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Essay on the effects of music in films
Essay on the effects of music in films
Essay on the effects of music in films
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The Effects of Sound in John Milius’s Conan the Barbarian Directed by John Milius, Conan the Barbarian released in 1982 starred Arnold Schwarzenegger as the main character, Conan. The movie is set in a fictional time, in a land separated into many kingdoms. Gods play a vital role in the daily lives of the common people, influencing what clothes the people wear, and the paths they travel. In Conan the Barbarian, there is a plethora of different sounds from music to metal clashing. Milius uses dialogue, music and sound effects in Conan the Barbarian to add to the emotion of the movie, to add realism to the visuals on-screen and to set the tone of the scene. The sounds of the opening scenes set the tone and put the plot in motion by immersing …show more content…
It fades to a fire where a man and woman are forging a steel sword, from start to finish with the sounds associated with forging a sword. The music that accompanies this scene is a mix of percussion instruments such as cymbals and drums, and brass instruments, both medium and low-pitched. The music adds to the importance of this scene, as the sword being forged plays an important role in the next few scenes of the movie. The instruments are not seen on screen, and are non-diegetic. The use of music during the montage acts as a tool to speed up time. The next scene contains the first of the dialogue in the movie, a short bit of conversation from Conan’s father to Conan, about the gods they worship with some light music in the background. Conan’s father says “But Crom is your god…” an important line from their conversation, showing that there are multiple gods in this world, and that the god they choose to worship is an important choice to make, as it helps shape the way they live their lives. The dialogue provides more background to the main character and reveals …show more content…
As Conan and company are rescuing the princess from Thusla Doom’s temple, he meets the men who slaughtered his village and family. The music in this scene starts out low-pitched, then changes to a higher pitched music. After the fight is over the music stops. In this scene, the music was used to enhance Conan’s lust for revenge; if there had not been any music during this scene the tension between Conan and the men he is trying to get revenge on would not have been as prevalent. Shortly after Conan and his companions rescue the princess from Thusla Doom, Valeria dies. The scene starts out mostly silent, with quiet music playing in the background, that gradually becomes louder and helps to create sadness in the scene, because of Conan’s love for Valeria. The music used strongly enhances this scene by conveying the emotion felt by Conan and his friend. In movies, the sounds they choose to use during certain scenes is intended to enhance many elements of the
The sound effects grabbed my attention and continued to make me yearn for what could come next. The sounds bring me to a place where I can’t help but believe in the situation that’s happening. The music heightens my mood and helps create illusion. For example, the first extraordinary sound technique I noticed that the filmmaker used was the echo effect. It was not only used to support the mood the characters were at, but also to express that idea of the ‘emptiness’ in them. This technique dominated the audio when I was taken to a story in the film of a boy who was 18 and poisoned by his own sister. Those are some of the dominant examples of sound usage throughout the movie The Poisoners Handbook. The entirety of the soundtrack is a solid cocoon for the film to stretch and grow
Tim Burton uses Music and sound when you see Edward in trouble it starts to play intense music like in the scene where he went down the hallway and went to the bathroom and cut the bathroom curtains it starts playing intense music every time he gets mad it kinda sounds like
music to analyse—in fact, the music runs almost constantly throughout the film without very little
The musical score proficiently provides the viewers with a sense of what is happening in the scene which could not be communicated through text. Dramatic music is played for Creon’s entrance; this immediately communicates to us that he is a man of great importance and power. When Antigone enters after being arrested, the music is dynamic and tense. This conveys the seriousness and desperate atmosphere of the scene. The score is also a representation of the varying moods of the characters. An example of this is when Antigone is anxiously trying to appeal her sentence. The music makes the audience drawn is drawn to feel sympathy and pity her when she is preaching her views on death. For instance, a solemn melody is played when Haemon’s dead corpse is brought to King Creon. Creon grieves by himself as he is overcome with devastation caused by his foolish actions; his emotions are intensified by the sorrowful and sombre background music. The music is able to complement the play, while accentuating the more significant events.
One of the techniques used to promote fear and suspense into the audience is the use of the music. This technique makes the audience afraid of the shark, whenever the theme song is played the audience is to expect another horrific attack from the deadly shark, which adds a lot of suspense and build-up to the scences following. Spielberg uses this particular sound to build-up the scene, such as in the beginning when the shark attacks the girl swimming. Spielberg uses this non-diegetic sound which is only heard by the audience, not by any of the characters in the film. A non-diegetic sound defined by film sound says, a sound neither visible on the screen nor has been implied to be prese...
While they just enter the cave, it is violins plucking make that background music. I have to say this scene really scares me because I am very afraid of spiders and the music at here plays in synch-point when they find out there are spiders on their bodies. When Jones turns back, the audience finally sees the spiders and there is a sudden sound made by the percussion and then followed by scratching strings’ sound play in a fast tempo. This creates the tensions of seeing those huge spiders and how Jones will overcome this problem. The music is kind of exotic since it is out of the normal music that we will hear from the orchestra, and it captures the dangerous and adventure unpredictable feelings since they are at the cave of the rainforest. Another example is the scene that happens around (00:36:23), which is when Jones and Marion arrived at Cairo. The music is different from what it was before since there was some western orchestra music before this. It adds more local instrument in the underscoring music, and I feel like it maybe some kind of instruments that are similar to flute or piccolo. Also, I hear some traditional percussion’s sound as well. Back into the releasing time of this film, many people may not have a comprehensive understanding of music from those cultures, and the composer basically helps us be more focused on the storyline
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer grow a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions.
Music in film is normally either used to color the emotion of a scene and fitting the setting (Dyer 250), or to inform the audience about a character. In La Strada Fellini and Rota use the different musical themes to tell the audience about the characters, and their development (Van Order 53). Through the diegetic and nondiegetic playing Il Matto, they show characters transition from ignorance about their self importance, to a state of cognizance, and then to their eventually understanding their levels of importance in the world.
Thinking Sound. (2011). Filmmaker Francis Ford Coppola Talks about the Evolution of Movie Sound. [Online]. Available from YouTube: http://www.youtube.com/watch?v=H-fNpE9vQJw [Accessed 05 February 2012]
The importance in music does not just end when the scene does in a film. It continues on throughout the ending credits. The first song that plays after the closing scene is the main theme song for the soundtrack which is “Eclipse-All Yours” by Metric it is a very happy, confident upbeat song. It also gives the audience assurance that they just seen a good and enjoyable film. This also gives the audience the chance to see the feeling the characters are to portray across the screen back to the audience. This also gives us emotions for the film and character when they use dialogue or which is being said on screen. Music and Original Score piece in a film will forever be a main part of completing a film and making it a masterpiece or a work of art.
Although admittedly some scenes have a comical side to them, Besson's fast paced action and gruesome images hold the tension and suspense brilliantly. His use of close-ups and camera movements, especially the subjective stance used by the victim, convey the feelings felt by the characters and the way in which they behave. Sound plays a crucial role in the opening sequence because, in my view, it is used to control the level of suspense and intrigue.
Different from other types of films, the music in Phantom of the Opera was used by all the characters, as a way to tell their part of the story. The music created a convincing surrounding for the film, guided the audiences. The music was constantly a signifier of emotion, as the characters expressed their feelings through the songs. The music score was an emotional and scary score that tied into their diegetic/non-diegetic singing, giving the main characters an identity, specifying situations and places to help connect certain points. When we hear the dark music play throughout the movie, it plays a certain theme, that theme gives the viewers a clear hint of who or what the music is talking about. Another example of signifier of emotion was in The Devil Wears Prada, where the film used either fast upbeat songs for when Andy walks all around the city, running errands for Miranda, or romantic alternative music when Andy is with her boyfriend and true friends (The Phantom of the Opera/The Devil Wears
The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.