The Importance Of Drama In Education

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“Education, which is the process of helping people to find essential meanings in life, involves both teaching and learning.” (Üstündağ, 2015) It is pertinent that education promotes not retention of information but utilization in real life. The child must be able to see vitality of what they are taught and incorporate it. This being coupled with the importance of creativity in interpretation resulted in the inculcation of drama within the classroom. Drama in education is the use of drama techniques to support learning in the classroom. Drama in education was at first called creative dramatics and the founder of the field was Winifred Ward. The term is also sometimes used interchangeably with development drama, educational drama, informal drama,
This intuition is fostered and encouraged through drama as students are expected to think critically about their task. constructivist learning . . . is authentic and understanding-based . . .” which translates to the realness and useful of what is construct due heavily to the fact that it is constructed based on what the child understands from what is happening within the class. This intuitive understanding is developed through a constant interpretation of abstract and concrete. The more the student has to decipher or interchange both the more their intuitive understanding develops. As it concerns abstract concepts it easier to gather understanding by relating what is taught to a dramatized world therefore making the abstract concrete and easier to understand. Piaget (1977) “. . . we may find that for the student to use themselves as the ‘character’ in a book, they are likely to develop a greater intuitive understanding of that character.” He went further to say that “. . . representing ideas in symbolic form, makes them more concrete, enabling one to eventually make clearer sense of them.” Since drama, especially improv supports the use of imagination the student’s critical thinking skills will develop. Under cognitive constructivism the student’s constant exposure to drama will make way for critical thinking which will translate into intuitive understanding. This intuitive skill does not look at
“Cognitive constructivism is based on the idea that students learn by building on previous knowledge and are active in creating new understanding” (Ragnarsdóttir & Þorkelsdóttir, 2012, p: 5). This purport the notion that the students learn by building on their schema. By being able to add to their prior knowledge they are constructing new meaning from what they are taught. If they are unable to build on their schema then there is no learning taking place. This sees the students as active participants of the teaching-learning experience. Ragnarsdóttir & Þorkelsdóttir (2012) stated that “It is necessary to take in account a student’s previous knowledge because new knowledge is adopted and interpreted according to previous knowledge.” as such drama plays a vital role in the learning experience of students. Due to the fact that drama brings to the classroom real-life situations that students will have to give the appropriate response based on the assigned role. Consequently they will have to take from their prior knowledge of what a particular role entail and response accordingly. “Students use their experience to gain knowledge and build up additional experience while problem‐solving”. Drama triggers the schema of the students whether used as introductory material, lesson development or evaluation activity. Students will have to use their prior knowledge to interpret or complete

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