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Relationship between theatre and society
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The Functions of a Performance Arts Center and The Impact on its Community
Despite the innumerable variations in performance pieces a theatre can show, they all have one central goal: to bring together the surrounding community in whatever way possible. The performing arts center may be focusing on culturally relevant pieces, blurring the distinction between art and reality or trying to push the boundaries of the medium. Regardless, the community’s needs are first in this modern environment. Throughout the decades, these centers and their connections to their community morphed according to numerous factors. The technology changes advance the centers into the modern realm while the managers and producers organize new, more efficient ways to bring the arts to their community. This paper will delve into the many facets of an evolution such as this.
In the beginning, humans lived an existence based solely on survival. As soon as their lives were stable enough for an ounce of free time, artistic expression became a part of society. Ever since, people have gone to great lengths to be able to perform for their peers. Whether it’s a Roman minstrel reciting poetry or the contemporary dance moves of ‘The Blue Man Group,’ all performance pieces are involving the audience in a new and unique way. And even though it can be argued that their audience is simply the people witnessing the show, there is the idea that the entire society is the audience. Essentially, a performer chooses their specific piece because they have to say something about the culture. And people will never get tired of expressing themselves. But because the society has evolved, so will the art and its centers.
The idea of a performing arts center is not, in its entirety...
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... might be varied, the overall goal is similar across the nation. It can be concluded that community reigns supreme for these centers and without their people’s support, both the center’s need and survival would diminish and disappear.
In the end, the whole purpose of the performing arts and the centers that house them is to serve. Serve their community and the cultural climate of the day. A center is like a cultural hub that goes to great lengths to encourage and enlist community cooperation and collaboration between various geographic, ethnic or cultural groups. Art and theatre can bring together all sorts of people through a diverse and active center. It will never be a simple task nor will it always be successful, but over time humanity has made clear that entertainment and the arts are a priority in their lives. For some, it is even a necessity for survival.
People usually expect to see paintings and sculptures in Art Galleries. Imagine the surprise one finds when they are presented with a man stitching his face into a bizarre caricature, or connected to a machine which controls the artist’s body. These shocking pieces of performance art come under the broad umbrella that is Postmodernism. Emphasis on meaning and shock value has replaced traditional skills and aesthetic values evident in the earlier Modernist movements.
Concluding the Federal Theatre Project, it has accomplished the goal of introducing theatre to millions who had never seen theatre before. It employed thousands of people, initiated European epic theatre and Living Newspaper theatre techniques to the United States, and for this reason could be seen as a vast achievement.
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
...re as same as the audience use in their everyday life. Easily connecting to the audience, with visual, audio and performer’s performance” one can imagine himself/herself in performer’s shoes.
Composers of distinctively visual texts are able to manipulate the emotions of the audience to influence the response of a collective group. This is demonstrated in John Misto’s play ‘The Shoe-Horn Sonata’ and Jason Van Genderen’s short film ‘Mankind Is No Island’ whereby distinctively visual techniques enable the audience to clearly imagine, form meaning and understand a composer’s unique perspective.
...ilm have the ability to impact our perceptions of others, and they also have the ability to impact the perceptions we have concerning ourselves. Performing arts can be used to create a space to for us to be able to examine areas of our lives, and the lives of others, that we might otherwise not wish to look at. When we do make a space to examine our attitudes, feelings and behaviors, including the outcomes that they may have on others, we may find in our own selves a greater degree of compassion and willingness to accept human imperfection. In doing so, we become more accountable to ourselves and to society as a whole.
Thom, P (1992), For an Audience: A Philosophy of the Performing Arts (Arts and Their Philosophies), Temple University Press
I had the pleasure of being in Western Kentucky University Dance Department’s concert, An Evening of Dance. The performance took place on April 29th through May 2nd in Russel Miller Theatre. It consisted of many works from faculty and guest artists. I felt like the concert was a success and that the choreography was all unique in its own way. I enjoyed the pieces that I performed, and the ones that my fellow company members were in. Through the analysis of “Petrichor”, I found that each production and chorographic element plays a large part in the successful outcome of a dance and emotional responses can be evoked by the simplest ideas.
To fit the needs and wants of our target audiences, the theatres have to position and project themselves at a unique level compared to other commercial forms of live entertainment. Community theatre cannot compete if all it offers to its audience is the stage. A theatre experience has to be much more than watching a play. We need to combine the theatre ambience, audience, actors and directors to create a unique mix of a ?cultured? event. For this revival and recast, Memphis community theatres, as a consortium, need to play a vital role in offering a high value for audiences in enjoyment, culture, and bonding to the community.
Choreographers have been doing this for more than 40 years. I don't know why it's still so shocking.” This statement being true means that the audience’s response could be dependent on whether or not they had experienced this form of theatre previously and whether they engaged with it positively or negatively. This question of whether Avant Garde is still relevant then means it is down to whether the individual spectator sees the piece to be pushing the boundaries of what they have seen prior and breaks what they have been conditioned
In comparison to text-based performances, those of a non-text based nature can illustrate the unity between cultures with less difficulty due to universally understood practices and semiotics in an increasingly globalised world. Non-text based performances provide both beneficial and critical elements when compared to text-based performances and this will be analysed and demonstrated with the example of ‘performing the dark arts’. The will ensue performances of ritualised purposes, conjuring shows, illusionary performances, stage trickery and what is identified as ‘magic’ (more-so than supernatural phenomenon or witchcraft) in order to theorise how non-text based performance has shaped modern cultures, partially through globalisation, whilst creating a comparison to performances based on text.
Community performance is an excellent venue for self-examination and expression. Brecht attempted to inspire his audiences to think about larger issues and for that reason, such a style is beneficial to a community. A community is a living organism that must ebb and flow with the tides of change. Performance is a way for new issues and ideas to be brought to the forefront, ready for discussion.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
For thousands of years, people have been arguing that theatre is a dying art form. Many people think theatre is all just cheesy singing and dancing or just boring old Shakespeare, but there is much more to theatre than those two extremes. Theatre is important to our society because it teaches us more about real life than recorded media. Theatre has been around for thousands of years and began as a religious ceremony that evolved into an art form that teaches about the true essence of life. Theatre can incorporate profound, and provocative, observations of the human condition that can transcend time; lessons found in Greek plays can still be relevant to the modern world. People argue that the very essence of theatre is being snuffed out by modern