The Divided In Raymond Carver's Cathedral

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It’s often that the most influential lessons learned in life are those that come when we least expect it. Raymond Carver’s realistic short story “Cathedral” presents a broken, disassociated narrator struggling to find meaning in his marriage, career, and himself. Extremely uncomfortable with the idea of Robert, a blind man emotionally intertwined with his wife’s past, the narrator displays his inexperience with the visionary disabled with an unusual amount of jealous backlash, revealing his deep-rooted lack of empathy in the beginning of the story. Robert, however, proves to be an extraordinary, and ironic, representation of the vision and clarity that the narrator is missing from his life. As a result, Robert works as the catalyst that helps …show more content…

The television programs shifts to a cathedral, and Bub realizes the blunt truth that Robert has never even seen a cathedral. He asks Robert, “Do you have any idea what a cathedral is?... If somebody says cathedral to you, do you have any notion what they’re talking about?” (214). In his response, Robert counters that he knows the work that goes into them, that men and women die before their work on the cathedral is ever finished, and, “In that wise, bub, they’re no different from the rest of us, right?” (214). He begins to help the narrator understand that his ‘vision’ isn’t literal sight, but the information and value of the world around him, unlike the narrator’s surface level, shallow view of the world. Robert then, in tactically guides the narrator toward his epiphany by asking him to describe the cathedral to him. The narrator struggles to describe them with detail, and admits, “The truth is, cathedrals don’t mean anything special to me. Nothing” (215). The narrator is vulnerable, talking about himself and opening up to Robert, just as he wants. Robert responds, “I get it, bub. It’s okay. It happens. Don’t worry about it,” speaking to the narrator as if he is his parent (215). This is when he strategically asks him to grab a pen and help him draw the cathedral. As if in a meditative state, Robert sits on the floor next to the narrator and closes his hand around Bub’s. Their interaction is intimately religious, with Robert coaching him the entire time: “Never thought anything like this could happen in your lifetime, did you, bub? Well, it’s a strange life, we all know that” (216). Bub is transfixed in their physical connection, despite their wife interjecting. He continues to draw, stating, “I couldn’t stop” (216). Robert hushes the wife, and gently directs Bub, “close your eyes now,” to which he does, without question: “I did it. I closed them just like

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