The Importance of Family Tradition in the Film, William Faulkner: A Life on Paper William Faulkner’s life was defined by his inability to conduct himself as a true Southern gentleman. He never achieved affluence, strength, chivalry or honor. Therefore, the myth of Southern masculinity eluded him. Faulkner shied away from violence, he never proved himself in battle. He was not a hard worker, nor was he an excellent family man. Seemingly worst of all, he did not follow in the footsteps of his father and the “Old Colonel.” The code of Southern gentility highly praises family tradition. As a born and bred Southerner I can attest to this fact. Every man in my family for ten generations has been a plumber. It is the utmost honor for a man to follow his father’s example. Faulkner, unfortunately, was incapable of really living like his father. Therefore, I believe Faulkner’s collective failures are rooted in the fact that he could not live up to the standards set by the men in his family. Faulkner’s father and great grandfather could be described as the embodiment of Southern masculinity. The video “A Life on Paper” made it clear that the Faulkner men were “manly men.” The “Old Colonel” was remembered as a valiant war hero and a wonderful storyteller. William’s father continued perfectly in his footsteps. He had an intense work ethic and he served in the military. He provided for his family and he never turned down a good fight. Together they set the mold for the perfect Southern man, a role that William could never hope to fulfill. William did, however, possess the unquenchable pride of a Southern man. He recognized the importance of proving himself to his father. So he spent his time emulating the man he admired. He tried to construct a normal family life but he was self- centered and irresponsible. His lack of steady income prevented him from being a provider like his father. Perhaps worst of all, Faulkner missed an important rite of passage by being denied war experience. The writer never actively participated in battle, so he constructed an elaborate web of lies and vivid stories. This event highlights Faulkner’s own intense determination to reach the Southern ideal. Since he couldn’t really be a war hero, he fabricated himself into one. This struggle proved extremely difficult for Faulkner. Upon reading Faulkner’s The Unvanquished, I drew a parallel between Drusilla’s commentary on life and Faulkner’s own pursuit of masculinity (100).
In the passage, Indian Education we start off by following Victor who is a Indian boy from the Reservation, from first grade up to high school. Even though he is bullied in first grade, Victor finally gets payback when he gets even on Frenchy SiJohn by shoving his face in the snow and then starts punching Frenchy over and over again. Victor undergoes bad luck as the next two years he has two mean teachers in second and in third grade that do not like him very much, but luckily in fourth grade, he has a teacher named Mr. Schluter who inspires him to become a doctor so he can heal his people in the tribe. The next year life takes a turn for the worse as Victor’s cousin begins sniffing rubber cement. If it was not for his new friend Randy the
I think that this statement typifies the entire family. There is something not-quite-right about all of them. Vardeman, as Cora Tull says on page 70, is "outen his head with grief and worry" for his mother. He has confused her with the fish because they both died on the same day. In his child's mind he cannot differentiate between the two. Throughout the novel he refers to his mother as a fish, as on page 196. In this scene, he is looking at the vultures that have gathered over the wagon. Darl and Cash are trying to get Cash's broken leg situated better for the rest of the ride. Vardeman thinks that his "mother is not in the box. My mother does not smell like that. My mother is a fish."
Wenzl, Roy, Tim Potter, L. Kelly, and Hurst Laviana. Bind, Torture, Kill: The inside Story of the Serial Killer next Door. New York: HC, 2007. Print.
Charles Manson was born on November 12, 1934 is a serial killer who spearheaded a murderous campaign with his followers, the Manson Family cult. Famous for the brutal murders of actress Sharon Tate and other Hollywood residents, Manson was never actually found guilty of committing the murders himself. He was However, because of the terrible crimes he forced others to commit made him a living figure of evil.
Fay, Laurel E. ‘Shostakovich vs. Volkov: whose Testimony?’ The Russian Review (October 1980), pp. 484-93.
...uilty he has several websites dedicated to him and has “groupies”. Ed also became the inspiration to leather face or better known as the Texas Chainsaw Massacre movie.
In California, December 20, 1968, Zodiac attacked Betty Lou Jenson and David Faraday. This was his first significant criminal act. In a matter of 2 or 3 minutes, the attack was finished and he drove casually away from the scene. He showed no signs of remorse and seemed very calm about all of his actions. After the attack of these two people-murdering the female-Zodiac would have read about his actions in local newspapers, listened to it on a radio report, or watched it on a local news report on the tv. Seven months later he attacked Darlene Ferrin and Micheal Mageau on July 4, 1969, killing the woman of course. Afterward he phoned the Vallejo Police departement to brag about what he did. He also wrote to three newspapers to brag.
"In Shostakovich we have the paradigm of a new, essentially political form of complex inward adjustments, one which requires a new kind of symphony." (Norris 177) Although a lifelong communist and an intense Russian patriot (he applied for and was granted membership into the Communist party in 1960), Dmitri Shostakovich composed under constant fear of public condemnation, often for what he perceived as the most contradictory reasons. He strongly believed in a profound bond between the composer and his society which enabled him to work, survive, and develop, but also which fostered an air of confusion when he felt he was wrongly criticized. In 1968, he was quoted as saying, "Soviet music is a weapon in the ideological battle. Artists cannot stand as indifferent observers in this struggle." (Blokker 133) He believed that composers could not retreat into private, creative worlds; rather, they must deal with the socio-political problems of the day, however bitter the experience. He felt that 'good' music lifts and heartens the people for work; it might be tragic, but it must be strong. This quotation reinforces his interdependence with the Soviet state. He realized that his works were entirely public, and as such, should be written with not only the audience in mind, but also with the thoughts of how a strict government might react.
Brooks, Cleanth. "William Faulkner: Visions of Good and Evil." Faulkner, New Perspectives. Ed. Richard H. Brodhead. Englewood Cliffs, New Jersey : Prentice-Hall, 1983.
Tavernise, S. (2013, November 7). F.D.A. Ruling Would All but Eliminate Trans Fats. Retrieved December 1, 2013, from http://www.nytimes.com/2013/11/08/health/fda-trans-fats.html
Bardsley, Marilyn. "Murder!" Charles Manson and the Manson Family — — Crime Library. N.p., n.d. Web. 12 Mar. 2014.
This story follows the typical format and is narrated in the third person. In the exposition, Faulkner’s skill as a writer is demonstrated through the way that he uses detail to draw the readers into the story. Also, in the first paragraph we are introduced to the main character and protagonist in the story, Sarty. The setting in which Sarty’s conflict is established is a trial. In the trial, the justice asks Sarty, “ I reckon any boy named for Colonel Sartoris in this country can’t help but tell the truth, can they” (qtd. in...
Buckman, Adam. “Following Footsteps of a Killer.” New York Post (Nov. 2002): 124: Proquest. Web. 28 Feb. 2014
Horton , Andrew J. . "The Forgotten Avant Garde: Soviet Composers Crushed by Stalin." Central Europe Review 1.1 (28 June 1999): n. pag. Web. 19 Mar 2011. .
Mrazik, Tina. "The Zodiac Killer" Online. Internet. 1998. Available: href="http://crimelibrary.com/zodiac/zodiac/zodiacmain.html">http://crimelibrary.com/zodiac/zodiac/zodiacmain.htmlWorks Consulted:Graysmith, Robert. Zodiac New York: Berkley Books, 1987. Penn, Gareth. Times Seventeen: The Amazing Story of the Zodiac Murders in California and Massachusetts, 1966-1981 New York: The Foxglove Press, 1987.