Wealth is a powerful thing; so powerful that it can instantly and completely change the mindset of someone. In the book, The Good Earth by Pearl S. Buck, Wang Lung is a poor and humble man who becomes what he never thought he would become, a rich man. As money became less of a priority, so did everything else that mattered to him before. Growing up a farmer, land is always something that is important to Wang Lung. Upon realizing that he is now capable of buying all the land he needs, Wang Lung decides to buy land from the Hwang house. Wang Lung is very satisfied with the riches his land brings him. He continues to use all of his silver to buy land, even as it is not necessary. Soon all of his money is gone and spent on land that is useless in the drought that sends Wang Lung into a financial wreck. Wang thinks he’s in the clear when it comes to money, but it is anything but clear as his family slowly becomes a blur. It is not until he is forced to kill his ox for food that Wang Lung realizes his entire family is in terrible state of poverty and hunger. Wang Lung is absolutely devastated having found that poverty would not have been an issue if it …show more content…
Wang’s father tells him that he will get an ugly woman if he wants her to help him in the fields. Nevertheless, Wang Lung learns to love his wife, O-lan. After becoming the rich man everyone comes to know, Wang Lung becomes disinterested by the shops he had always visited as a poor man. He begins to explore and finds a teahouse where there are beautiful women he thought only existed in dreams. He goes home and realizes how dissatisfied he is with the way O-lan looks. Wang Lung thinks he deserves a more beautiful woman now that he is a rich man. O-lan is a great wife and both were happy and relied on each other. She is very dear to Wang Lung but this quickly changes as soon as Wang becomes wealthy and this, sadly, is not a
One day an old man comes to join the family for supper-- he new Poh-Poh from Old China... the man is odd looking and Liang thinks him to be "the Monkey Man" from the ghost stories her grams is always telling. Regardless Liang and this man she comes to call Wong-Suk become great friends. They go to the movies together and get jeered at (I'm not sure if this is beacause 'Beauty and the Beast' or because they are Chinese); he tells her stories; and she dances for him.
When his wife, O-lan sees this drastic change, she is horrified and rebukes her husband, telling him he “cut off his life”. O-lan’s criticism leaves Wang Lung regretful about his decision to cut his hair. Buck emphasizes the mutation of the symbol of hair in this passage, as Wang Lung’s hair no longer represents his loyalty to tradition, but rather his yearning to be modernized. O-lan emphasizes Wang Lung’s conversion to modernism when she exclaims that he “cut off his life”, which indicates that Wang Lung is ditching his traditional lifestyle by modernizing his hair. While Wang Lung does assimilate more to modern culture, he does experience guilt, realizing that he is being controlled by Lotus. Wang Lung’s regret proves that while his hair represents mostly modernism, it also of a bit of traditionalism. Therefore, Buck utilizes hair to highlight Wang Lung’s shift in
Throughout the book The Good Earth written by Pearl S. Buck, it shows the evolvement of the main character Wang Lung and how owning or not owning land in the 1920s is affected by peasants in China. It also shows the struggles of a peasant’s life, going through poverty and what happens when wealth enters their lives. Owning land as a peasant is an important aspect of their living style, simply because they live off of what they are able to grow that season. They depend on their land for resources to provide for themselves and family; and also selling crops or trading crops in order to make money. The peasants of China exemplify how important their crops and land are to them throughout the whole book by showing love and compassion for them; but,
Wealth is an article by Andrew Carnegie, a Scottish American, showed his views on their social class during the Gilded Age, the late 19th century, discussing the “rich and poor.” Carnegie in fact was one of the wealthiest men because of his major success in the steel industry.
One day after doing the Chinese Seamstress’ nails, the narrator longs “to ask if [he] might kiss her red nails when I [he returns] the next day”(152). However, he stops upon reminding himself “of the prohibitions arising from [his] gallant commitment to [his] friend and commander”(152). By this point in the book, the narrator has become comfortable, and accepting of the ideas “of women, love and sex”, as a result of Western books, and more importantly has become comfortable with his environment. The only thing holding him back from giving in to his feelings about the Chinese Seamstress, is his loyalty to his friend. However, now that he’s relaxed, and has exposed himself to these new ideas, he eventually gives in. The narrator slowly succumbs to his feelings, allowing himself to think about the Chinese Seamstress sexualy as shown when one night the narrator abandons “himself in the dark to a betrayal that [leaves] his pants sticky”(157). The narrator fantasizes about the Chinese Seamstress sexually, and in doing so “abandons”, or in other words, gives up on trying to be loyal to Luo. This is only the start, as the narrator allows himself to think more and more about the Chinese Seamstress in this way. By thinking of the Chinese Seamstress in a romantic way, the narrator allows himself to develop a feeling of closeness to the seamstress. This is revealed to reader when upon discovering the Chinese Seamstress is pregnant, the narrator thinks, “I felt as if it were my child...I would have married her myself had the law permitted”(159). The narrator feels such a connection to the Chinese Seamstress, that he feels the baby is his responsibility, and is willing to marry the Seamstress. This shows the vast transformation of the narrator, as he goes from refusing to even entertain any romantic thoughts about
It begins with a happy 9-year-old girl named Ling who lives in a hospital complex with her father, a very successful surgeon, and her mother, a well-known doctor. Her mother, known as Mrs. Chang, is very strict, always nagging Ling to act like a woman and to be perfect in almost every way. Ling believes it is because her mother never wanted to have a daughter. Father, on the other hand, Mr. Chang, spent much time with Ling, and got very close to her, teaching her reading and English lessons. He would
Wang Lung needs a wife so saves up the little money he has and buys a woman who is a slave named O-lan. O-lan is sold to Wang Lung so she can take care of the home, cooking and bear children. Wang Lung is disappointed when he first sees O-lan because she does not have bound feet which was a desirable quality at that time but he does enjoy when O-lan has the food ready when he comes in a night from the land. Wang Lung is very proud when O-lan makes cakes that no one else in the village knows how to makes and when his family comes to feast for the new year at their house.
Power and Money do not Substitute Love and as it denotes, it is a deep feeling expressed by Feng Menglong who was in love with a public figure prostitute at his tender ages. Sadly, Feng Menglong was incapable to bear the expense of repossessing his lover. Eventually, a great merchant repossessed his lover, and that marked the end of their relationship. Feng Menglong was extremely affected through distress and desperation because of the separation and he ultimately, decided to express his desolation through poems. This incidence changed his perception and the way he represents women roles in his stories. In deed, Feng Menglong, is among a small number of writers who portrayed female as being strong and intelligent. We see a different picture build around women by many authors who profoundly tried to ignore the important role played by them in the society. Feng Menglong regards woman as being bright and brave and their value should never be weighed against
Feng Meng-long’s story, “Du Tenth Sinks the Jewel Box in Anger,” authentically represents how money is valued between Du Tenth and Li Jia. The classic story brings forth how tradition and family values are upheld in the highest honor. The young master Li Jia, who is the son of a prominent local official, embarks on a journey to the Ming capitol of Nanjing with the intention of taking exams. During his travels he meets the beautiful courtesan named Du Tenth who is bound to her madam in a house of ill fame in what is known as the pleasure district. Li Jia, being an immature and unmotivated by any type of responsibility, finds himself splurging all of his travel funds on pleasures with the beautiful Du Tenth. The couple find themselves to have fallen in love with one other. Du Tenth proves to be a very smart and loyal character. She cleverly devises a plan to escape her bind to her madam and leave to be with her love. When the couple make their departure, they go on their journey to their new life together as husband and wife. Du Tenth continues to prove how smart she is by showing time and time again to Li Jia that she was very prepared for their future. The story tragically ends when the gullible Li Jia is tricked by the manipulating Sun Fu to trade his love, Du Tenth, for a thousand pieces of white silver.
I would like to point out that Wang Lung was never the most filial of men. Early in the novel, we saw him slip up once or twice. However, at a younger age, he felt guilty when this happened and was able to hold his tongue in most situations. Wang Lung’s uncle is able to exploit Wang Lung based on his filial piety. When the uncle, a lazy man who blames his struggles on an “evil destiny”, asks his nephew to borrow money, Wang Lung explodes, saying, “‘If I have a handful of silver it is because I work and my wife works, and we do not…[let our] fields grow to weeds and our children go half fed!’” (65). But right after he lets these words slip, he “[stands] sullen and unmovable” (66) because knows that his outburst is wrong. However, later in the novel, Wang Lungs lack of sense for filial piety grows evident as he becomes more arrogant. For example, when he is nearing the end of his life, Wang Lung asks without a second thought to be buried below his father but above his uncle and Ching. Asking to be buried above his uncle makes the statement that Wang Lung believes he is a greater man than his uncle. Before his rise through the ranks of society, Wang Lung would never have even considered being buried above his uncle, even though he always had a disliking for him. However, because of his power, he feels that he has the right to disrespect his
An-Mei and her younger brother live with their grandmother (Popo), uncle, and aunt. There they are not allowed to bring up their mother, who has shamed the family by becoming the fourth wife to Wu Tsing after she was widowed by An-Mei’s father. It is not until An-Mei’s mother returns to tend to Popo that An-Mei is reunited with her mother. After Popo passes, An-Mei and her younger brother are brought to live with their mother at her new husband’s estate. An-Mei is in awe of the estate and its opulence and is excited for her new life with her mother, but that feeling quickly disappears. From her time there, An-Mei learns to be weary of others kindness; the second wife had tried to buy An-Mei’s gratitude with a fake pearl necklace. Then from
Carnegie’s essay contains explanations of three common methods by which wealth is distributed and his own opinions on the effects of each. After reading the entire essay, readers can see his overall appeals to logos; having wealth does not make anyone rich, but using that wealth for the greater good does. He does not force his opinions onto the reader, but is effectively convincing of why his beliefs make sense. Andrew Carnegie’s simple explanations intertwined with small, but powerful appeals to ethos and pathos become incorporated into his overall appeal to logos in his definition of what it means for one to truly be rich.
aspect of her personality remains completely foreign to her mother. the narrator, who describes it with an innocent wonder. In the Beginning of the story The mother speaks of Wangero's actions in the past. The. Even then she displayed an arrogance that isolated her mother.
Mulan is a young girl in China, who is trying to honor her family and ancestors by finding a husband. She was expects to be delicate, quiet, obedient, graceful, polite, and poised, none of which Mulan displayed. She showed up late to the meeting with the woman, “The Match Maker”, who picked whom Mulan would one day marry. Although they expect women in China to have a tiny waist, too small of a waist, which Mulan had, was no good. She would not be great at baring children. Mulan could not pour the tea right for the woman either. She missed the cup, spilling the tea on the table. She was not very graceful and upset “The Match Maker”, who believed Mulan would never honor her family. Mulan did not display the characteristics that the Chinese society expected a woman to have and was looked at as dishonorable to outsiders.
At the beginning of the story Wang Lung is a poor farmer who always thinks carefully about how he spends his money. As he was a poor farmer, Wang Lung was filled with fear when he first approaches the House of Hwang to collect O-Lan . On his second visit, Wang Lung is already prospering from his crops. This behavior is in contrast to the beginning of the plot, where he is reluctant to drink tea because it is expensive. When O-Lan asks Wang Lung if she should put tea leaves in his father's hot water, he would have liked to say, "`Certainly there must be tea leaves.