Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Vaudeville history essay
American vaudeville quizlet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Vaudeville history essay
Ladies and gentlemen, boys and girls, there was a time in history, when a brand new style of entertainment swept the nation. It changed the very way that Americans would perform in theaters, while illustrating the creativity of people with an eagerness to entertain. The The development of vaudeville theater had a significant impact on America by providing people of all ages with a new source of entertainment, a new type of music/ theater experience, and symbolized the cultural diversity of early 20th century America. There really was no need for vaudeville theater, but it was still beneficial to Americans in multiple ways. For the performers, also known as vaudevillians, it was a way to express their creativity and talents with the rest of America. They would travel virtually everywhere and anywhere to entertain others, from small towns to the big New York cities. Not only that, but this was how vaudevillians made their living. It was their way of life, and the things they did would greatly impact not just their success, but their profit In addition, for the average American, it was a very new and interesting form of entertainment. As vaudeville developed over time, the performers and the audience became much more diverse. In 1881, a man named Tony Pastor created a form of vaudeville that allowed families, including women and children, to enjoy the large variety of acts. Low ticket prices also helped define the audience for vaudeville. Tickets usually topped out between $1 and 75¢, compared to seats to a broadway hit which went for as much as $2. There was no doubt that a vaudevillians life was often strenuous. In A History of the Musical Vaudeville by John Kenrick, he says “Appearing in vaudeville was no vacation. A successful act toured for forty or more weeks a year, doing ‘one nighters,’ split-weeks or weekly stands depending on a theatre’s size.” There was always a constant demand for new acts, and performances. People put up with the insistent schedules, because even those who were less experienced or skillful, could still make a decent living. For example, in 1919, the average factory worker could earn $1,300 a year. A small-time performer could earn up to $3,150 that same year, doing something that they enjoyed. Any performer with determination, devotion, and passion could make a suitable life for themselves. Over time, vaudeville theater provided people of all ages with a source of entertainment.
Cullen, Frank, Florence Hackman, and Donald McNeilly. Vaudeville, Old & New: An Encyclopedia of Variety Performers in America. New York: Routledge, 2007. Print.
middle of paper ... ... It is no wonder why movies were and still are a popular form of entertainment, as well as why during the 1920’s and even during the depression, people continued to flock to the movies. Works Cited Carringer, Robert, L. Jazz Singer. Madison, Wisconsin: University of Wisconsin Press, 1979.
Slapstick enables the beleaguered audience to stay here on earth and have the best good time; with a perfect sense of completeness, the clown’s martyrdom becomes the good time the audience is having. The significance of the silent era in film history cannot be overstated. During the first decades of the twentieth century, a truly commercial popular art emerged bound closely to the image of a modern America. Movie making luminaries such as Charlie Chaplin and Buster Keaton lead the way of comic cinema with their unforgettable films. Regardless of the development of synchronized sound, the era drew to a close, but the modes of production, distribution, exhibition, and consumption inaugurated during the silent film era persisted, creating the film industry, as we know it
Motion pictures from Hollywood had taken Broadway’s place as the king of entertainment. The main reason behind this was that because it was culturally relevant and coming out with new flashy techniques such as Todd-AO and Cinerama.
years ago the word "theater" possessed a different meaning than it does in today's society. The
...endly’ and cleaner than they once were. Today, people are enjoying going out for live entertainment experimenting with personal style and nurturing the latent theatrical desires within are in fact a new lifestyle for many.
It seems as if Americans in the late 20th century were only slightly aware of how influential the Wild West Shows actually were. They were, after all, the most spectacular arena entertainment, probably since the era of the Roman circuses. Indeed, one could possibly compare the 19th century attendance at such festivals as the forerunner of the popular music rock concerts – they were smash hits not only in America but throughout Europe as well. With time, the Wild West Shows were naturally surpassed by the novelty and shorter duration of motion pictures. Mention ‘Cowboys and Injuns’ and, almost automatically, one thinks of actors like John Wayne, Gary Cooper, WS Hart, Roy Rogers and Tom Mix.
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
Vaudeville was a premier source of entertainment for many Americans in the late 19th and early 20th century. Vaudeville theaters around the United States consisted of a variety of acts from singers and comedians to animal trainers and human marvels. In this paper I will take a look at some of the most intriguing acts I could find. Such acts include celebrities, humans performing incredible feats like surviving being shot by a cannon multiple times or spewing flames, and the so called missing link between man and ape.
With the entertainment business already booming with traveling circuses, wild west shows, burlesque, and vaudeville, just to name a few, it seemed like Americans already had an abundant amount to choose from. However, going into the 20th century, with the invention of early motion picture cameras, such as Thomas Edison's kinetograph, it seemed like only the beginning for the entertainment industry; new means of entertainment were bound to be founded. Americans wanted cheap and easily available entertainment.1 They wanted something big, as evident in the quick decline in the popularity of the kinetoscope, a novelty one-man motion picture viewer also invented by Edison.2 Americans seem to prefer sitting and watching the show with everyone else. Vaudeville, an inexpensive variety show comprised of a variety of acts, was what Americans seem to have been looking for. However, as technologies improve, people become interested by the next big thing, creating a path for nickelodeons, which showed early films. Nickelodeon theaters continued to build upon the vaudeville model to create even more convenience for film distribution and exhibition, resulting in attracting consumers to nickelodeons rather than vaudeville theaters and the prominence of the film industry.
American musicals just weren’t proving successful- as they were focusing on the previous century’s trend of “substance over spectacle”. However, ‘Brit Hits’ became overwhelmingly successful by breaking away from the previous ideal and creating a theme of ‘bigger and better!’, focusing primarily on creating sights over substance. With casts and creative teams of the shows being larger than ever, as well as the aid of technology advancements- it proved to be the way to go! Larger sets and bigger special effects were introduced, including helicopters flying onto stage and chandeliers crashing on stage. Due to higher budgets and musical theatre reaching its peak, shows like Cats changed the way theatre published and promoted. In the past, shows had only souvenir programs or shirts, but Cats’ signature pair of yellow eyes, plastered the show’s logo, across coffee cups, jackets, ornaments, key chains, pins etc.- anything that could be thought of, changing the course of advertising. These “Brit Hits” showed a promising future for musical theatre, bringing in tens of thousands of new fans and showcasing a real ‘WOW’ factor through the ideal of big budgets, big effects, big orchestration, big casts and overall, big
The 19th century was a time of change for Americans. The civil war took place in the 19th century which divided our country into two sides. Theater plays helped the people get through the war and hard times throughout all of history. The 19th century was a time of great change for American theater (19th century).
...er new wave in the 1880’s, it didn’t reach the United States until the 40’s. The first American avant-garde performance was in 1948 at Black Mountain College in North Carolina. According to writer and art historian and professor, Arnold Aronson: “In the roughly thirty-year period from the mid-1950’s to the mid 1980’s there was an eruption of theatrical activity in the United States that would ultimately reshape every aspect of performance and have significant influences both at home and abroad” (Qtd in DiLorenzo). The modern avant-garde theatre performance emerged when theatre decided to liberate itself from drama. This began with the new dynamic concept of the naturalistic "milieu" and its consequences in the art of stage direction. It matured with the poetic theatre of symbolist suggestiveness and imagination and the work of such visionaries as Appia (Glytzouris).
For as long as humankind exists, theatre will always take on an important function within its cultures. Through theatre, a culture expresses itself, reflects its society, and displays its individuality. It invites people to experience other cultures.
Theatre is something that brings people together; it needs and audience to exist unlike movies and television. For a performance to happen, anywhere from a hundred to a thousand or more people need to gather in one place for a few hours, and share together in witnessing a live event that may be beautiful, funny, moving, or thought-provoking. Each type can fade in and out of popularity but it is not foreseeable that live performance will ever really "die out". Even in a world where all narrative performances have migrated to video, some musician at some point may introduce a new element of theatricality into their show, or some standup comic will act out something for their routine, people will respond to it, and suddenly we 'll see Shakespeare, Tennessee Williams, and Rogers and Hammerstein popping up all over the