The Dark Comic Vision of Shakespeare's The Winter's Tale

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The Dark Comic Vision of The Winter’s Tale

Although Shakespeare’s plays are generally categorized according to their adherence to the formulaic definitions of histories, romances, comedies, or tragedies, there are several plays that complicate the task of fitting neatly into these groupings. Many literary critics, in fact, have singled out a handful of plays and labeled them ‘Problem Plays’ because they do not fall easily into any of the four categories, though they do loosely adhere to the predicated ‘formula’ of the genre under which they appear in the Folios. Although The Winter’s Tale is not generally considered a problem play, it certainly contains elements that greatly complicate our understanding of the term ‘comedy’ and make it difficult to accept the play as such. In this work, Shakespeare’ s comic vision is so darkened by tragic events that it is questionable whether the play is ever able to recover sufficiently to make the comedic ending acceptable. Although The Winter's Tale is considered a comedy in the formal sense (complete with the marriage at the end), it must also be seen as a serious response to tragedy in that it not only engages various tragic elements, but it also uses those elements to highlight the contradictory and unbelievable nature of its comedic ending. Through the odd construction of the play, the great dramatic risks taken, and the paradoxical conclusion of The Winter's Tale, Shakespeare creates a complex work that seems to suggest that categories like ‘comedy’ are largely ambiguous terms when the predicated comedic ending is so darkened by tragic events that the play does not have the time nor the strength to recover.

The odd construction of The Winter’s Tale makes it seem, until th...

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... that Shakespeare was bending the rules or expectations of his audience a bit in order see what he could get away with. His method certainly makes for very interesting discussions about the plays that he does this with, and it makes the whole body of his works much richer and more complex.

Works Cited and Consulted

Bloom, Harold. The Winter’s Tale (Modern Critical Interpretations). Chelsea House Publishers, 1992.

Granville Barker's Prefaces to Shakespeare: A Midsummer Nights Dream: The Winter’s Tale: The Tempest. Granville Barker. Heinemann, 1994.

Innes, Sheila. The Winter’s Tale (Cambridge School Shakespeare). Cambridge: Cambridge University Press, 1999.

Shakespeare, William. The Winter’s Tale. Paul Werstine. Pocket Books, 1998.

The Winter’s Tale (Norton Edition): Greenblatt, Stephen, ed. The Norton Shakespeare. London, W.W. Norton & Co. 1997

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