The Godfather Film Analysis

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“The Godfather II” is an American crime film that depicts the early life and criminal career of Vito Corleone in the 1920s, while in 1958, his son, Michael tries to expand the family crime syndicate while trying to protect the family business. The execution of the story of the “The Godfather II” stands out among many movies as retaining meritorious and lasting aesthetic values. The aesthetic merits that should be recognized in this film are the execution of the story in terms of its cinematography, the depiction of the relationship between power and corruption in human nature, and the film’s ability to convey the family values central to the Italian-American family. These aesthetic values help define the movie’s greatness of being superior to the rest of “The Godfather” movies. As the head of the crime family, Michael runs his family in a ruthless and violent nature, making those beneath Michael fear him. The role of power in the film acted as a blessing and as a curse, becoming a responsibility and burden to Michael’s character. Michael’s use of his power as leader has corrupted him and the rest of the Corleone family. In the closing scenes of the movie, Michael has alienated or murdered those closest to him, resulting in the assassination of his brother and his business rivals, the banishment of his estranged wife, and the suicide of a family friend. In the process of successfully accumulating power and protecting the family business, Michael paid dearly to get what he wanted with the loss of his humanity and compassion and the means of having a normal family life. This tragic story of Michael Corleone teaches the audience that the acquisition and retention of power can corrupt an individual and start them on a road to

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