The History of Art

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The History of Art Art was the first written language and to study the history of art is to study the history of civilizations and humankind. The Paleolithic cave paintings in France, when viewed in the modern western perspective can only be speculated at as to the intent and/or purpose of the original artisans. Perhaps the paintings of animals were the focal point of a religious ceremony or ritual, surveyed before the hunt, to bring success or perhaps part of a celebration or documentation after the successful hunt. It appears that art from the earliest history into the Renaissance focuses around religious ceremonies of some type. Plato believed art to be a form of communication on a metaphysical level. The modern western view of art appears to support his supposition in this regard. However, his student Aristotle felt that art was a reflection and invocation derived from the scientific forms of nature. Clearly, his ideology does not fit into the Ancient World’s artistic representations. As art evolves throughout history it intersects with Aristotle’s philosophy although not for many centuries will we begin to see his naturalistic/scientific theory evolve. Human beings are born, live, and held prisoners of their bodies. Since the beginning of time, the human form has been represented in pictorial depictions. Representation of animals and nature appear to only be depicted in ways to enhance the human race; either through religious, mystical, hunting charms, or whatever the themes all center around humans. The form does take on specific significance when viewed in the context of history and culture. The Venus of Willendorf is the earliest officially dated sculpture know to the modern western world yet she is... ... middle of paper ... ...ian art for thousands of years. The healthy, trim, muscular form that represents the ideal period of the era. There have been a few moments in history, such as the artistic works of Renoir and Rubens when a bloated figure was desirable. The evolution of the human form has been to perfect techniques to bring it to life not alter conceptions about the type of body artists have traditionally used to immortalize humanity. Works Cited America’s Smithsonian. USA: Smithsonian, 1996 Debeli, Dawn “Bulging Through History.” Direct Art. Spring/Summer 2000: 75-80. vol. 3 Direct Art. “Venus of Willendorf.” Illustration. Spring/Summer 2000: 75. vol. 3 Gilbert, Rita. Living With Art. 1995 New York: McGraw, 1998. 345-491 ed 5th. Williams, Natale. “Art History.” Internet: 1999. 1-8. http://www.best.com/~natalew/art.html. (June 16, 2000)

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