An epigraph is a quotation set at the beginning of literary work or one of its division to suggest its theme. In the narrative proper, “Beloved” written by, Toni Morrison she opens the story with two epigraphs located on the first page. The story begins with “Sixty million and more. The epigraph set a tone for the story that may suggest she is referring to the millions of blacks that have been captured and forced into slavery.
Sixty million, the amount of black people that Toni Morrison believed have been stolen from Africa and murdered by slave traders in the Atlantic slave trade. When reading the epigraph sixty million and more one may arguably come to the conclusion that Toni is referring to the millions of peoples who were forced into
The epigraph is a small phrase or quotation at the opening of a chapter or document. The function of epigraph is to direct the thinking process of the reader in accordance with the intentions of the author. Generally, epigraphs summarise the content that follows it. Use of epigraph is a very interesting way to steer the reader’s line of thoughts and they can “really brush up a story very well” (“Epigraph”). Although the epigraphs are used at the start of the context, they serve the purpose of take-away or the lesson learned from that particular chapter. It makes it easy to get the gist of the content and also to remember the flow of the narrative.
In the novel Beloved, Toni Morrison focuses on the concept of loss and renewal in Paul D’s experience in Alfred Georgia. Paul D goes through a painful transition into the reality of slavery. In Sweet Home, Master Garner treated him like a real man. However, while in captivity in Georgia he was no longer a man, but a slave. Toni Morrison makes Paul D experience many losses such as, losing his pride and humanity. However, she does not let him suffer for long. She renews him with his survival. Morrison suggest that one goes through obstacles to get through them, not to bring them down. Morrison uses the elements of irony, symbolism, and imagery to deal with the concept of loss and renewal.
Toward the end of Beloved, Toni Morrison must have Sethe explain herself to Paul D, knowing it could ruin their relationship and cause her to be left alone again. With the sentence, “Sethe knew that the circle she was making around the room, him, the subject, would remain one,” Morrison catches the reader in a downward spiral as the items around which Sethe makes her circles become smaller in technical size, but larger in significance. The circle traps the reader as it has caught Sethe, and even though there are mental and literal circles present, they all form together into one, pulling the reader into the pain and fear Sethe feels in the moment. Sethe is literally circling the room, which causes her to circle Paul D as well, but the weight
Many of the cruel events in the novel stem from slavery and its profit-driving exploits of human beings. In conclusion, Toni Morrison’s novel Beloved reveals the psychological change in those affected by slavery as a result of the cruelty they both face and commit.
Love is said to be one of the most desired things in life. People long for it, search for it, and crave it. It can come in the form of partners, friends, or just simply family. To some, love is something of a necessity in life, where some would rather turn a cold shoulder to it. Love can be the mixture of passion, need, lust, loyalty, and blood. Love can be extraordinary and breathtaking. Love being held so high can also be dangerous. Love can drive people to numerous mad things with it dangerously so full of craze and passion.
"The future was sunset; the past something to leave behind. And if it didn't stay behind, well, you might have to stomp it out. Slave life; freed life-every day was a test and a trial. Nothing could be counted on in a world where even when you were a solution you were a problem"1
Epigrams are phrases in the beginning of a chapter that serve as a preface to larger themes. Krakauer uses this tactic in all of his chapters in order to present an insight of McCandless’ thoughts. An example that he uses is from chapter two, where McCandless carves into a piece of wood at the site where he was found, the words, “Jack London is king” (9). ...
In Toni Morrison’s Beloved, love proves to be a dangerous and destructive force. Upon learning that Sethe killed her daughter, Beloved, Paul D warns Sethe “Your love is too thick” (193). Morrison proved this statement to be true, as Sethe’s intense passion for her children lead to the loss of her grasp on reality. Each word Morrison chose is deliberate, and each sentence is structured with meaning, which is especially evident in Paul D’s warning to Sethe. Morrison’s use of the phrase “too thick”, along with her short yet powerful sentence structure make this sentence the most prevalent and important in her novel. This sentence supports Paul D’s side on the bitter debate between Sethe and he regarding the theme of love. While Sethe asserts that the only way to love is to do so passionately, Paul D cites the danger in slaves loving too much. Morrison uses a metaphor comparing Paul D’s capacity to love to a tobacco tin rusted shut. This metaphor demonstrates how Paul D views love in a descriptive manner, its imagery allowing the reader to visualize and thus understand Paul D’s point of view. In this debate, Paul D proves to be right in that Sethe’s strong love eventually hurts her, yet Paul D ends up unable to survive alone. Thus, Morrison argues that love is necessary to the human condition, yet it is destructive and consuming in nature. She does so through the powerful diction and short syntax in Paul D’s warning, her use of the theme love, and a metaphor for Paul D’s heart.
What is a healthy confusion? Does the work produce a mix of feelings? Curiosity and interest? Pleasure and anxiety? One work comes to mind, Beloved. In the novel, Beloved, Morrison creates a healthy confusion in readers by including the stream of consciousness and developing Beloved as a character to support the theme “one’s past actions and memories may have a significant effect on their future actions”.
In the 500 word passage reprinted below, from the fictional novel Beloved, Toni Morrison explains the pent-up anger and aggression of a man who is forced to keep a steady stance when in the presence of his white masters. She uses simple language to convey her message, yet it is forcefully projected. The tone is plaintively matter-of-fact; there is no dodging the issue or obscure allusions. Because of this, her work has an intensity unparalleled by more complex writing.
So often, the old adage, "History always repeats itself," rings true due to a failure to truly confront the past, especially when the memory of a period of time sparks profoundly negative emotions ranging from anguish to anger. However, danger lies in failing to recognize history or in the inability to reconcile the mistakes of the past. In her novel, Beloved, Toni Morrison explores the relationship between the past, present and future. Because the horrors of slavery cause so much pain for slaves who endured physical abuse as well as psychological and emotional hardships, former slaves may try to block out the pain, failing to reconcile with their past. However, when Sethe, one of the novel's central characters fails to confront her personal history she still appears plagued by guilt and pain, thus demonstrating its unavoidability. Only when she begins to make steps toward recovery, facing the horrors of her past and reconciling them does she attain any piece of mind. Morrison divides her novel into three parts in order to track and distinguish the three stages of Sethe approach with dealing with her personal history. Through the character development of Sethe, Morrison suggests that in order to live in the present and enjoy the future, it is essential to reconcile the traumas of the past.
Khaleghi, Mahboobeh. "The ghost of slavery: individual and communal identity in Toni Morrison's Beloved." Language In India Feb. 2012: 472+. Literature Resource Center. Web. 24 Oct. 2013.
In her novel Beloved, Toni Morrison explores the paradoxical nature of love both as a dangerous presence that promises suffering and a life-giving force that gives the strength to proceed; through the experiences of the run-away slave Sethe. The dangerous aspect of love is revealed through the comments of Paul D and Ella regarding the motherly love of Sethe towards her children. Sethe's deep attachment to her children is deemed dangerous due to their social environment which evidently promises that the loved one of a slave will be hurt. On the other hand, love is portrayed as a sustaining force that allows Sethe to move on with her life. All the devastating experiences Sethe endures do not matter due to the fact that she must live for her children. Although dangerous, Sethe's love finally emerges as the prevalent force that allows her to leave the past behind and move on with her life.
Throughout the novel “Beloved”, Toni Morrison who is the author used the setting of this book to keep the reader not only engaged but lost and thrown into an alien environment. By using the past and giving the reader pieces of the past to show why the future begins to alter. Along with Toni’s use of setting, she also gave a special significance for the ghost in house 124.
To survive, one must depend on the acceptance and integration of what is past and what is present. In her novel Beloved, Toni Morrison carefully constructs events that parallel the way the human mind functions; this serves as a means by which the reader can understand the activity of memory. "Rememory" enables Sethe, the novel's protagonist, to reconstruct her past realities. The vividness that Sethe brings to every moment through recurring images characterizes her understanding of herself. Through rememory, Morrison is able to carry Sethe on a journey from being a woman who identifies herself only with motherhood, to a woman who begins to identify herself as a human being. Morrison glorifies the potential of language, and her faith in the power and construction of words instills trust in her readers that Sethe has claimed ownership of her freed self. The structure of Morrison's novel, which is arranged in trimesters, carries the reader on a mother's journey beginning with the recognition of a haunting "new" presence, then gradually coming to terms with one's fears and reservations, and finally giving birth to a new identity while reclaiming one's own.