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“Ages 12-34 are the high risk years for rape and sexual assault.” https://www.rainn.org/statistics/victims-sexual-violence In Sandra Cisnero’s novel, The House On Mango Street was about a little girl named Esperanza, how she viewed the neighborhood she moved into, and how she just wanted to fit in and have a normal life. Yet she got the complete opposite, she ended up getting violated and assaulted. The main characters in the novel Esperanza, Nenny, her parents, and other people that lived into the neighborhood that she now calls “home”. Throughout the novel it portrays her maturity, innocence, the way she views everything completely different from other girls her age, and assault. In this paragraph it’s going to about how someone assaulting …show more content…
Esperanza was describing how Marin acts and the movements Marin does when she gets out of work or when she’s done taking care of her aunt's kids. “Marin under the streetlight, dancing by herself, is singing the same song somewhere. I know. Is waiting for a car to stop, a star to fall, someone to change her life.” (Cisneros page 27) This proves how Esperanza is still innocent because she doesn’t understand how Marin is a hooker, Esperanza just thinks that she’s just dancing by the streetlight singing the same song every time she gets out of work or after she is done taking care of her aunt’s kids. Esperanza and Sally went to carnival even though Esperanza hates doing to them, the only reason Esperanza went to the carnival was because she didn’t want sally going alone, Sally left Esperanza by herself while Sally went away with a big boy Esperanza didn’t know. “I like to be with you, Sally. You’re my friend. But that big boy, where did he take you? I waited such a long time. I waited by the red clowns, just like you said, but you never came, you never came for me.” (Cisneros 99-100) Esperanza didn’t understand that Sally was with the big boy …show more content…
Her father told Esperanza that he doesn’t have any money to keep her in the Catholic school she is in. “It wasn’t as if I didn’t want to work. I did. I had even gone to the social security office the month before to get my social security number. I needed money.” (Cisneros page 53) This quote proves my thesis because she still found a way to stay in the school she prefers to be in. This quote proves my thesis because she still found a way to stay in the school she prefers to be in. This quote proves my thesis because she still found a way to stay in the school she prefers to be in. Most girls her age would be fine with just going to a public school, but Esperanza did not want go to a public school so she worked for what she wanted. Esperanza was have a discussion among Nenny and some of Esperanza friend’s about Eskimos, Lucy would only say that their was only two kinds of Eskimos, and Nenny would say there is million zillion kinds of Eskimos. “The Eskimos got thirty different names from snow, I know say. I read it in a book.” (Cisneros 35) Esperanza shows maturity in this quote by actually finding how many kinds of Eskimos there are in the world instead of being ignorant and just saying there’s only two kinds
he won’t let her talk on the telephone. And he doesn’t let her look out the window.” (Cisneros 101) Sally takes the in the influence of the other women around her that she thinks that marriage is the best thing for her. Esperanza saw this coming when she knew that she would not be able to save Sally. That is because it was already happening. Esperanza saw that Sally was tu...
At the carnival, Esperanza arranges to meet Sally to hang out, but Sally never shows up to meet with Esperanza. While she was waiting for Sally to show up, a group of boys show up out of the blue and grab her, and one of them decides to rape her. Esperanza is really young so she doesn't understand what sex is like yet and gets mad a Sally for lying to her what it’s really like.
“The House on Mango Street” emphasizes on this issue, even broadens to explain other controversial matters such as abuse, misogynistic views, and stereotypes. The protagonist, Esperanza Cordero moves to Mango Street where she must witness the abuse affecting her friends, neighbors, and family. Either Sally a close friend, Mamacita a neighbor, or her own mother handling 4 children. Over the course of the novel Esperanza changes physically and mentally. Through the use of imagery as well as complex, descriptive vignettes Cisneros epitomizes the misogynistic views within Esperanza’s
Esperanza tries to be a good friend to Sally, but ends up appearing immature and silly. Esperanza feels shame, as she “wanted to be dead”, to “turn into the rain”, and have “my eyes melt into the ground like black snails” (Cisneros 97). With sensory-rich imagery, the author uses similes and metaphors to describe Esperanza’s feelings of utter mortification as she embarrasses herself in front of Sally. Esperanza becomes confused about her newfound sexuality and her loss of innocence when she begins acting strangely, yet awkwardly around boys. She doesn’t know whether to act like a child or an adult because although she wants to be mature and glamorous like Sally, and she gets exposed to the harsh nature of society. The disillusioned view of becoming mature and having boys notice her is especially realized by Esperanza when she gets raped at a carnival. Through detailed imagery, Cisneros describes the dirtiness of the boy, elaborating on “his dirty fingernails against my skin” and “his sour smell again” (Cisneros 100) and the confusion and anger from Esperanza. After this experience, Esperanza blames Sally instead for covering up the truth about boys and is heartbroken about the real truth of sexuality and men. It is clear that Esperanza vividly remembers this awful experience, and just reflecting on this experience causes her thoughts to
Gabriela Quintanilla Mrs. Allen A.P English 12 12 March 2014 The House on Mango Street Sandra Cisneros once said “'Hispanic' is English for a person of Latino origin who wants to be accepted by the white status quo. ’ Latino' is the word we have always used for ourselves.” In the novel I read, The House on Mango Street, by Sandra Cisneros, the main character, a twelve-year-old Chicana (Mexican-American girl), Esperanza, saw self-definition as a struggle, this was a major theme in the novel through Esperanza’s actions and the ones around her. Esperanza tries to find identity in herself as a woman as well as an artist throughout the novel through her encounters.
In the book The House on Mango Street, author Sandra Cisneros presents a series of vignettes that involve a young girl, named Esperanza, growing up in the Latino section of Chicago. Esperanza Cordero is searching for a release from the low expectations and restrictions that Latino society often imposes on its young women. Cisneros draws on her own background to supply the reader with accurate views of Latino society today. In particular, Cisneros provides the chapters “Boys and Girls” and “Beautiful and Cruel” to portray Esperanza’s stages of growth from a questioning and curious girl to an independent woman. Altogether, “Boys and Girls” is not like “Beautiful and Cruel” because Cisneros reveals two different maturity levels in Esperanza; one of a wavering confidence with the potential to declare her independence, and the other a personal awareness of her own actions and the decision to take action and wage her “own quiet war (Cisneros 89).
The question, “What do you want to be when you grow up?” is often asked by teachers, parents, friends, and family addressing younger children. It would seem that most Americans have within them the sense that dreams do have the potential to become reality. People often choose to see the “bright futures” of children in order to reassure them they can be anything they want to be. It seems as though there are no barriers to reach a goal if enough hard work is applied. Does this truth transcend cultural divides? Do people of minority in the United States have the same hope about their futures as the majority does? Sandra Cisneros depicts the unique dreams of Mexican-American women despite cultural depression in her story The House on Mango Street.
Furthermore, Sally, an innocent friend of Esperanza, tries to escape her father’s cruel beatings through marriage, but her circumstances do not change, her husband still treats her as her father has in the past. “ He won’t let her talk on the phone. In addition, he does not let her look out the window. In addition, he does not like her friends so nobody can visit her unless he is working. Sally’s father controlled her and now it is her husband; she thinks that she is escaping when in reality she is just giving the leash to someone else. Sally chose the easiest way out of her life, marriage, she did not see the unfavorable
In the vignette titled Beautiful and Cruel Esperanza declares that she has “decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain” (88). She also remarks that “her power is her own. She will not give it away . . . I am one who leaves the table like a man, without putting back the chair or picking up the plate” (89). Esperanza is demonstrating that she does not want to become tied down in the traditional sense of marriage when she refers to it as a ball and chain. As she has been growing up within Mango Street she has been witness to relationship in which the women become objects of their husbands and loss the identity of themselves. Esperanza is aware of the power imbalance between the men and women in her Latino community and openly states that she wants to be powerful. When she writes that she will not give her power away she is demonstrating again that she will not hand over her power to the men in her life as Earl’s wife and Rafaela have done. In growing up on Mango Street Esperanza’s notions about the relationship between women and have begun to shape her outlook on life. In her last quotes she is clearly decided that she fight back against the stereotype of what is expected from a young girl or female. In stating that she
Esperanza begins as a very wealthy girl in Mexico, and doesn’t think about how lucky she is to have the privileges that she has. She can have almost anything she wants and has to do little work. Esperanza barely even thinks about the lower classes. They are not part of her life. But when her ranch is burned down and her father killed, she has to leave Mexico and enter the United States as an illegal immigrant. But by doing so, she is forced into contact with many people far less wealthy and well-off than her. When Esperanza enters Zacatecas to board the train, she is surprised that they are not in the fancy section. Instead, they are in a car with peasants and beggars. “Esperanza had never been so close to so many peasants before. When she went to school, all of her friends were like her. When she went to town, she was escorted and hurried around any beggars. And the peasants always kept their distance. That was simply the way it was. She couldn’t help but wonder if they would steal her things.” (p. 67). Esperanza has an obvious suspicion of the peasants during her train ride. She tells her mother that she cannot travel in this car , and that the people didn’t look trustworthy. A little bit into the trainride ...
“ The House on Mango Street” by Sandra Cisneros is a vignette talking about the experiences Esperanza had in short chapters. Esperanza is a 12 year old Mexican -American girl, so young and naive, she was so innocent, but as she grew older she began to know things of life. Her best friends are sisters, Rachel and Lucy and Marin. Marin was older than Esperanza so she knew a lot of things about boys so she is always telling Esperanza about boys. Part of the things Esperanza experienced in the story is her sexuality. Sexuality is a sense of of feeling or behaviour toward people either biologically, physically, emotionally, socially, spiritually or mentally. The author believes as people grow up they begin to have the sense of sexuality like people being attracted to the and also attracted to them.
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
Esperanza is relying on her childhood to help her through life she feels like “a red balloon tied to an anchor” (9,1,3) This passage describes that Esperanza singles herself out for her differences instead of her similarities and she knows it. She also sees her differences as a source of her isolating herself. She floats in the sky for all of the rest of us to see, dangling from a string. Esperanza is longing on for an escape like a balloon similar to her experiences with our society. However against the face that Cisneroz gives her a light voice, doesn't mean that it's not just as strong and
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Some people believe that opposites attract. Others believe that people who are more similar will have a better relationship. Some prefer relationships with older people, and some prefer them with younger people. Jhumpa Lahiri, author of the short story collection Interpreter of Maladies, explores the dynamic of relationships in her works. In her short story “Interpreter of Maladies” a married woman confesses a secret to a man she barely knows. In her story “This Blessed House” a couple fights over the religious relics they find in their new home. While one reads Lahiri’s stories, a theme begin to emerge that shows the woman of the relationship behaving like an adolescent and the man behaving like her father due to the internalized idea of