Trustworthiness is not only shown in words, but also in a person’s actions. Often, actions will not be done, but it might or always be the case. In the poem “The Cremation of Sam McGee”, by Robert W. Service, a story about perseverance and the trustworthiness of friendship, it is evidence that no matter how tough the situation is, a trustworthy person will always try to overcome the situation to help his or her friend. Through the character Cap, it is illustrated that he is a trustworthy friend, for which he is willing to overcome any obstacles to complete his promise. At first, Sam McGee requested Cap to cremate his last remains when he dies (because he knows that he could not handle the cold during the journey, and Cap accepted the promise.
“Pass On” written by Michael Lee is a free verse poem informing readers on grief, which is one of the most difficult obstacles to overcome not only when losing a loved one, but also in life itself. “Pass On” successfully developed this topic through the setting of an unknown character who explains his or her experience of grief. Despite Lee never introducing this character, readers are given enough information to know how they are overcoming this difficult obstacle. In fact, this unknown character is most likely the writer himself, indirectly explaining his moments of grief. One important piece of information Lee provides is the fact that he has experienced loss twice, one with his grandfather and the other a friend who was murdered by the
In war, most actions are motivated by survival. In the graphic memoir “A Long Way Gone” written by Ishmael Beah, survival and trust cause people to do what they consider necessary. Throughout the book, the reality of survival and trust in war is constantly explored. In the duration of the war, Ishmael struggles to come into the presence of new people without being threatened and chooses to be alone to survive. This suggests that trust is a foreign idea that is replaced by the need for survival.
“He’s here in double trust: // …… his kinsman and his subject, // …… then as his host, // who should against his murder shut the door, // Not bear the knife myself.
In the midst of pursuing a familial bond, Cash Bundren, a character in William Faulkner’s As I Lay Dying, and I have struggled to handle the conflict of personal identity versus duty to our family. Moreover, we have considered how to choose which aspect to respect, if not both, to determine if living according to one’s personal identity, while to an extent sacrificing, forms stronger family bonds, and if it is self-defeating to sacrifice one’s personal identity in order to create or uphold a familial bond. Therefore, Cash’s decision to sacrifice for his family is a part of his personal identity one in which he voluntarily ties himself to his family and creates a family unit. Similarly, from the lessons and responsibility I obtained from my
In William Maxwell’s “What He Was Like”, the characters’ trust in each other changes throughout the story. For example, the father trusts that his diaries will remain unread, but this does not happen. However, the mother understands and obeys this trust. Unfortunately, the daughter does not understand her father’s trust. A person’s ideas about trust change after reading this story.
IN my role as a managing director at Methven-Taylor funeral homes and in my current capacity at miller funeral homes, I often am placed in situations where multi-tasking is not only a requirement, but also a needed tool for performing the duties of the job. Grieving families, Medical examiners, Pastors, cemeteries, nurses, hospitals, law enforcement are just a few of the entities that will initiate contact with a funeral home. The key to making all things happen when they are suppose to requires the ability to multi-task, prioritize, and act, and being able to adjust and retool plans in the blink of an eye. The life of a funeral director can change in a single phone call.
When a narrator is unreliable, there is a conflict between the narrator’s presentation and the rest of the narrative, which makes readers suspect his sincerity. There are three sources of unreliability; the narrator’s limited knowledge, his personal involvement, and his questionable morals. When narrators display a personal involvement the story, they portray characters or events in a subjective way Lastly, if the implied author does not share the narrator’s moral values then his morals are considered questionable. If they do share moral values then the narrator is un...
“The story employs a dramatic point of view that emphasizes the fragility of human relationships. It shows understanding and agreemen...
This short story revolves around a young boy's struggle to affirm and rationalize the death and insanity of an important figure in his life. The narrator arrives home to find that Father James Flynn, a confidant and informal educator of his, has just passed away, which is no surprise, for he had been paralyzed from a stroke for some time. Mr. Cotter, a friend of the family, and his uncle have much to say about the poor old priest and the narrator's relationship with him. The narrator is angered by their belief that he's not able, at his young age, to make his own decisions as to his acquaintances and he should "run about and play with young lads of his own age ..." That night, images of death haunt him; he attempts make light of the tormenting face of the deceased priest by "smiling feebly" in hopes of negating his dreadful visions. The following evening, his family visits the house of the old priest and his two caretakers, two sisters, where he lies in wake. There the narrator must try and rationalize his death and the mystery of his preceding insanity.
A funeral is an important event that should be planned with careful consideration, as each person only gets one to celebrate his or her life. People often die expectantly and suddenly leaving any funeral and burial arrangements in the hands of friends or relatives. These friends or family of the deceased may or may not have a good understanding of what the deceased would have preferred in his or her post death arrangements. A person planning his or her own funeral can prevent this guessing game and insure the arrangements are to their specifications.
Some men are engraved eternally in the hearts and minds of those he inspired. It is done so in a fashion that allows his name to live eternally, long after his ephemeral existence. However, what truly sets a man apart from his lesser counterparts is his willingness to give without taking. Indeed, the pioneer aviator and author Anne Morrow Lindbergh puts it best when she says, “to give without any reward, or any notice, has a special quality of its own” In Charles Dickens’s A Tale of two Cities , Dickens shows the inherent goodness of his characters . By exemplifying various acts of sacrifice, he demonstrates the character’s gifts ultimately bring about great change, often changes that facilitate the revival of their loved ones.
...ple. The way that Frost uses body language, shows how distant that the couple is becoming. There are many ways that people can handle grief, this poem is just one way that two people handle their lost. “Home Burial” also gives the “morbidness of death in these remote place; a women unable to take up her life again when her only child has died. The charming idyll” (Robyn V. Young, Editor, 195).
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
The narrator wrestles with conflicting feelings of responsibility to the old man and feelings of ridding his life of the man's "Evil Eye" (34). Although afflicted with overriding fear and derangement, the narrator still acts with quasi-allegiance toward the old man; however, his kindness may stem more from protecting himself from suspicion of watching the old man every night than from genuine compassion for the old man.
Death is depicted as an individual’s affair, in which, neither one’s closest friends or closest blood relatives can give a hand in. Upon receiving the tragic news Everyman first approaches his friend Fellowship. At first he is hesitant to reveal his sorrow to Fellowship for he considers it too tragic a plight. After cajoling and assurances by Fellowship to stand by him in whatever situation, Everyman finally pours out his sorrow to Fellowship. Upon realizing that Everyman has been summoned by death, fellowship turns his back on Everyman ...