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Human civilization
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Eugenics, which had started long before my time, had once been defined as including free love and prevention of conception… Recently it had cropped up again in the form of selective breeding. (Margaret Sanger) Charlotte Perkins Gilman is as well known today for her feminist fiction as for her political essays. The author of the short story “The Yellow Wallpaper,” she attracted attention, in part, for her writings on women and work. Herland represents an outflow of the author Charlotte Perkins Gilman’s maternal feminist values. It presents a feminist critique of society, and is an example of utopian literature. The content of Herland was influential upon its publication (originally in a magazine), and experienced a revival in the 1970s, when …show more content…
Eugenics, the set of beliefs and practices which aim at improving the genetic quality of the human population played a significant role in the history and culture of United States prior to its involvement in World War Two. (Wiki) Gilman is the writer of late 19th and early 20th century and during this century which is known as progressive era, Eugenics was considered a method of preserving and improving the dominant groups in the population. The idea of Eugenics was brought up by Sir Francis Galton in America. They think that by the idea of eugenics there will be a development in a society. America also made American Breeder’s Association which later on founded the Eugenics Record office, and with certain mission and, in their mission statement, they wrote: Society must protect itself; as it claims the right to deprive the murder of his life so it may also annihilate the hideous serpent of hopelessly vicious protoplasm. Here is where appropriate legislation will aid in eugenics and creating a healthier, saner society in the …show more content…
Gilman consistently refers to the people living to in the valleys below Herland as “savages” and presents no evidence to substantiate this claim. As for eugenics she seems to believe that character “flaws” can be bred out of humanity as she repeatedly states that only the most virtuous women are allowed to enjoy the gift of maternity. The book describes a women-based Utopia, the last two boys dying, leaving only females to create an extremely elastic civilization. However, the arrival of the three explorers is regarded as a blessing, allowing the Herland citizens to get back to a bi-sexual society. (refer site-
Charlotte Perkins Gilman was a 19th century, journalist from Connecticut. She was also a feminist. Gilman was not conservative when it came to expressing her views publically. Many of her published works openly expressed her thoughts on woman’s rights. She also broke through social norms when she chose to write her short story, “The Yellow Wallpaper” in 1892, which described her battle with mental illness. These literary breakthroughs, made by Charlotte Perkins Gilman, help us see that the 19th century was a time of change for women.
The eugenics movement started in the early 1900s and was adopted by doctors and the general public during the 1920s. The movement aimed to create a better society through the monitoring of genetic traits through selective heredity. Over time, eugenics took on two different views. Supporters of positive eugenics believed in promoting childbearing by a class who was “genetically superior.” On the contrary, proponents of negative eugenics tried to monitor society’s flaws through the sterilization of the “inferior.”
On September 14, 1879, Margaret Sanger was born in Corning, New York. She was the sixth child of eleven children and realized early what being part of a large family meant; just making due. Although her family was Roman Catholic both her mother and father were of Irish descent. Her mother, Anne Purcell had a sense of beauty that was expressed through and with flowers. Her father was an Irish born stonemason whose real religion was social radicalism. Her father was a free thinker and strong believer in eugenics which meant Margaret possessed some of the same values. (Sanger, Margaret) Eugenics is the belief that one race is better than a different race just because they are not like them, kind of like Hitler and the holocaust. “He expected me to be grown up at the age of ten.” (Source 4.3 page 30) Coming from a family of eleven children she did have to grow up fast. Faster than most kids should have to. She left her house as a teenager and came back when she needed to study nursing. It was during this time that Margaret worked as a maternity nurse helping in the delivery of babies to immigrant women. She saw illegal abortions, women being overwhelmed by poverty, to many children, and women dying because they had no knowledge of how to prevent one pregnancy after another. This reminded her of the fact that her own mother had eighteen pregnancies, eleven children, and died at the age of forty-nine. Margaret dropped out of school and moved in with her sister. She ended up teaching first grade children and absolutely hated it. She hated children at that time. When Margaret was a child herself however, she would dream about living on the hill where all the wealthy people lived. She would dream of playing tennis and wearing beautiful c...
Galton, David J., and Clare J. Galton. "Francis Galton: And Eugenics Today." Journal of Medical Ethics, 24.2 (1998): 99-101. JSTOR. Web. 8 Mar. 2010.
The practice of eugenics was instituted in the late nineteenth century. Its objective was to apply the rearing practices and procedures utilized as a part of plants and creatures to human procreation. Francis Galton expressed in his Essays in Eugenics that he wished to impact "the useful classes" in the public arena to put a greater amount of their DNA in the gene pool. The objective was to gather records of families who were effective by virtue of having three or more grown-up male kids who had better positions than their associates. His perspective on eugenics can best be expressed by the accompanying section:
At the time Charlotte Perkins Gilman wrote “The Yellow Wallpaper” she was considered a prominent feminist writer. This piece of background information allows the readers to see Gilman’s views on women’s rights and roles in the 18th century; “The Yellow Wallpaper” suggests that women in the 18th century were suppressed into society’s marital gender roles. Gilman uses the setting and figurative language, such as symbolism, imagery, and metaphors to convey the theme across.
The idea of eugenics was first introduced by Sir Francis Galton, who believed that the breeding of two wealthy and successful members of society would produce a child superior to that of two members of the lower class. This assumption was based on the idea that genes for success or particular excellence were present in our DNA, which is passed from parent to child. Despite the blatant lack of research, two men, Georges Vacher de Lapouge and Jon Alfred Mjoen, played to the white supremacists’ desires and claimed that white genes were inherently superior to other races, and with this base formed the first eugenics society. The American Eugenics Movement attempted to unethically obliterate the rising tide of lower classes by immorally mandating organized sterilization and race based experimentation.
The concept of eugenics was not initially intended to prevent overcrowding, however, it would later be used as a form of population control. Eugenics is the idea of improving society by breeding fitter people. Francis Galton was the first person to originate this term and was a major proponent of the concept during the late nineteenth and early twentieth centuries. The practice of eugenics was originally performed through the use of selective breeding. Eugenics was a progressive idea, driven by social perceptions. In fact, "many of its most strident advocates were socialist, who saw eugenics as enlightened state planning of reproduction."2 Fearing the degradation of society, the elite desired to prevent further social decay of the world by eliminating individuals who were considered unfit physically, mentally, or socially.
These critics pick apart the story and view other works by Gilman to compare and contrast the differences in her works. In the first critical review, “Gender and Pathology in The Yellow Wallpaper” Juliann Fleenor states that Gilman struggled with the concepts of being a mother, motherhood, and with creation as well. In Fleenor’s comparison to the stories he states how in all the stories the home is their prison, insane asylum, and often their death place. In the story Fleenor also points out how Gilman is disgusted, awed, and frightened of her own body functions. He believes that a major theme of the story involves punishment of becoming a mother. This is supported by the absence of the child in the story (Fleenor 450-451). Her punishment of being a mother is a perfect example of an indirect topic that Gilman uses in her story. The reader may overlook this if the critic wouldn’t have broken it
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
The term eugenics was coined in the late 19th century. Its goal was to apply the breeding practices and techniques used in plants and animals to human reproduction. Francis Galton stated in his Essays in Eugenics that he wished to influence "the useful classes" in society to put more of their DNA in the gene pool. The goal was to collect records of families who were successful by virtue of having three or more adult male children who have gain superior positions to their peers. His view on eugenics can best be summarized by the following passage:
...ble to see that it actually incorporates themes of women’s rights. Gilman mainly used the setting to support her themes. This short story was written in 1892, at that time, there was only one women's suffrage law. Now, because of many determinant feminists, speakers, teachers, and writers, the women’s rights movement has grown increasing large and is still in progress today. This quite recent movement took over more then a century to grant women the rights they deserve to allow them to be seen as equals to men. This story was a creative and moving way to really show how life may have been as a woman in the nineteenth century.
The Yellow Wallpaper, Written by Charlotte Perkins Gilman, is comprised as an assortment of journal entries written in first person, by a woman who has been confined to a room by her physician husband who he believes suffers a temporary nervous depression, when she is actually suffering from postpartum depression. He prescribes her a “rest cure”. The woman remains anonymous throughout the story. She becomes obsessed with the yellow wallpaper that surrounds her in the room, and engages in some outrageous imaginations towards the wallpaper. Gilman’s story depicts women’s struggle of independence and individuality at the rise of feminism, as well as a reflection of her own life and experiences.
After learning of Gilman’s life, and by reading her commentary and other works, one can readily see that The Yellow Wallpaper has a definite agenda in it's quasi-autobiographical style. As revealed in Elaine Hedges’ forward from the Heath Anthology of American Literature, Gilman had a distressed life, because of the choices she had made which disrupted common conventions—from her ‘abandonment’ of her child to her amicable divorce (Lauter 799). Her childhood is described notably by Ann Lane as an introduction to the 1979 publication of ‘Herland’, one of Gilman’s most notable novels.
Societal control of the accepted terms by which a woman can operate and live in lends itself to the ultimate subjugation of women, especially in regards to her self-expression and dissent. Gilman does an extraordinary job of effectively communicating and transforming this apparent truth into an eerie tale of one woman’s gradual spiral towards the depths of madness. This descent, however, is marked with the undertones of opportunity. On one hand, the narrator has lost all hope. On the other, she has found freedom in losing all hope. This subversion of the patriarchal paradigm is tactfully juxtaposed against a backdrop of the trappings of insanity.