The Graveyard Book
October 23, 1984
Today, Scarlett and I visited the oldest resident of the graveyard, a strange snakey creature called the Sleer, which guards a treasure; a brooch, a cup, and a knife. The Sleer’s home is deep inside a hill. To get there, Scarlett and I had to go through a burial chamber called a mausoleum (a building that holds multiple caskets) and down a passageway. While we were walking down, it only got darker and darker. We finally reached the end of the passageway and met the Indigo Man who was not friendly at all. We tried speaking to him but he only responded to us in a rude manner. It was a scary and exciting adventure, but by the time Scarlett and I made it back up, the graveyard was crawling with cops. We were
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When I learned that she was buried without a headstone, I decided I must get her one, no matter what. I knew I needed money to buy a headstone, do I decided to go back to the Sleer and “borrow” the brooch it guards. Then I left the graveyard and went to a pawnshop, where I tried to trade the brooch for cash, which was not a bad idea.
At the store, Abanazar Bolger, realized that I had priceless, ancient treasure in my hand. When I didn’t agree to lead him to the rest of the Sleer’s treasure, he locked me up in a room. I overheard Abanazer talking to his friend Tom, and I learned that Jack (the nasty killer) has been to Abanazer’s pawnshop looking for me, and he left behind his business card. Then I heard Abanazer and Tom arguing about whether to use me to find more treasure or to sell me to Jack. They were both greedy and wanted the brooch for themselves. They finally ended up in a fight until they were both somehow knocked out. Luckily, Liza showed up and helped me fade, or become invisible to human eyes. I used human skills to unlock the door, and Liza and I went back to the graveyard. Later, I used paint, a paintbrush, and a huge paperweight to make Liza a beautiful
In digging the day of the dead a distinction between Dia de los Muertos and Halloween is made, the purpose, to highlight the differences and showing the importance and significance of Dia de los Muertos. This ethnography begins by loosely describing Halloween in American culture, it is described as a day where “children dress up as grotesque corpses” and a celebration empty of historic or cultural significance and knowledge. The author Juanita Garciagodoy, later goes on to describe Dia de los Muertos in a romanticized way, by statin that the dead “are not forgotten or excluded from recollections, prayer, or holidays because they are no longer visible” Garciagodoy then goes on to tell a heartfelt story about a couple one holding on to tradition,
Imagery, language, and details are some of the literary elements that Jack Finney, the author of “The Contents of a Dead Man’s Pocket”, uses to prolong the plot. The author uses imagery to show that Tom was scared because his body started going limp, he wasn’t able to focus, and he was starting to think that he was going to die. Finney uses advanced vocabulary to show his level of intelligence and to describe many subjects. He uses details to describe Tom’s dangling shoelace, also the street he was hanging over, and his apartment. Jack Finney introduces Imagery, language, and details to sustain the plot.
The skull is what holds the mind; it is the cavity that holds our perception of the world, society, and our beliefs. By the power that we have to produce creative thought through our mind and thus our skulls, we are able to think, connive, and eventually die. In “Upon A Deadman’s Head,” John Skelton shows a man’s progression of thought when he faces his mortality by seeing a skull. The character’s thought process is indicated by Skelton’s use of imagery, rhythm, word choice and address, motifs, and the presence of the skull to the character and Skelton’s reader. As the poem progresses, the man tries to find ways to escape the literal death he sees in the skull through spiritual salvation. Skelton uses the character’s denial of his literal death to provide a lesson for the reader: be accountable for their earthly actions and accept their inevitable death.
Untouched and unhindered, he continued on a path, not yet discovered, towards the unknowing Prince Prospero. Although he had a slow pace, he made an unexplainable distance in a small amount of time. Some masqueraded man from the retreating group grew enraged and curious of this mysterious man. He ran up to the figure and placed a hand on his mask with the intent to tear it off of the ghostly man. The moment he laid his hand upon the mask, he screamed in agony and pain. Then, unable to pull his hand or the mask free, his fate was sealed. His scream withered away along with his final breath, as he turned old and crumpled onto the lustrous floor in a pile of black ash. Silence and absolute stillness filled the room before a wine glass, half full of a red drink, descended from the whitley g...
The Romantic Era was a time when writers wrote with passion in relation to elements of writing such as the fantastic or supernatural, the improbable, the sentimental, and the horrifying. Edgar Allan Poe was one of the many writers who used elements such as these in his writings. Poe was famous for reflecting the dark aspects of his mind in a story, creating detailed imagery intriguing the reader. The fantastic and supernatural elements are expressed in The Premature Burial as impossible and in a sense, horrifying. The idea of people walking after their believed death is very extreme thinking in a world that seems normal.
Chronicle of a Death Foretold by Gabriel Garcia Marquez is unified by various themes throughout the work. The plot is driven by two major themes in particular: honor and ritual. Honor is the motivation for several of the characters to behave in certain manners, as honor plays a key role in Colombian culture. There were repercussions for dishonorable acts and similarly, there were rewards for honorable ones. Also, ritual is a vital element within the work that surrounds the story line’s central crime: Santiago Nasar’s death.
A Chronicle of a Death Foretold by Gabriel-Garcia Marquez. The book "A Chronicle of a Death Foretold" by Gabriel-Garcia Marquez is about a murder in a small South American Village. It is based on an actual murder that took place in 1951 in the town of Sucre, Colombia. This novel provides a detailed insight to the culture of Latin America as it pertains to many aspects of an individuals life. Instances such as religion, marriage, death, and justice and interactions due to the concepts of honor and gender.
If a man cries out in a forest, and no one around him cares, does he
The description of the road brings suspense to the reader. He said “There may be a devilish Indian behind every tree,” (326) then he spots a figure of a man. Goodman Brown nervously follows the old man as they talk and walk down the road. Goodman Brown notices the old man’s staff “which bore the likeness of a great black snake,” (326). The man rushes Goodman Brown down the trail. Goodman Brown eventually stops and said “It is my purpose now to return whence I came,” (327). The devilish old man persistence to continue down this long darken trail rises suspense. It makes the reader wonder, what is so important? Does Goodman Brown run away or keep going? This brings the third complication.
Marcus Sedgwick was born April 8, 1968. He was born and grew up in East Kent, England an extremely shy and timid boy. This did not help him when he went to Sir Roger Manwood's School. This was an all boy high school where Sedgwick was bullied and tormented. He described the physiological torture the worst because the school almost welcomed the actions of bullying by calling it character building. After he graduated he moved back home and jumped into his writing career. His first published piece was when he was 16 and his first book was published in 2000. Since then he has won many awards including the Michael L. Printz award which is one of the highest awards for young adult literature. Sedgwick pulled lots of his emotions and interest into
The Stephen King’s short story, “The Reaper’s Image,” is considered by many to be one of the best pieces of American Gothic Literature. The story is centered around a mysterious, rare mirror called The Delver Glass. Sometimes, when people look into it, they see a haunting reaper. All who see it run away and mysteriously disappear. Its dark, bleak setting, supernatural events, and psychological torment makes the story a classic in the genre.
When I first read Chronicle of a Death Foretold, I did not pay close attention to the deflating of authority with the characters Poncio Vicario, Colonel Aponte, and Father Amador. After listening to the presentations, everything made more sense. The true depth of the Vicario brothers’ threat to kill Santiago fails to be recognized by those in authority. The most respected official of the town, Colonel Aponte, does little to prevent the murder and fails to uphold the honor he has been charged with protecting. Instead of letting Santiago Nasar know about the murder plot against him, the Colonel goes back to his game of dominos at the social club. In addition “Colonel Lazaro Aponte, who had seen and caused so many repressive massacres, becomes a vegetarian as well as a spiritualist” (Garcia Márquez 6). The punishment for his neglect results in him eating liver for breakfast.
build a stone cairn over the grave. Slowly Louis realizes the cairns are arranged in
I reached for the knife, my fingers met the plastic case. “Dang it” I cursed. I must of dropped the knife when I tripped. I was thinking about going to look for it but my hopes were crushed when I heard something coming into the mouth of the cave. I dropped to the ground and started to snake my way behind a boulder. I armed the flare gun and took aim at what was to come around the corner. I heard a rock tumble and roll on the ground. I heard a something being dragged along the dirt. I glared at the figure, the little moonlight giving me some sight. I heard Anmol screaming. HELP, SOMEONE HELP” I watched in terror as a slumped figure rounded the corner, I could not see its face. It was black and deformed in a disgusting way. I saw it take Anmol to a corner, I heard Anmol scream one last time. A shrill, spine tingling scream. I heard something cracking and tearing. Like a green branch snapping over your knee. I was pretty sure that this thing, had just killed Anmol. Just before I was about to run, something was in my peripheral vision. Something that didn’t suit the colour way of the cave. I looked, at first I was surprised that there was a hat in here. I continued to look at it, gazing. Something about it was strange, like I’ve seen it before. A yellow sun hat with a sunflower brooch? Then it came to me, it was the mother brooch the one that went missing. I snapped out of thinking and decided it was my only chance to run. My feet meet the ground, I sprung out and went beyond my top capabilities of sprinting. I knew the thing was after me when I heard It screech. I turned around, aimed the gun behind me and pulled the trigger. For once the cave was lit up, I briefly saw everything. Anmol limp body, a pile of bones and the killer monster that chased me. It screeched at the flares brightness and dove into the shadows. I loaded another flare. I looked up, I was going to shoot the bastard again. I law its shadow and shot, it
Dealing with the problem of learning difficulties in children's books, Theresa Breslin's excellent book “Whispers in the Graveyard (1994)” is chosen to represent children's dyslexia while “The Turbulent Term of Tyke Tiler (1977)” written by Gene Kemp is the other selection related to a late developer. Based on the research, there are some features often identified in children with learning difficulties: being teased or bullied, misbehaviours, and the lack of self-confidence (Prater, 2003: 58). These three elements can be found in both cases, indicating these features are general situations that happen in children’s school times.