Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The effects of child abuse and neglect
Critical interpretations of wuthering heights
Heathcliff character essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The effects of child abuse and neglect
Emily Brontë’s Wuthering Heights raises a question about the defensibility of personality: can wrongdoings be explained and forgiven by backstory? Do the choices one makes define how “evil” one is, and are they destined to happen? Can anyone’s identity be seen as solely malevolent? If so, why is Heathcliff a prime example? When questioning the effects of one’s inherent personality and past on their current choices, the answer clears: although Heathcliff was raised in a household that did not treat him well nor teach him how to act appropriately in social situations, he makes no effort to better himself and revels in torturous activities, establishing his irrevocably evil disposition. Thus, Brontë’s opinion shines through in that a person’s
He was treated poorly as a child and was raised to have a negative outlook on life, inspiring his permanently disagreeable adult personality. This continued state of negative being can be seen in other characters as well. His early life is similar to Cathy Linton’s in the sense that she parallels her mother, Catherine, since she was born to her and is treated like her. She is born to have her specific characteristics, but also grows in a situation in which her household treats her like Catherine. Both Heathcliff and Cathy are destined for their lifestyles, as their pasts are not due to their personal actions. This can also be seen in Linton Heathcliff, who is perpetually weak from birth. Although Heathcliff attempts to raise him to be abusive, he fails, and Linton remains a wailing brat. This shows that the effects of childhood last long into adulthood, and what is established in early life cannot be
Brontë promotes the fact that personality is indicated in early age, in that while a person’s upbringing affects their outlook, the heart of the disposition is given at birth. If one is evil, it has been decided beforehand, and anyone wicked cannot be forgiven. Brontë’s views on personality can be interpreted as an argument for the innate qualities of humankind and its ultimate regard for the mind. While she acknowledges Heathcliff’s past and lack of assistance, Brontë implies that childhood is not the only indicator of lifestyle, and that an adjustment of mindset must be made as an active choice. There is satisfaction in that he never receives a redemption arc, nor does any character forgive him during his lifetime. By emphasizing his true nature, a statement is made in that fate will occur if unimpeded, and a lack of effort lets destiny continue its path. These examples of unforgiveness establish the idea that Heathcliff is an evil human from the beginning who will never be
“I am surrounded with her image! The most ordinary faces of men and women- my own features- mock me with a resemblance that she did exist, and that I have lost her!” (324) this quote is said by Heathcliff to Nelly Dean. The language used by Emily Brontë allows for the reader to visualize the faces that Heathcliff must see. The word “image” describes Catherine, Heathcliff can visualize Catherine everywhere, he sees her in all that he does and everywhere he goes there is no escaping that which embodies her true identity, her face. The “faces”, which represents ones identity, the identity shown to society, it’s the first thing that a stranger meets and the last thing a friend says goodbye to. The community and the people of Wuthering Height resemble and embody the woman that Heathcliff has lost. Heathcliff associates his own identity with that of Catherine’s and so when Catherine dies he ...
“I have not broken your heart - you have broken it; and in breaking it, you have broken mine”. (Brontë 156) Since the beginning of time, love is something all aspire to attain. It has shown through novels, movies, plays, and songs, however not all love is the same. In Emily Brontë’s novel, Wuthering Heights, published in 1847, characters illustrate through disputes that occur, deception and selfishness. This is illustrated through the events of; Heathcliff's hunger for revenge, Edgar Linton's impact on Catherine in comparison to Heathcliff, and Heathcliff’s deception on all characters.
I, Heathcliff, feel as though my actions are not reasoned correctly by the narrator's nelly, Mr lockwood and Isabella. So you have heard about my low points in the book, and some of you are probably thinking, “wow what a bad guy he is”. But i assure you none of the reasons for condemning my actions are just. You have heard their side of the story. Here’s mine.
A parallel description is given to Heathcliff when he is called, in one instance of the Brontean text «dark almost as if [he] came from the devil” (Emily Bronte: 36)
Wuthering Heights seems to be a series of destructive decisions. Heathcliff and Catherine never achieve a life of happiness together; their actions cannot lead to a blissful ending. The other characters are guilty of creating their own strife, whether from personal faults or lack of wisdom. In a way, Emily Bronte’s ability to weave flaws into each person’s character lends a sense of reality or humanness to the novel; no one is seen as entirely good or bad. Without lecturing her readers, Bronte demonstrates just how regrettable succumbing to impulses can be. I realized while reading that even though their lives have an aspect of romance, I would never want to live the way that they did.
From the beginning of the novel and most likely from the beginning of Heathcliff's life, he has suffered pain and rejection. When Mr. Earnshaw brings him to Wuthering Heights, he is viewed as a thing rather than a child. Mrs. Earnshaw was ready to fling it out the doors, while Nelly put it on the landing of the stairs hoping that it would be gone the next day. Without having done anything to deserve rejection, Heathcliff is made to feel like an outsider. Following the death of Mr. Earnshaw, Heathcliff suffers cruel mistreatment at the hands of Hindley. In these tender years, he is deprived of love, friendship, and education, while the treatment from jealous Hindley is barbaric and disrupts his mental balance. He is separated from the family, reduced to the status of a servant, undergoes regular beatings and forcibly separated from his soul mate, Catherine. The personality that Heathcliff develops in his adulthood has been formed in response to these hardships of his childhood.
In the novel Wuthering Heights, author Emily Brontë portrays the morally ambiguous character of Heathcliff through his neglected upbringing, cruel motives, and vengeful actions.
Works of art such as books, paintings, poems, and sculptures oftentimes are said to express the feelings, personalities, interests, and desires of their creator. One method for interpreting these details from books and other literary works is known as psychoanalytic literary analysis. This analysis seeks to identify the nature of relationships between characters as well as the author’s relationship with the characters. In the analyses the critic will discuss interactions between characters and with the author and often go so far as to make assertions about the author’s conscious and unconscious reasons for telling their story in the way they did. While psychoanalytic criticism is well accepted it is not without its own critics. At times it
The basic conflict of the novel that drives Heathcliff and Catherine apart is social. Written after the Industrial Revolution, Wuthering Heights is influenced by the rise of new fortunes and the middle class in England. Money becomes a new criterion to challenge the traditional criterias of class and family in judging a gentleman’s background. Just as Walpole who portrays the tyrannies of the father figure Manfred and the struggles of the Matilda who wants to marry the peasant Theodore, as depicted in the quote “(…) improbability that either father would consent to bestow his heiress on so poor a man, though nobly born”(p. 89), Brontë depicts a brutal bully Hindley who torments Heathcliff and separates Catherine from him. Heathcliff, a gypsy outcast picked u...
Emily Brontë, in her novel, Wuthering Heights, suggests that children, in their very nature, exhibit traits from their parental influences. However, these traits are not always represented at the same time and can come out in different situations. For instance, as Cathy Linton grows up, her personality is a mixture of her calmer father, Edgar, and her more fiery mother, Catherine. She shows both these personalities, but she limits each to the correct time and circumstance. Also, the same goes for Linton Heathcliff, who has become a mixture of both his mother, Isabella, and his father, Heathcliff. Lastly, this is shown in Hareton Earnshaw, who, because he has little to no relationship with his biological parents, has turned into a man more like Heathcliff, his surrogate father, instead of Hindley, his genetic father. In this way, parental influence can shape a child into becoming more like them.
Pamela Gonzalez April 10, 2014 Dr. Yoder English 210A: The Novel. Wuthering Heights Symbols are in which someone chooses to be visualized and the setting within which someone’s portrait is placed can communicate to us about that person’s personality and objectives, how they like to be seen and/or the period in which they lived. Wuthering Heights is a quarantined building on the hills in the West Riding of Yorkshire. “Wuthering Heights is the name of Mr. Heathcliff’s dwelling ‘Wuthering’ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather" (Emily Bronte pg.2).
We judge people based on their actions. Actions are the easiest way to look into someone’s thougtht process, actions are the decisions that make impacts on others. So it is no supreise that in Wuthering Heights by Emily Bronte, Heathcliff is an absolutely despicable character. Mistreated his whole life and deemed unworthy of his beloved Catherine, Heathcliff sets out on getting revenge. The other characters in the book show him no mercy either and Heathcliff continues in his ruthless ways. However there is humanity in Heathcliff as can be seen in the relationships with Catherine, Hareton, Nelly, and Lockwood, where they actually treat Heathcliff like a respectable companion. Revenge can force us to do unthinkable things. A mission bent on
Heathcliff’s thoughts and actions throughout the novel make it easy to presume that he has no human emotion, that he is too much of a monster to ever love another person. Even as a child, he is conniving and bitter and lashes out at Hindley when even slightly antagonized. Heathcliff is not a good person. He is a man filled with terrible flaws and a desperate desire for revenge, an uncontrollable rage that dominates his personality. It would be easy to view Heathcliff as a monster, if not for the one factor that makes him perhaps more human than anyone else; he loves Catherine more than life itself. In a world that has beaten him down to the point where he is almost completely jaded and hateful, he is able to feel an immeasurable adoration for a woman who is not easy to love. Heathcliff’s passion for Catherine encompasses his whole being and drives him absolutely crazy; his world revolves around making her love him.
Young Cathy’s love for Hareton is a redemptive force. It is her love that brings an end to the reign of Heathcliff. Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27).
Admittedly, Catherine, Heathcliff, and Hindley, aren't the soccer moms of today. Heathcliff does not even meet his son Linton until grown, only then because his mother Isabella dies. Because of paternal rights, Heathcliff gains custody of Linton. When Linton prepares to meet his father for the first time, he questions Nelly: "'And what is my father like? Is he as young and handsome as uncle?' 'He's as young,' she replies, 'but he has black hair and eyes, and looks sterner, and he is taller and bigger altogether.'…'Black hair and eyes!' mused Linton. 'I can't fancy him. Then I am not much like him, am I?'"(Bronte 152). Upon meeting his son, Heathcliff observes him as weak, sickly, and high strung, which strongly contrasts with ursine Heathcliff. Their contradictory personalities ultimate...