The Crucible provides us with an example of a masterpiece of dramatic writing. In this play Arthur Miller gives us a stimulating example of the use of a variety of theatrical techniques. His most powerful scenes in "The Crucible" have common characteristics: very effective use of stage actions, long build-ups of suspense that come crashing down in thundering climaxes, intense displays of emotion and an abundance of dramatic irony. These are my three chosen scenes: p46-50: "Tituba........Devil!", p98-100: "She thinks.......Oh God" and p101-105: "You will.....Mr Hale!". Because of the importance of these scenes as key moments in the play Miller makes them dramatically superb so that the "No,sir" by Elizabeth that decides the outcome of dozens of lives and of her own and her husband’s, John Proctor is also the climax of the most effective build-up of suspense in the play. The effectivness of these scenes is also enhanced by powerful characters such as John Proctor and Danforth who display such intensity in their emotions and actions that the audience can not help but be moved. But most of all, these scenes show Miller’s theatrical qualities so that by the end of each of these scenes we not only understand his message but also find ourself convinced by his arguments .
The dramatic impact of a play is enhanced when the audience understands all the different aspects of the main characters. It helps them become more involved and at the same time gives the author the chance to display some dramatic irony. Miller uses stage actions to that end in the first chosen scene of "The Crucible". In this scene Tituba’s inner conflict and Hale’s resolution is clearly expressed through the stage actions. Tituba first denies having seen ...
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"The Crucible" is considered by many Miller’s masterpiece, it both displays his dramatic and theatrical qualities in such a way as to make it disturbing and socially relevant. In it one can find his views on society as a whole and on current events such as Mccarthyism which similarily to the medieval Church and justice system searched for individuals who by their ideals and ideas they felt threatened the supremacy of their system. Miller made "The Crucible" the starting point for the audience to reflect on their own society and culture. But at the same time Miller polished his deep philosophical work with superb stage directions, likeable characters and nerve-racking suspense.
Works Cited
Arthur Miller’s The Crucible: Fact & Fiction
http://www.ogram.org/17thc/crucible.shtml
Miller, Arthur. The Crucible: A Screenplay. New York: Penguin Books, 2006.
In the article, Miller discusses the rise of McCarthyism, and how it affected the American people and him personally. Being that Miller lived in the time of McCarthyism and was interviewed by the committee in charge of “Un-American Activities”, Miller is a very credible source on the effects of mass hysteria and paranoia. The article “Are You Now or Were You Ever” can be used as a source when discussing McCarthyism and its effects, and other studies of the era. This article is a valuable resource for studies of The Crucible and studies of Arthur Miller
Miller presents the character of John Proctor in an important way to show two sides to his character. These qualities make him have the most important role in ‘The Crucible.’ The key events that show him in this way is when the audience find out about the affair, how he tries to defend his wife, his confession in court and his hanging for the sake of others. Through the events in The Crucible, Miller then portrays John Proctor’s character with tension and suspense. This then makes the audience question whether or not he is a good man.
All in all Arthur Miller’s play The Crucible was written to be a perfect allegory to the McCarthy era. Many of the events, strategies and people on both sides are similar in the play and the McCarthy Era itself. Many similarities can be drawn between the two including the basis upon which of the victims were persecuted, the strategy to lessen their sentences and the driving factor behind both conflicts, fear. The Crucible was written as a silent but obvious rebellion to McCarthy because during the McCarthy Era Miller was accused of being communist as well. The Crucible was a play, an allegory and a rebellion to and about the McCarthy Era.
Context: This part of the text is included at the beginning of the drama, telling the audience about Salem and its people. The author explains how a theocracy would lead to a tragedy like the Salem witch-hunts. This is the initial setting and is based on the principle that some people should be included and some excluded from society, according to their religious beliefs and their actions. This is basically the idea that religious passion, taken to extremes, results in tragedy. Miller is saying that even today extremes end up bad- communism, like strict puritans, was restrictive and extreme. It only made people suffer.
Miller’s play, The Crucible, is a fictional representation of the Salem Witch Trials, which occurred from 1692-1693 in colonial Massachusetts. He wrote the play to humanize the people involved, and to try and interpret their possible motivations to do all that they did. One particular character Miller focuses on is Reverend John Hale. Hale first appears in Act One, when the citizens of Salem summon him for his expertise on witchcraft. His presence sparks the witch hunts within Salem. Hale goes from being the main accuser and the investigator to later condemning the witch trials and the court’s rulings. Miller displays this change of view through the use of commentary, dialogue, and stage directions.
Medea is a tragedy written by acclaimed Greek playwright Euripides.fortunately, had the opportunity to view last night's performance. Euripides cleverly uncovers the reality of Ancient Greek society, shining a light on the treatment of women and the emotions and thoughts that provoked during their time in society. As they were voiceless, Euripides acted as a voice. The scene is set during a male- dominated society, Medea the protagonist challenges the views and chooses to ignore the normality of civilisation. Treated as an outsider her passion for revenge conquers the motherly instincts she possesses, provoking a deep hatred and sparking revenge towards her once loved family.
Medea, a barbarian woman who once complied with Jason to acquire the Golden Fleece betrays her country by killing her brother and father to run in exile to Corinth. Jason takes Medea, who is not from a Greek background to Greece, a male-dominated society, where he then betrays her for a royal bed. This causes Medea to seek revenge and kill individuals around Jason including her own children. Medea is considered a tragic drama where the protagonist, Medea, atrociously murders innocent individuals in order to get revenge on Jason who betrayed her by marrying a princess. Although Jason’s betrayal causes Medea sorrow, there is overwhelming evidence throughout the play of characters who heard Medea’s evil plans of revenge towards innocent victims, therefore, her immoral actions shall be given a trial in Corinth where
Arthur Miller’s The Crucible is a play that was first performed in 1953 in the United States of America in the midst of the persecution of alleged communists during the era of McCarthyism. Although the play explicitly addresses the Salem which hunt, many find that the play is an analogy to McCarthyism due to the striking similarities in which the people behaved. Miller highlight the different groups of characters in order to reveal overlying ideas of the play such as: Self preservation, power, and hypocrisy.
Persecution has been a round for sometime and can be traced historically from the time of Jesus to the present time. Early Christians were persecuted for their faith in the hands of the Jews. Many Christians have been persecuted in history for their allegiance to Christ and forced to denounce Christ and others have been persecuted for failing to follow the laws of the land. The act of persecution is on the basis of religion, gender, race, differing beliefs and sex orientation. Persecution is a cruel and inhumane act that should not be supported since people are tortured to death. In the crucible, people were persecuted because of alleged witchcraft.
Few people are willing to stand up to the overwhelming power of authority, especially during a time like the Red scare. Hardly any authors are able to recognize meaningful similarities between the present times and an event that happened many years ago—and write about it effectively. Only one has had the courage and intelligence to do both. Arthur Miller was an American author who wrote plays, essays, and stories and has published works dating from to 1936 through 2004. The Crucible, one of his most famous plays, premiered in New York on January 22, 1953 (InfoTrac). It is a historical-fiction story set in Salem, Massachusetts in 1692. The witch hunt described in this play is similar to the Red Scare, an anti-communist movement led by Senator Joseph McCarthy that lasted from the late 1940s to the late 1950s (Broudin). During both time periods, most people respected high authority while a few dissenters challenged conformist views. The public was censored in what they could say because of the fear of being accused of witchcraft or communism. The hysteria of the times triggered a mob-mentality to emerge among the citizens, which influenced nearly everyone to join the terrible movements. Miller presents all of these ideas in The Crucible using his own experiences as influences. He incorporated many of his own traits into the characters’ dispositions. He also described many situations in the play that were similar to the ones he was in, including how he was censored by the Red Scare. Many people will often conform while only a few will challenge authority, will use censorship to prevent others from expressing their views, and are easily affected by hysteria; these characteristics influenced Miller’s life and are reflected by him in Th...
ruinously impact a whole community, is very aptly titled. By definition, a “crucible” is “a severe test,” and the challenges faced by Miller’s characters are many. The historical events dramatized in the play reflect how core human values, including truth, justice and love, are tested under life and death conditions. The trials of the characters and the values they hold dearly come when their simple, ordered world ceases to be black and white and easily deciphered, and is turned upside down in the gray shades of ambiguity.
In the classical age, women were expected to be meek and powerless creatures, and when they were not they were usually considered to be hysterical. Medea’s strength is portrayed as her madness as she takes control and decides the fate of her enemies. Medea breaks that rule in the manifestation of the madness that poisons her mind. Medea has left everything to be with Jason, she has even gone as far as forsaking her father and murdering her brother in order to leave with Jason, “Oh, my father! Oh my country! In what dishonor / I left you, killing my own brother for it” (164-65). This perhaps should have been a red flag for Jason in realizing how she killed her own flesh and blood and should have been an indicator for the evil that resided within her. Medea is in Jason’s turf and here she is considered a foreigner, she now defines herself via her marriage to Jason. Ultimately, when she loses him to a younger bride, she also loses her ability to be rational in her thinking. Euripides allows Medea to have a voice, and thus, gives insight into how what is happening affects her psyche.
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
In the story of Medea, the author, Euripides, addresses the topics of foreignism and female roles in the ancient Greek society. In the play, Medea, a foreign born woman, marries Jason, a Greek man, and moves to Greece to be with him after leaving her homeland with death and devastation. Then, when their marriage fails, Medea lashes out against Jason, causing her own exile and murdering her children, to which she has no love connection, and Jason’s new wife in the process. The main character, Medea, confirms many of the alleged Greek prejudices against foreigners and creates some prejudices of her own in return. Medea’s foreign roots and misconceptions, as well as her familial and societal atrocities,
Euripides’s dramatic work Medea is a story centered around vengeance. Medea is getting revenge on Jason, the man for whom she abandoned her family and left her home. What is important about this story, however, and what makes it unique from other works we have read, is the strength of the female lead. In most works the woman is either non-central and sought after by a god for her beauty, or is shown in a less than positive light (Pandora depicting women as leaky). Here, Medea is magical, murderous, and above all else powerful. She is without a doubt the protagonist with the story centered around her as if this was her heroic epic. What immediately comes to mind (for whatever reason) given this whole plotline is how very “high school” it all