The Grapes Of Wrath: A Comparative Analysis

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In the novels Like Water for Chocolate by Laura Esquivel (1989) and The Grapes of Wrath by John Steinbeck (1939), both authors explore the enduring strength of the human spirit, complex family dynamics, and the power of hope to create change in one’s world. The message of both texts is that people are both big and small; they can enact powerful change in the world around them, but even the most righteous change enacted by one person alone cannot affect great numbers.

Esquivel’s Tita, bound to her home by family tradition as she falls in love, and Steinbeck’s Tom, forced from his home by the Oklahoma Dust Bowl Crisis, both live in what are possibly the most trying times in their lives, but they both endure against frightful odds. Tita is trapped …show more content…

In Like Water for Chocolate, it is mostly female figures that dominate Tita’s family life: her cold and sometimes violent Mama Elena, her jealous sister Rosaura, and Nacha the family cook, who raised Tita and is essentially her mother figure. Within her own family, Tita feels out of place and alone, and feels most comfortable with the one member of the household not related to her. This speaks volumes about how her mother and sister treat her - while Tita strives for freedom to love, freedom to be an individual, and freedom from the family ranch, her mother and sister are the direct opposition to her fulfilment of these goals. Mama Elena still grieves her dead husband, and thus denies Tita any chance to love when she herself cannot. Tita is also forced to care for Mama Elena, and is therefore unable to leave the ranch or form experiences of her own. Tita’s sister Rosaura marries Tita’s lover and attempts to take him away from her for good - in the process breaking Tita’s heart. However, by the end of the novel Tita’s mother and sister are dead, and Tita has the freedom to do all the things she wanted. From this, Tita emerges stronger, because her family’s treatment made her strong enough to be able to change her own

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