The Conflict in Guy de Maupassant’s “The Necklace”

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Several different elements are necessary to create a story. Of all the elements, the conflict is most essential. The conflict connects all pieces of the plot, defines the characters, and drives the story forward. Once a story reaches its climax, the reader should have an emotional connection to the both story and its characters. Not only should emotions be evoked, but a reader should genuinely care about what happens next and the about the end result for the characters. Guy de Maupassant’s “The Necklace” is the perfect example of how a story’s conflict evolved the disposition of its characters. In “The Necklace,” Mathilde’s internal struggle is with herself. She mentally battled with the physical and financial limitations placed on her, but more with her own soul. She was unhappy with her place in life and could not accept the simplicity of her station, believing it to be truly beneath her. “All those things… tortured her and made her angry. “ Her husband’s blatant acceptance of their place only fueled her frustrations further. The conflict began when Mathilde attended a party wearing a necklace she borrowed from a rich friend, which was discovered lost by the end of the night. Mathilde finally got a glimpse into the life she believed she belonged to, but both she and her husband paid for it heavily for many years to come. The necklace she borrowed and lost served as a gateway into that world, and as a hasty exit out of it. It took ten years for Mathilde and her husband to pay off the debt of buying a new necklace. Those ten years were not spent with the luxuries she experienced so many years ago at the party, nor were they filled with the simple things she once owned and despised. She came to know “the horrible existence of the needy. She bore her part, however, with sudden heroism.” When passing her rich friend again in the street, she was barely recognizable. Who she was the day she ran into her friend was not who she was the night she wore that necklace.

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