very irregularly and each tone seemed very distant like Monk?s style. Todd Johnson rhythm and tone was more smooth and close to each other, giving impression of cool jazz style. The other element is a swing feeling. This can be described as a feeling that makes you want to dance, clap your hands, of tap your feet. During the concert, as I looked around in the audience, I could see people bobbing their heads, and tapping their feet. Due to the fast tempo, the Ron Eschete Trio?s music just made people want to dance even though it sounded smooth and mellow.
Reich, Steve. Writings about Music. Halifax: Nova Scotia Coll.of Art & Design P., 1974. Print.
Through his contribution to early Jazz, he had a direct hand in developing the new field of academic jazz scholarship, although it had been extensively debated on his contribution. None the less, his talent formed a popularity that was surpassed by none, even to the point that once in his career; he was more popular than the Beatles. Undoubtedly, he was the first, if not the only to present Jazz to the public as a form of art. This changed the direction of Jazz to not just leisure listening music, but a teachable and complicated