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Theories on xenophobia
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How many times have you been scared awake by zombies after watching shows or reading comics? Zombies, a particular group of survival horror, are basically dead people who come back to us in an evil way. From novels to Hollywood films, we look like cowards who are repeatedly scared by zombies. How can we still get shocks in this age of scientific society? The answer is that zombies come back with cultural messages in stories, which express our extraordinary fears. Such a horrible story was created by Kirkman, in The Walking Dead he depicted zombies as a horrible metaphor for xenophobia by combining fear of otherness with infectious disease; as a result, fear of contagion fuses with our fear of outsiders, increasing the unequal treatment of immigrants in contemporary society. Kirkman describes zombies as an infectious horror in order to establish a close relationship between zombies and contagions. One of the The Walking Dead’s most brilliant successes has been the characterization of the zombies , and it may be the secret of their popularity. In his book, The Walking Dead, Kirkman …show more content…
We’ve been so hounded in recent years with dire warnings about terrorist attacks. For example, Tyreese who has always been treated as an outsider in the book. When Rick and Tyreese planned to split two zombies up, both of them attacked zombies and try to get that one’s attention. However, these two zombies come to Tyreese together and overlook Rick with instinctions. Perhaps Tyreese’s unfamiliar skin-color turns him into the unique prey of zombies. In such case, zombies are attributed with racial prejudices and chauvinism, which falsely educated us that we should only band together with someone who is similar with
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
Even though George Romero, director of the film, Night of the Living Dead, did not intentionally intend to create racial controversy, the film broke a lot of ground considering the year it was filmed in 1968. By making a black character, Ben, the most intelligent and resourceful of all the white characters, as well as the protagonist, Romero, shattered racist stereotypes in the horror movie genre as well as mainstream film. This was mainly due to the fact that Night of The Living Dead was one of the first films to follow a black protagonist who was filmed in a positive light. Ben’s personality was possibly the most subversive aspect of the whole film. Ben was a brave and quick-witted character who was able to see what needed to get done in order to ensure survival from the zombies. The fact that Ben was portrayed as the most composed character, especially out of the cast of distraught white characters only emphasized his position as the most important character. Without Ben, the other characters would have most likely died. Overall, despite the fact that Night of the Living Dead did not intend to make a racial statement, I believe it ended up symbolizing the progress African Americans made during the civil rights movement, yet certain points in the film such as the power dynamic between Ben and Harry, the zombies attacking Ben, Ben’s death scene, and the photographs at
As said in the previous discussion regarding the second chapter of Better Off Dead: The Evolution of the Zombie as Post-Human, zombies and their culture are examined and broke down in order to understand their motives for the progression of zombies globally. Through different perspectives from individuals based around the world, the discussion of the zombie culture debates over the idea that zombies have not just evolved within the narratives that have brought them to life, but they have evolved in such a way that ultimately transforms the narrative itself. However, in this specific chapter, “They are not men…they are dead bodies!”: From Cannibal to Zombie and Back Again, Chera Kee breaks down the introduction of zombies into mainstream consciousness,
George Romero's reinvention of the zombie in Night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day, debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated despite their every effort. These themes are colored over and painted to hide subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
It has a lot of examples that it used like “The principal downside to any zombie attack is that the zombies will never stop coming the principal downside to life is that you will never be finished with whatever it is you do” (pg.41). This can be tight to the current times because we as people never stop, we are always afraid of getting behind, that we have become like zombies or running from zombies. This author also points out are fascination with zombies a growing fad that has people preparing and imagination what their reactions would be in a situation like what people believe will one day happen. He compares other movies that are related to the poplar series “The Walking Dead”
Zombies have a virus that can be transmitted through blood and bites. Later in season two, they go even farther and discover that everyone is already infected, alive or dead. Everyone (alive or dead) carries this virus and its in a matter of time that they will become a walker. If you die, or even get bit by a zombie you will become a zombie. It goes back to reservoirs. “When an animal is a reservoir for an infection, they don’t present the disease. The macaques that carry the deadly herpes B virus don’t die horribly from herpes B. Similarly, following what we know about viruses, a human that already carries the zombie virus would not die instantly from another injection of it. If everyone in The Walking Dead already carries the virus, getting bit would be just a bite. You can’t infect the infected. But you could envenomate
It also makes sense that Hollywood adopted the metaphor. Throughout the 1930s and 40s films like White Zombie, Revolt of the Zombies, King of the Zombies, Revenge of the Zombies, Zombies on Broadway, and Voodoo Man reinforced the traditional view of zombies as ultimate Other. These zombies are without culture or free will, controlled by a mystical villain, often played by Bela Lugosi, who runs a sugar plantation or some other such exploitive business. These films are tales of the oppressor, bringing to light the hardships and uncertainty faced by colonizing forces. It is possible for the zombie slaves to revolt, but for the most part these films warn of the perils embedded in shoddy colonial governing.
Over the last few years zombie movies have been in the forefront of horror movies, television, and also publishing. But when watching these movies and shows, you are able to pinpoint the differences in the way the
Before Zombieland, I hadn’t really thought about the importance of zombie survival in a humorous yet informative way. Sure, while there was Shaun of the Dead, it didn’t have much information on how to survive a zombie attack. Zombieland has raised awareness in popular culture of the need for a zombie survival plan. What if zombies threatened the well being of humanity, and what if I wasn’t prepared? Well, luckily there happens to be a list of things that I need to keep in mind, and I will be better off.
First, Watts chooses to talk about the content in ZSG and also extends to the global zombie fever. He points out that “our newly intensified enjoyment of them (zombies) in literature, film, and television purportedly reflects a post-9/11 nervousness” (Watts, 2013, p. 2). To further explain his point of view, Watts mention a really important concept in the book, that ask us to keep our earplugs on, which indicates “the danger of hearing too much” (Watts, 2013, p. 3). At this point, Watts actually has already claims the key of this article, which is also mentioned in the conclusion,
Realistic shows that depict the horrifying life of surviving a disease prone society, such as: The Walking Dead (a popular television series on AMC), have citizens convinced that the pragmatic story telling of Hollywood’s finest is palpable. While, citizens have a healthy fear for the undead, there remains a high demand on the entertainment industry to provide more zombie folklore. Without delay authors, entertainers, and the like have developed a large zombie pop culture that surrounds books, movies, blogs, televisions series, fan fiction forums, and even realistic online groups geared toward preparing for such an event. With the growing alarm for the seemingly viable coming of the zombie apocalypse, it is no wonder Daigle came to his conclusion.
They use a lot of information that is overwhelming, and does not add a lot of validity to the point they were trying to make. Throughout the article, the authors take from various other zombie pieces, such as movies, books, and TV shows and use them to add to their ideas. In some cases, they also use other pieces and discredit them as a way to prove their own point. For example, they talk about the “Cyborg Manifesto” by Donna Haraway. This essay presents the idea of the cyborg, which is an organism that is part human and part machine. Throughout the essay, Haraway gives examples of where we see the cyborg throughout media, and how humans might be connected to it. The authors in “A Zombie Manifesto” stated how they were influenced to title their piece after her, but they go on throughout the essay constantly trying to prove the piece wrong. They argue that the idea Haraway is presenting is not truly what humans connect to, and the authors think their ideas are more relatable. They believe their zombie interpretation is more relatable than Haraway’s cyborg interpretation. The authors are trying to make their interpretation more valid by invalidating another interpretation. This makes the piece hard to agree with, for an interpretation is relative to each person, and tearing apart another interpretation is an unproductive way to persuade readers to agree with you and your ideas. Another reason the article is difficult to agree with, is the fact that it is very difficult to understand. With the piece being as persuasive as it is, the authors did not take the time to ensure the writing would be easy to understand for all. In reading the article, it felt as though the authors had a specific group of readers in mind and didn’t accommodate to others who might find interest in zombies. The article is written in such a way
This is a question that has been asked repeatedly and as time progressed, our answers have changed from what we once thought to be the answer. To be fair, there really is not just one type of answer that fits for everyone’s idea of a zombie. For many people of varying religious beliefs and cultural backgrounds, their answer may not be the same as what our Western modern expectations of a
George A. Romero, the director of Night of the Living Dead accidently created the zombie genre that we are familiar with today. Night of the Living Dead reshaped the entire genre with its bitter realism. Romero established verisimilitude unintentionally by focusing on how people react to crisis. The first zombie movies relied on semi-terrifying dress codes (of their time) and the conventional diegetic scream of a female. Whereas Romero’s film is an interpretation of humankind’s collapse. Romero drew inspiration from the infamous Vietnam War spiralling at the time and the American civil war. The verisimilitude lies within the human condition in dire times, like war. Therefore, in the Night of the Living Dead the zombie/ghoul stands as a symbol for the enemy contriving those dire times. This consequently makes the genre actually terrifying because representations have altered. Zombies are no longer an otherworldly or scientific monster e.g. White Zombie but a
Throughout the last couple decades pop culture has surrounded itself around Zombies. A lot of movies and tv shows have been created such as Shaun of the Dead, The Walking Dead, Pontypool and many more. Additionally, zombie video games have been created and each year many kids dress as zombies for halloween. If you ever talk with a zombie fanatic, you will without a doubt hear about the movies Zombieland, and World War Z. Even though they are both scary films, World War Z contains a lot more suspense.