The default definition of live performance is that it is the kind of performance in which the performers and the audience are both physically and temporally co-present to on another.
(Auslander,P. (2008) P.60)
Liveness is something many of us feel a numerous amount of times throughout our life, watching a live performance cannot be beaten whether its football, rugby etc. liveness is something that theatre possesses deep within its roots, it allows audiences and performers to meet and react to one another, to forget about life and enter into a new world altogether, but what is it about it that makes an audience feel that way. Solo Performer Eric Bogosians’ book ‘Pounding nails in the floor with my forehead’ shares his opinion of how it feels for him to perform in the short introduction;
Medicine for a toxic environment of electronic media mind pollution…Theatre clears my head because it takes the subtextual brainwashing of the media madness and SHOUTS that subtext out loud… Theatre is ritual. It is something we make together every time it happens. Theatre is holy. Instead of being bombarded by a cathode ray tube we are speaking to ourselves. Human language, not electronic noise. Theatre is laughter, which is always a valuable commodity.
(Bogosian, E. (1994) P.XII)
Theatre is something that happens right in front of the audience unveiling itself before their eyes, it is never the same and can alter everyday within each performance feeling as though sometimes it has been created right there and then as we watch. It is the small amount of escapism that we can grasp in a human form, a chance for the individual to have their own physical interpretation on something without feeling wrong, as nothing is set in stone throughout one.
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...y can relate to. Technology is used everyday for most of the globe, therefore liveness is an effect of that. Peggys argument is that performance happens when it happens, right in front of you. You can watch a recording of a performance, but you cannot gain as much from the recording as you would the real thing, the emotions will be less heightened and the relationship is lost, there is no liveness. By considering both of theses arguments you create a definition for what liveness can and cant be. It can’t be captured in anyway by the new technology that has been created, otherwise the liveness does not exist.
‘Like cinema, broadcasting does not suffer from the poor visibility and audibility that limit the theatre, nor from the artificiality of it sets and settings, but neither of course can it offer the two way relationship of the theatre.’
(Crissel, A. 2012. P.12)
According to Cambridge Online Dictionary, a performance is the action of entertaining other people by dancing singing, acting, or playing music. In a performance, performer(s) execute their act while audiences watch and critique. Performance of the human body changes depending on various factors such as the format, venue, and dynamics between the performer and spectators. In Anna Deavere Smith’s Never Giving’ Up, which is a live performance, and The Pianist, which is a film, there are differences and similarities on how the performance of the human body alters.
...re as same as the audience use in their everyday life. Easily connecting to the audience, with visual, audio and performer’s performance” one can imagine himself/herself in performer’s shoes.
The duration and cost of the production have been compared to other media which provide entertainment, such as television and film. A theatre performance is more expensive to attend than cinema. The play only lasted for 85 minutes, a film can go on for two hours or even more. This can have a big influence on why people would choose one medium over the other. Accessibility has also to be taken into account when investigating the relevance of theatre in the 21st century. Television is a medium which can be accessed from home, and usually doesn’t cost a lot of money, whereas theatre costs money and is harder to access. Although the production was Australian, the actors talked with an American accent. Bearing in mind that the play was written in America, which could make it harder for an Australian audience to familiarise with the dilemmas going on, on stage, while the themes discussed seem to be more relevant there than in Australia. Overall this play doesn’t contribute to the relevance of Australian theatre in the 21st century, due to the many other sources people can access for entertainment, and because the play seems to be more relevant for an American audience rather than an
years ago the word "theater" possessed a different meaning than it does in today's society. The
...ously and see plays and performances not only as art but as a vital part of the human existence.
... a way for audiences and performers to connect on a closer level. They are both experiencing the surreal, disassociating themselves from the performance taking place. They both become more introspective. The performance becomes a vehicle for self-understanding, metacognition.
Music: the art of organized noise. The blend of pitch and rhythm combined in different mediums and enjoyed by our ears. A very interpretive art, music isn’t very clearly constricted or defined by one definition. With so many varieties of music, it’s difficult to say what aspect is really the most important. Some people think music’s history and the appreciation of music are the most important aspects to take into consideration. Some think complex in rhythms and melodies make the best music. Some people devote their whole lives to studying one genre of music in order to fully understand how that genre works. While all of these aspects of music are important, none of them can truly be compared with each other on a fair playing field. Music of different genres, eras, and geographic backgrounds were written for different purposes, different people, and different settings. Still, there is still one overarching theme that applies to all forms of music new or old: the way the composer presents his or her creation. The performance and presentation of a work of music is like the icing on the top of a cake. The cake may be the best you’ve ever tasted, but if the icing on the outside doesn’t look appealing or doesn’t taste good, chances are you’ll take a different piece of cake with better looking frosting next time. The performance of music is what appeals most to people. With live performance, an artist must “sell” his or her creation. They must put smile on their face and convey to the audience that this is their music and through the music explain why it’s awesome. They must persevere through whatever the stage, the audience, and their surroundings give them and put on a good show. In today’s popular music though, this aspect of showma...
Roscoe, J 2010, ‘Multi-Platform Event Television: Reconceptualizing our Relationship with Television’, The Communication Review, vol. 7, issue. 4, pp. 363-369.
Drama according to the Wikipedia free encyclopedia is the specific mode of fiction represented in performance, which comes from a Greek word (drao) meaning action. A dramatic production depends mostly on in-depth development of realistic characters dealing with emotional themes, it put the characters in conflict with themselves, others, society and even natural phenomena. According to Learning Stream, “drama is a literary composition involving conflict, action crisis and atmosphere designed to be acted by characters on a stage before an audience.”
Applied Theatre work includes Theatre-in-Education, Community and Team-building, Conflict Resolution, and Political theatre, to name just a few of its uses. However, Christopher Balme states that “Grotowski define acting as a communicative process with spectators and not just as a production problem of the actor” (Balme, 2008: 25). Applied Theatre practices may adopt the following “theatrical transactions that involve participants in different participative relationships” such as Theatre for a community, Theatre with a community and Theatre by a community Prentki & Preston (2009: 10). Whereas, applied theatre one of its most major powers is that it gives voice to the voiceless and it is a theatre for, by, and with the people. However, Applied Theatre practitioners are devising educational and entertaining performances bringing personal stories to life and build
The type of theatre can be changed, by changing the three properties, for example, the space in which the actors perform.There is street theatre, in which the actors generally mark out an area of the street and perform a piece of drama whilst the audience gather round or watch a short part as they walk past. On the other hand there is rehearsed theatre; this is usually performed by highly skilled actors that perform for a living. The space that is used for this would have a large stage, seated audience, and special lighting to help the performance come to life.
Performance art is a means of art that cannot be bought or sold. It is a chance where all art forms converge in many different mixes, whether it be music, video, painting, poetry, movement, etc. In a postmodern society where all genres loose their limits and are hard to define, performance art has become an absolutely hybrid art form.
Nevertheless, the question at hand is whether theatre will have a role in the society of the future, where cinema, digital television, and computers will continue to expand and grow. The answer to this question is yes. Heading into the 21st century, theatre will only be a fraction in a solid media industry. However, despite all the excitement technology brings with it, they will never replace theatre because it has something that can not be recreated or offered anywhere else. The cinema and its larger than life world appeals as an affordable alternative. Digital television provides digital interaction between the viewer and the producer. Theatre on the other hand, and its contents may take on a larger dimension, but we receive it directly in flesh and blood – one to one. The magical atmosphere between an actor and spectator who are constantly aware of each other and the theatre’s level of engagement is fundamentally more human and far more intimate.
For thousands of years, people have been arguing that theatre is a dying art form. Many people think theatre is all just cheesy singing and dancing or just boring old Shakespeare, but there is much more to theatre than those two extremes. Theatre is important to our society because it teaches us more about real life than recorded media. Theatre has been around for thousands of years and began as a religious ceremony that evolved into an art form that teaches about the true essence of life. Theatre can incorporate profound, and provocative, observations of the human condition that can transcend time; lessons found in Greek plays can still be relevant to the modern world. People argue that the very essence of theatre is being snuffed out by modern