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Stopping by the woods on a snowy evening by Robert Frost
Stopping by the woods on a snowy evening by Robert Frost
Stopping by the woods on a snowy evening by Robert Frost
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The use of poetry holds the ability to easily portray an array of emotions and philosophies. The intricate language that lies in poetry allows the writer to vivify images for the reader. In Robert Frost’s writing, he uses a multitude of images that often deal with nature to write on themes of death and sorrow.
Frost’s use of imagery to depict death can be seen in his poem, “Stopping by Woods on a Snowy Evening.” Frost begins the poem with the speaker stating, “He will not see me stopping here to watch his woods fill up with snow” (Stopping by Woods 540). This statement could possibly be interpreted as the speaker not wanting to be seen stopping in the woods by God. The man in the village can be thought of as God because “[h]is house is in the village” and Frost’s use of house is similar to the house of God. Frost uses the imagery of the woods in the previous statement to depict death (Stopping by Woods 540). Therefore, the speaker watching the dark, cold woods fill with snow is an image used by Frost to hint that the speaker is contemplating death or suicide and that the speaker knows God would not like him thinking of death as an option. According to John Ogilvie, “The poet is aware that the woods by which he is stopping belong to someone in the village […] but at the same time they are his, the poet’s woods too, by virtue of what they mean to him in terms of emotion and private significance” (230). This idea that the woods belong to the poet is an essential idea to Frost’s poetry because Frost’s life was plagued with death and death is significant to him because it played a major role in his life.
In “Stopping by Woods on a Snowy Evening,” Frost uses the imagery of nature to portray the life of the speaker. Frost describ...
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...ing” Literature: A Portable Anthology. Ed. Janet E Gardener, Beverly Lawn, Jack Ridl, and Peter Schakel. 3rd ed. Boston: Bedford, 2013, 540. Print.
---. “The Road Not Taken” Literature: A Portable Anthology. Ed. Janet E Gardener, Beverly Lawn, Jack Ridl, and Peter Schakel. 3rd ed. Boston: Bedford, 2013, 536. Print.
Ogilvie, John T. "From Woods to Stars: A Pattern of Imagery in Robert Frost's Poetry." South Atlantic Quarterly 58 (Winter 1959): 230. Rpt. in Poetry Criticism. Ed. David M. Galens. Vol. 39. Detroit: Gale, 2002. Literature Criticism Online. Web. 24 Apr. 2014.
Stern, Fred. "Robert Frost: One Acquainted with the Night." World and I Mar. 2013. Academic OneFile. Web. 25 Apr. 2014.
"The Road Not Taken." Poetry for Students. Ed. Marie Rose Napierkowski and Mary Ruby. Vol. 2. Detroit: Gale, 1998. 194-204. Gale Virtual Reference Library. Web. 26 Apr. 2014.
Gerber, Philip L. Robert Frost. Ed. Kenneth Eble. Boston: Twayne Publishers, Inc. 1982. The. 124-125 Lentricchia, Frank.
Selected Poems by Robert Frost, New York: Barnes and Noble, 2001 3.Graham, Judith, ed. Current Biography Yearbook Vol. 1962, New York: The H.W Wilson Company, 1993 4.Kesey, Ken. One Flew Over the Cuckoo's Nest, New York: Penguin Group, 1962 5.Weir, Peter. Dead Poets Society, 1989
Frost, Robert. “The Road Not Taken.” Literature and the Writing Process. Ed. Elizabeth McMahan et al. 8th ed. Upper Saddle River: Pearson, 2007. 695-696. Print.
Hayden, Robert. ”Those Winter Sundays.” Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford/St. Martin’s, 2012. Print.
Frost is far more than the simple agrarian writer some claim him to be. He is deceptively simple at first glance, writing poetry that is easy to understand on an immediate, superficial level. Closer examination of his texts, however, reveal his thoughts on deeply troubling psychological states of living in a modern world. As bombs exploded and bodies piled up in the World Wars, people were forced to consider not only death, but the aspects of human nature that could allow such atrocities to occur. By using natural themes and images to present modernist concerns, Frost creates poetry that both soothes his readers and asks them to consider the true nature of the world and themselves.
Robert Frost is considered by many to be one of the greatest poets of the twentieth century. Frost’s work has been regarded by many as unique. Frost’s poems mainly take place in nature, and it is through nature that he uses sense appealing-vocabulary to immerse the reader into the poem. In the poem, “Hardwood Groves”, Frost uses a Hardwood Tree that is losing its leaves as a symbol of life’s vicissitudes. “Frost recognizes that before things in life are raised up, they must fall down” (Bloom 22).
Waggoner, Hyatt H. "A Writer of Poems: The Life and Work of Robert Frost," The Times Literary Supplement. April 16, 1971, 433-34.
Robert Frost uses metaphor and symbolism extensively in ‘Stopping by Woods on a Snowy Evening’, developing deeper and more complex meanings from a superficially simple poem. Frost’s own analysis contributes greatly to our appreciation of the importance of metaphor, claiming that “metaphor [is] the whole of thinking,” inviting the reader to interpret the beautiful scene in a more profound way. However, the multitude of possible interpretations sees it being read as either carefully crafted lyric, a “suicide poem, [or] as recording a single autobiographical incident” . Judith Oster argues, therefore, that the social conditions individual to each reader tangibly alter our understanding of metaphor. Despite the simplicity of language, Frost uses conventional metaphors to explore complex ideas about life, death and nature. The uncertainty, even in the concluding stanza, that encompasses the poem only adds to the depth of possible readings.
Robert Frost is regarded as one of the most distinguished American poets in the twentieth century. His work usually realistically describes the rural life in New England in the early twentieth century and conveys complex social and philosophical themes. But his personal life was plagued with grief and loss, which is also reflected in his poems and the dark energy distinguishes Robert Frost’s poems, frequently conveyed in the use of lexical words like dark and its derivatives or synonyms, woods, snow, night, and so on. (Su, Y)
Mertins, Louis. Robert Frost: Life and Talks - Walking. Norman: University of Oklahoma Press, 1965. 135.
...ert Frost 's poems, I now see his poems in a different perspective. I once thought as many do, that Frost 's poems where about nature but now I know that Frost 's true intention was of “taking life by the throat” (Frost Interview). While others consider him as a nature poet, Frost doesn’t believe himself as one and we can see his perspective in his poems but especially in “Mowing,” “After Apple-Picking,” and “The Road Not Taken.” Frost actually uses nature as an analogy to human life experiences or the troubles that people go through. He reflects these poems back to his personal life and the struggles he has been through also. After researching and reading about Robert Frost I have became very fond his work and enjoy looking deeper into his work trying to picture what he truly meant. While Frost uses a simple idea like nature, he relates it back to human nature.
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” provide us contrasting and sometimes similar glimpses of life. “The Road Not Taken” is about taking control and living life. “Stopping by Woods on Snowy Evening” entails the desire for rest, perhaps due to the speaker’s feelings of weariness from facing life’s struggles. The poet also explains the tough choices people stand before when traveling the road of life. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road they have chosen.
The vivid imagery, symbolism, metaphors make his poetry elusive, through these elements Frost is able to give nature its dark side. It is these elements that must be analyzed to discover the hidden dark meaning within Roberts Frost’s poems. Lines that seemed simple at first become more complex after the reader analyzes the poem using elements of poetry. For example, in the poem Mending Wall it appears that Robert frost is talking about two man arguing about a wall but at a closer look the reader realizes that the poem is about the things that separate man from man, which can be viewed as destructive. In After Apple Picking, the darkness of nature is present through the man wanting sleep, which is symbolic of death. It might seem that the poem is about apple picking and hard work but it is actually about the nature of death.
Then in the last stanza Frost mentions woods again. Even though the narrator has a long way to go he always has enough time to stop and watch the small thing in nature in detail. This goes to show that Frost’s interest in nature is very large, and he portrays this through his characters.
Frost uses nature as a reflection of human experiences; just like humanity it can have seasons and life cycles. He uses different scenes to depict a certain mood for readers to step into the psychological happening of a man. The idea of how seasons change, Frost compares it through the life cycles that humans encounter. Contrary to popular opinion, I believe that nature is not Frost’s central theme in his poetry; it is about the relationship that man has with nature in which can be seen from “Stopping by Woods on a Snowy Evening”, “The Road Not Taken”, and “An Old Man’s Winter Night.”