The Hours: Women, Sexuality, and Death
The Hours is a movie that won the most awards in 2002.The movie is mainly about relationships, love, and death. This movie follows a single day in the lives of three women in different time periods between 1941 to 2001.The clothes that all three of these women wore were from different time periods. It is apparent from this movie that throughout history women were faced with trials and tribulations. Through each of their lives they battled with their own identity and the roles that they should play in society. In fact, this movie is mostly based on three women and their reflection on the novel Mrs. Dalloway. Virginia Woolf is the author of the novel Mrs. Dalloway, accordingly Laura Brown, reads the novel and has major changes in her life, and Clarissa Vaughan had been given the name "Mrs. Dalloway" by a close friend, Richard, who is suffering from AIDS. As the narration of the book unfolds, each of the three women finds themselves deeply affected by the title character. The Hours concentrates mainly on the experiences of these three women. Through them, we experience their doubts, frustrations, depressions, and desires. Underneath it all we want to find someone that we feel we are connected to.
Each woman at one point has to decide whether or not they want to live. Virginia Woolf has her own demons. She is struggling to overcome the depression and suicidal impulses that have followed her throughout her life. Laura Brown is a housewife living in suburbia, where she looks after her son Richie and husband Dan. Laura is an avid reader who is currently making her way through Mrs. Dalloway. The farther she gets into the novel, the more Laura discovers that it reflects a dissatisfaction s...
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...n living for her, because of her. Taking care of Richard has become Clarissa's reason for living. Because of himself and because of Clarissa, Richard leans farther out the window and plummets to his death. In society, many people who have committed suicide or contemplated suicide don't realize that their loved ones and family are there to support them.
The movie ends quietly with Virginia walking into a river in her final attempt to end her sufferings. Throughout this movie Virginia, Laura, and Clarissa have done so many things for their husbands, family, and friends but their feelings of doubt, depression, and lack of belonging so overwhelmed them that it becomes a burden. Women should not give their lives up so easily. They should try harder, because life is full of opportunities. Wonderful things could happen to them if they would but follow their hearts.
The children, Christina and Stella, believe that what the father did to their mother was "awful." Leaving the house not only affected the mother but affected them too, seeing as they were both so young. The father does not really understand that by divorcing their mother he did the same to them: "'When you're older, ...
... She comforts the Wilsons, feeds the starving nameless faces when she barely has enough for her own family, works together with the Wainwrights, and as the novel closes she is still directing her assistance to those who are in need any way she can, by helping the starving man and taking control of the situation. She feels that as long as she can hold on to some part of the family, she will see to it that they keep on going.
As the last story of James Joyce's short story collection, The Dubliners, "The Dead" is about a young Dubliner's one day of attending his aunts' party and his emotional changes after the party ends. In the paralyzed city the young man feels the atmosphere of death everywhere. And he often has misunderstandings with people, especially women including his wife. From the main character Gabriel's experience, we can see his personal life is in a strained circumstances. This difficult situation is probably caused by his failure to deal with the relationship with the female characters. Many events happen in the story prove that he can not get a real freedom until he understands the value of woman to improve the mutual relationship.
The novel is essentially about women. Women from different periods, of different ages, and oddly the same in various aspects. We get to know women that apparently lead perfect lives, considering the external aspect, and all of them come to a moment in their lives when they stumble upon the superficiality of their days and face their disturbed inner selves. The fates of the three characters cross because of the fact that Laura is reading exactly the book Virginia wrote, while Clarissa Vaughan appears to be a kind of living breathing Clarissa Dalloway.
In Michael Cunningham’s The Hours Virginia Woolf, Laura Brown and Clarissa Dalloway’s lives have a common undertone. In each story the three women are forced to confront one of society’s most controversial topics: mental illness. Mental illness is such a controversial topic mainly in part from fear. Many people in today’s society fear the unknown, they fear that in which they do not fully understand; mental illnesses such as depression and schizophrenia. Michael Cunningham shows a different side of mental illnesses using Virginia, Laura and Clarissa to convey his message: Mental illness is something that is not a one dimensional kind of issue.
With all the recent events that have occurred in Mabel’s life she truly believes that this is the end for herself; “mindless and persistent, she seemed in a sort of ecstasy to be coming nearer to her fulfillment, her own glorification, approaching her dead mother, who was glorified” (Lawrence 705). Mabel walks down to the cemetery where her mother lays at rest because Mabel is feeling alone and wants that sense of security. Mabel’s depression causes her to believe that “the life she follow[s] here in the world was far less real than the world of death she inherited from her mother” (Lawrence 706). All of these dark thoughts and memories of a life with her mother running through Mabel’s head lead to her finally giving up on her life and walking into a dreary pond to try to drown herself and end her
...look" for the first time in her life. The Victorian element of the 1800s has been brought down to a more reasonable level through Lizzie. The wild feminist in Laura has been tamed by the life threatening experience and the overpowering devotion of her sister.
“The Hours” directed by Stephen Daldry intertwines three women of distinct time periods as one. Virginia Wolf of the 1920’s, Laura Brown from the 1950’s and Clarissa Vaughn of modern time. The movie alternates with rough regularity between these three main characters. The movie centers on the feminist perspective of the three main characters and their respective time periods in American society. Daldry achieves purpose through plot, symbolism, and motif in a way that draws the viewer in on prominent attitudes and perspectives of each character that reveal theme. Virginia Wolf writes her story, Laura Brown reflects on the events in the story, Clarrisa Vaughn lives the story in modern time. Daldry cleverly organized the movie into three distinct
Emily Dickinson once wrote “Much madness is divinest/Sense-To a discerning Eye.” Often in literature, a character’s madness or foolish action plays an important role. Such is the case with the play Who’s Afraid of Virginia Woolf? written in 1962, by Edward Albee. The author develops and revisits the inner conflict of Martha, the protagonist, which results from the struggle between her and society throughout the plot to highlight the theme of struggle between reality and illusion. Martha’s madness is used by Albee to reveal characteristics of American society in the 50s and 60s that reveal the seemingly mad behavior as reasonable.
Dalloway’s character development. When Mrs. Dalloway finds out that Septimus, her foil in the book, committed suicide, she came to the realization that “She felt somehow very like him—the young man who had killed himself. She felt glad that he had done it; thrown it away. The clock was striking. The leaden circles dissolved in the air. He made her feel the beauty; made her feel the fun” (186). Because Mrs. Dalloway is not separated into chapters or sections, the book is mainly divided by the striking of the clock. Every time the clock strikes, it interrupts the thoughts of the characters and lends to a moment of epiphany or a shift in the book. Because the clock is a symbol for the everlasting progression of time, it waits for nobody. The clock continuously ticks, which Mrs. Dalloway was originally concerned about as the inevitable marching of time would eventually lead to her death. However, after learning about Septimus’s death, she realizes how beautiful life is. Although she has never met him, Mrs. Dalloway identifies with Septimus, and through his death, she learns to appreciate life and to accept death. The clock strikes to signify not only the progression of time, but also Mrs. Dalloway’s revelation. Woolf’s ability to relate the striking of the clock to the characters reveals her multi-faceted sophisticated
In Cunnigham’s The Hours, Virginia Woolf, through Cunnigham’s interpretation, is a character that is fascinated by mortality. In each event she experiences in the novel, she evaluates how she feels about living, and constantly considers suicide as a way to escape her oppressive life. One of these moments occurs when she is attending a “funeral” for a dead bird with her sister’s children. Although the reader knows that Virginia will eventually commit suicide, the “funeral” scene is an important character revelation because it reveals that at this point in the novel, Virginia was not ready to take her own life; and unfortunately, the film misses this important aspect of her character by condensing this scene.
Clarissa Dalloway is content with her life with Richard, is content to give her party on a beautiful June evening, but she does regret at times that she can’t “have her life over again” (10). Clarissa’s memories of Bourton, of her youth, are brought back to her vividly by just the “squeak of the hinges. . . [and] she had burst open the French windows and plunged at Bourton into the open air” (3). The very intensity of these memories are what make them so much a part of what she is– everything in life reminds her of Bourton, of Sally Seton, of Peter Walsh. Peter and Sally were her best friends as a girl, and “with the two of them. . . she s...
Along with many novels, she wrote essays, critiques and many volumes of her personal journals have been published. She is one of the most extraordinary and influential female writers throughout history. Virginia Woolf is an influential author because of her unique style, incorporations of symbolism and use of similes and metaphors in her literature, specifically in Mrs. Dalloway, To the Lighthouse, and The Waves. Virginia Woolf’s eccentric style is what causes her writings to be distinct from other authors of her time. The unique characteristics of her works such as the structure, characterization, themes, etc.... ...
Clarissa's relationships with other females in Mrs. Dalloway offer great insight into her personality. Additionally, Woolf's decision to focus at length on Sally Seton, Millicent Bruton, Ellie Henderson, and Doris Kilman allows the reader to see how women relate to one another in extremely different ways: sometimes drawing upon one another for things they cannot get from men; other times, turning on one another out of jealousy and insecurity. Although Mrs. Dalloway is far from the most healthy or positive literary portrayal of women, Woolf presents an excellent exploration of female relationships.
Woolf divided this thought into three categories: what women are like throughout history, women and the fiction they write, and women and the fiction written about them. When one thinks of women and fiction, what they think of; Woolf tried to answer this question through the discovery of the female within literature in her writing. Virginia Woolf Throughout her life Virginia Woolf became increasingly interested in the topic of women and fiction, which is highly reflected in her writing. To understand her piece, A Room of One’s Own Room, her reader must understand her.