The Context Of Aldous Huxley's Brave New World

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Despite its overarching theme of future prognostication, Aldous Huxley’s Brave New World is a dystopic novel profoundly representative of its own context, in direct contradiction of Diane Johnson’s perspective on dystopian fiction. Huxley highlights the negative outcomes resulting from significant changes in 1920-30’s American society, by transposing major advances in technology, increased amorality and consumerism into an ostensibly futuristic dystopian world.
Context of Brave New World, Huxley’s personal context, nature of dystopian fiction*explain who is Diane Johnson in footnote

Huxley’s concern over the issues surrounding contemporary technological advancements is mirrored in the dehumanisation of the reproductive process in Brave New …show more content…

Huxley uses a lexical chain of strikingly negative visual imagery to describe the fertilising room, a component of Brave New World’s reproductive system, in “cold [...] harsh thin light glared […] hungrily seeking”. This detached and sterile tone emphasises the lack of humanist concepts in a reproductive process reliant on technology, echoing the perceived issues of technological advancement in Huxley’s context. Furthermore, Huxley alludes to the bible, in particular Deuteronomy 4:25 “take ye wives and beget sons and daughters”, whilst discussing the technological process of incubating the male gametes, “Rams wrapped in thermogene beget no lambs”. This emphasises the technological corruption of the natural process of reproduction conveyed by the bible, which reflects Huxley’s concerns of contemporary technological advances. Huxley uses implied indirect discourse whilst the Director explains the process of reproduction, in “Making ninety-six human beings grow where only one grew before. Progress.” This directly addresses the reader, asserting societal principles of mass-production and the efficiency of the …show more content…

Family decline in the 1920’s was part of a wider array of cultural anxieties about the decline of Victorianism and the emergence of modernism, particularly during periods of rapid social and economic change.*D Furthermore, throughout the twentieth century church-going reduced; Sunday school enrolment decreased notably in the 1930’s*F and religious articles fell by eleven percent between 1905 and 1920 *E. The decline of two interlinking corporations concerned with the enforcement of society’s morals and values meant an increase in amorality in the early twentieth century. *H Throughout Brave New World, John the Savage acts as a mouthpiece for Huxley in denouncing the profligate nature of Brave New World’s civilised society, a reflection of the amorality within 1920-30’s America, shown in “I ate civilisation. It poisoned me; I was defiled.” Metaphor is used to discuss the negative effects of an unprincipled society on the individual, emphasising this paralleled issue. Huxley also alludes to Shakespeare’s Hamlet in “He [John the Savage] spent the hours on his knees praying, now to that Heaven from which the guilty Claudius had begged forgiveness.” After experiencing civilised society, John the Savage compares himself to Claudius, whose depraved character is representative of lust, greed, corruption

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