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Feminism in house on mango street
Feminism in house on mango street
Feminism in house on mango street
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Lakshmi is twelve years old and has lived her whole life in poverty and in a small village on a mountain in Nepal. She has a mother named Ama, a baby brother, a lazy gambler for a stepfather, and a cherished goat named Tali. She still has hope and dreams to continue to be the number one girl in her class at school and earn money as a maid in the city like her school friend Gita, so her family won't be so poor. The monsoons that last for 40 days hits Lakshmi’s mountain village. It kills everyone of their crops and leaves them unable to make money and desperate. They eventually end up selling her mother’s earrings. One day Lakshmi’s father tells her that she needs to go out and work to support the family. He ends up selling her to a stranger called Auntie Bimla who takes her to the city. To avoid opposition, he tells everyone that Lakshmi is going to work as a maiden in a house of a rich family. Lakshmi sees a part of the world she never began to experience of imagine in her small village. Auntie Bimla then introduces Lakshmi to a man called Uncle Husband. He takes Lakshmi across the border to a place called Happiness House in India. Once there, Uncle Husband and a woman named Mumtaz exchange money, and Lakshmi is taken to a room where a man tries to rape her. She finally pieces together that she had been sold into prostitution by her family. …show more content…
Finally, Mumtaz tells her that she can join the rest of the girls in the house, which means she has to compete with them. She must have sex with men until her debt is paid off, Mumtaz tells her. She attempts to adjust to life in Happiness House, but is desperately homesick. Shahanna, a fellow Nepali girl and one of the most mature, becomes protective towards Lakshmi and introduces her to the other girls in the
What happens when a young girl is betrayed and sold into a world of harassment and betrayal? Her father dies, and her mother and she are “taken in” by a “man.” She is sold by her so-called stepfather to a woman named Mumtaz. Mumtaz owns a place called the happiness house. This is where the main character and a few other girls live. This is the place where men come, and girls were forced to do things that they didn’t want to do. Mumtaz found ways to not let the girls pay off their debt, and they could only leave after they are diseased. Lakshmi is a young girl, who is forced to lose her gold (innocence) at a young age. Throughout her journey, she realized
... need for hard labor but as they move to the country, Beauty has to learn to work alongside her future brother-in-law and do heavy work. She also moves away from her studies and turns to helping her family progress. After her year away from her family, she physically grows into a woman. She also finds herself dependant of the Beast rather than of her family as would a child.
The short story, “The House on Mango Street” is a fiction writing focused on a family as they move from house to house. The story is written by Sandra Cisneros. This paper will focus on three literacy elements that are significant in “The House on Mango Street.” Literacy elements are important, in fiction writing, because the different components allow the author to become more creative within their writing. The first literacy element that will discussed in this paper is the point of view, the second element will be the theme, and the last element will describe important symbolism throughout the story.
While reading the book The House On Mango Street, the author Sandra Cisneros shows a
Lakshmi does not understand what is happening, only that they are happening to her. The experiences Lakshmi goes through can relate to everyones’ personal experiences in life. For being such a young girl, Lakshmi’s life is anything but perfect. Living in a small village in Nepal, her family is not wealthy and her step father drinks and gambles what little money the family does have. Lakshmi, at such a young age, does not understand, however, Ama says “Even a man who gambles away what little we have on a fancy hat and a new coat, is better than no man at all” (McCormick 38).
Symbolism is a poetic and literary element that interacts with readers and engages their feelings and emotions. In Sold, thirteen-year-old Nepali girl, Lakshmi, is forced to take a job to help support her family. Involuntarily, she ends up in prostitution via the Happiness House; this sex trafficking battle forces Lakshmi to envision her future and possibility of never returning home. The very first vignette of the novel speaks of a tin roof that her family desperately needs, especially for monsoon season. At the brothel, Lakshmi works to pay off her debt to the head mistress, Mumtaz, but cannot seem to get any sort of financial gain in her time there. Both the tin roof and the debt symbolize unforeseen and improbable ambitions, yet she finds the power within herself to believe. How does Lakshmi believe in herself despite her unfathomable living conditions and occupation?
In Sold Lakshmi adapts from her timid innocence to standing up for what was right which leads to her survival. Lakshmi was very ignorant to what was happening at the beginning of her stay at the happiness house. As her goes on she realizes what is actually happening to the girls and tries to find a way to fix the wrongs without being found out. In the book it says, “I didn’t just hug him. I whispered in his ear and slipped him the flying-bird card” (241). This shows that Lakshmi was willing to take chances to right wrongs toward the end of the book. So overall Lakshmi is an example that adaption is the key to survival.
I picked this theme because no matter how much Mumtaz (the ‘owner’ of Lakshmi) tried to get Lakshmi to give up on her life at home and instead wanted her to stay miserable at ‘happiness house,’ Lakshmi never forgot she had a country, an age, and a family. “You are safe here only if you do not show how frightened you are.” (McCormick, 116) In the back of her mind, there always were thoughts of her friend Ama, her stepfather, and her baby brother suffering back from Nepal. She always thought of her real home in Nepal and always said one thing to herself, looking at the mirror. “My name is Lakshmi. I am from Nepal. I am thirteen years old.” (McCormick, 263/many other pages) She never forgets where she comes from, who she really is, how old she is, and that she is a child and does not belong to ‘happiness house’. This has helped her keep up a positive attitude, and soon enough, she was thinking about her family and how she should take care of them once she was free. This helped her not only persevere but to complete the work and eventually
Harish, Shahanna, and the hugging man are all character that supported Lakshmi and helped her to endure Mumtaz’s and her customers’ cruelty within the Happy House. They all helped her with friendship and kindness to stay strong, giving her a reason to keep pushing forward even when she is put into the pain and suffering in human trafficking. Patricia McCormick managed to intensely capture the reality of human trafficking and sex slavery in her novel Sold, after traveling to India and Nepal to research the customs and hear the stories of other girls rescued from the terror of human
Before she marries, well, she is dirty, unkempt, and a tomboy, unlike the beautiful women that hold themselves properly and keep themselves groomed in her time. But, when she finally cleaned herself up, she started getting noticed by all of the village boys.
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
At home in Nepal, Ama was Lakshmi’s role model, and even though she wasn’t able to provide Lakshmi with the luxuries that their neighbors had, “her slender back, which bears all troubles- and all hope- was still the most beautiful” to Lakshmi (McCormick 7). Even though she was not dynamic, I fell in love with how she inspired Lakshmi through her trials and her representation of the strong, hard-working women in Nepali culture. There were also a few other static characters, most of which I did not like at all. Her stepfather, Auntie Bimla, Uncle Husband and Auntie Mumtaz were the figures of authority that Lakshmi associated with her tortured existence in India, but in the midst of the hardship, there were characters that provided just as much light to Lakshmi’s life as there was darkness. For example, the young tea vendor lifted Lakshmi’s spirits with his polite gestures of free tea when she couldn’t afford it, as well as keeping her on the right path when Lakshmi was tempted to buy alcohol to soothe her misery (McCormick 224). Along with Lakshmi’s friend Shahanna, he too was taken away and I was convinced of Lakshmi’s impending doom even more than she herself probably was. All seemed dark until the second American came with his “digital magic”. By using his camera to show her pictures of rescued girls, this brave man was able to convince Lakshmi
She comes from a good family that works for what they have. She marries a good hard workingman. But, Mathilde is not happy the way she is living and she daydreams about having the glamorous life. From having fancy tapestries, grand banquets to tall footmen. One day her husband, M. Loisel, comes homes extremely excited to show his wife an invitation that he has received to go to a fancy ball. She is not happy because she has nothing to wear and she doesn’t want to show up looking ugly with house full of rich people. She got the dress she wanted but then was not happy because she needed jewelry to go with this dress. Mathilde went to her rich friend to borrow jewels from. Of course she went with the most extravagant piece of jewelry, a diamond necklace. Showing up to the fancy ball with everybody adoring what a beauty she is, Mathilde was finally satisfied. When she got home after the fancy ball, she noticed that the necklace she borrowed was missing. Looking franticly for weeks, Mathilde then decided she had to replace the necklace. Replacing the necklace took everything they had and more. Mr. and Mrs. Loisel then became extremely poor with no money to there name. They then had to sell everything had and both now had to work. This went on for about ten years. Mathilde had no beauty to her anymore, she had to work, and do the house keeping. The
Mumtaz, the ruler of the brothel, runs the house with brutality and a sense of street smart. Cheating Lakshmi of her paltry earnings, Mumtaz tells the girl she will never leave until she can pay off her family’s debts, which will never happen given the way the process is set up. She is living what is essentially enforced slavery. Despite her dire circumstances, Lakshmi continues to live by her mother’s words “simply to endure is to triumph” and slowly forms friendships with Shahanna and Anita who enable her to make it through her new struggles (McCormick 16). She learns to speak English from “this David Beckham boy” (McCormick 140). In time, Lakshmi meets a disguised Ame...
Ramatoulaye realizes that she was obeying and depending on her husband and following the societal norms and urges all the other women to unite and be independent of a man that doesn't appreciate a woman. Also, Ramatoulaye makes a choice to be a single woman that will do anything for her children and doesn't want to be with a man like Daouda who might be rich, but has a wife already.