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Canterbury tales analysis
Canterbury tales analysis
Canterbury tales analysis
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The Comparison of Time Periods in The Canterbury Tales
One of the most important pieces of English literature is Geoffrey Chaucer’s, The Canterbury Tales. This piece is highly regarded, because it gives insight into the simplicity of life in England, through it’s extensive cast of characters. One of the most important parts of this piece is the General Prologue. The General Prologue is very important to the piece, because Chaucer uses it to contrast characters with similar backgrounds or jobs. This contrast can be seen vividly in the descriptions of the Knight and the Squire. Both the Knight and the Squire are examples of warriors, but of different ages and social standing; because of this, Chaucer is able to depict the differences between the attitudes of the late Medieval society and blossoming age of Renaissance. By using similar characters and similar characterizations, Chaucer is able to illuminate the vast differences between the Knight and the Squire.
Chaucer’s primary description of the Knight and his battles is that of untarnished virtue. Chaucer says, “...he loved chivalrye, Trouthe and honour, freedom and curteisye” (General Prologue, 45-46). Chaucer describes the Knight as the perfect noble knight. The Knight’s true love is of chivalry and honor. He is depicted as a warrior who does his duty, because it is right. He believes in what he does, and isn’t a warrior for any other reason. Chaucer further portrays this quality about the Knight through the battles which he has been involved in. The Knight was never involved in a battle of secular nature. The Knight only fought in religious wars. Chaucer once says, “...And foughten for our faith at Tramissene...” (General Prologue, 62). This line implie...
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...ht, carried over to his clothing and actions. Chaucer tells us, “[Embroidered] was he as it were a [meadow] Al full of fresshe flowers, white and red; Singing he was or floiting all day...” (General Prologue, 89-91). The Squire walks about as if he were the king of the world, seemingly without a trouble in his mind. This gives him the appearance that he considers himself superior to everyone around him.
The Knight and the Squire, though they both have virtually the same profession, act, dress, think and carry themselves very differently. By pairing these two characters together in his prologue, Chaucer is able to show his readers the social corruption that the Squire has, while showing more clearly the integrity and honor of the Knight. This also helps to portray the vast changes between the honorable medieval times and the more materialistic renaissance.
The Knight’s leadership is one quality that Chaucer values. The Knight is a wise, noble, modest, and brave man. Chaucer recognizes this when he writes, “To ride abroad had followed chivalry, / Truth, honor, generousness and courtesy. / He has done nobly in his sovereign’s war / And ridden into battle, no man more, / As well in Christian as in heathen places, / And ever honored for his noble graces” (ll. 45-50). Chaucer speaks highly of the Knight because he was well liked and the everyone looked up to him.
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
In Medieval Times knights are the protectors. The knights fight for, and obey the king. And for that reason Knight’s are in high rankings in the class system, compared to the peasants and merchants. The Canterbury Tales by Geoffrey Chaucer, people are going on the pilgrimage to Canterbury for Salvation. The knight is Chaucer’s ideal of a night should be. The knight is a highly principled killer who travels the world and fights for what he believes in with unequivocal bravery and valor.
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
The Canterbury Tales, written by Geoffrey Chaucer, has gone through many adaptations. Some authors decided to translate the story into verse, while others chose to write the as a narrative in prose. Although all adaptations are based off the same story, they are vastly different and can be the result of opposing interpretations of the original work. After reading a text translated by Nevill Coghill (referred to as Version I) and a text translated into a narrative by a different author (referred to as Version II), it is obvious that for each similarity they share, there are many more differences in language, syntax, and imagery as well.
“The Canterbury Tales” was written in the 14th century by Geoffrey Chaucer. These tales constitutes a frame story which each pilgrim has to tell their own story to the Chaucer, the pilgrim; not the poet. As we know, the tale itself is a satire, but the stylistic structure in the tales creates a sense that can be a parody as well. To support this idea of parody, it is need to know the definition of parody and how Chaucer use this style to make his own ideas clear through the general prologue and the tales such as “The Miller’s Tale” and “The Knight’s Tale”.
There are two types of people in this world, the first ones are, the people who doesn't really like reading books because most of them doesn't have pictures on it, and they find it extremely boring. Then the other type of people, who simply gets lost into their book every time they read, because they just simply love reading. Some of them even say that when they're reading, it is taking them to a different world that only their imagination can create. That is why some people consider their books as their most priced possessions, because of how much it means to them and also some books can be rather pricey. Indeed, books can really be expensive, however, you might be too astonished when you see the following books, because they're considered
Romance can be defined as a medieval form of narrative which relates tales of chivalry and courtly love. Its heroes, usually knights, are idealized and the plot often contains miraculous or superatural elements. According to Tony Davenport the central medieval sense of romance is ' of narratives of chivalry, in which knights fight for honour and love.' The term amour coutois ( courtly love) was coined by the French critic Gaston Paris in 1883 to categorise what medieval French lyricists or troubadours referred to as ' fin armors'. Romances and lyrics began to develop in the late fourteenth century England, author like Chaucer or Hoccleve produced some of the first english medieval narratives. But how does medieval literature present the expericence of romantic love. In order to answer this question this essay will focus on two tales from Chaucer's Canterbury Tales: the Knight's Tales and the Franklin's Tales. It will show that medieval romance can be used as a vehicle to promote chivalric behaviour as well as exploring a range of philosophical, political, and literary question.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
Chaucer satirizes knights and chivalry in two different ways: in the prologue and in the Knight's Tale. The first way in the prologue is with the pilgrim Knight's character. Chaucer wanted to present a realistic knight, but he also wanted to give the Knight some very real, and obvious flaws, as a sort of social commentary on the way that knight's were perceived in the 14th century. To that end, he gave the Knight some qualities that could be termed as the antithesis of the qualities that a good and honorable knight should have. The second way I see Chaucer as satirizing chivalry is through the Knight's Tale. The Knight's Tale presents the "ideal" knights. They follow the codes of chivalry. They follow the graces of courtly love. They have duels. Have battle honorably. And, they also make fools of themselves on more than one occasion. Palamon and Arcita are so perfect, that they become parodies of the perfect knights. And, in the end of the tale, everyone ends up somewhat unhappy, and there is no clear winner. By writing this parody, Chaucer is trying to convey the idea that a lot of the ideals of chivalry are a bit silly. And, as all of the different tales reflect back on the characters of the pilgrims who tell them, the ideas in the Knight's Tal...
An interesting aspect of the famous literary work, "The Canterbury Tales," is the contrast of realistic and exaggerated qualities that Chaucer entitles to each of his characters. When viewed more closely, one can determine whether each of the characters is convincing or questionable based on their personalities. This essay will analyze the characteristics and personalities of the Knight, Squire, Monk, Plowman, Miller, and Parson of Chaucer's tale.
In his story titled "The Canterbury Tales" Chaucer seems to truly admire some of the pilgrims while displaying disdain and sarcasm towards the others. The pilgrims that he most seems to admire are the Knight, the Oxford Clerk and the Parson. The knight he seems to admire based on his notation of all the campaigns in which the knight has participated in service to just causes. Chaucer makes mention of the knight 's worthiness, wisdom and humility "Though so illustrious, he was very wise And bore himself as meekly as a maid." (67,68 Chaucer). It seems as though Chaucer admires the knights great ability both in warfare and practicing what he preaches. This can be seen in his description of all those he seems to admire in the tale. The Oxford Clerk
...an see, when reading a work such as The Canterbury Tales, there are many advantages and disadvantages to the work being in both middle and modern English. Before reading such a work, one must realize his or her own purpose for reading the work and then decide on which version to read. It is the opinion of many that it is beneficial to read both versions in order to educate one self about both languages as well as to experience the evolution of the English language. The English language has changed greatly over the many centuries since the time this work was written. However, this work helps create a bridge between the languages of the middle and modern English worlds. This was a work that transcended any work previously written and one that will continue to have an important place in the history of English literature and the English language as a whole.
The physical illustration of Squire is carefully surrounded by sexual references. The author tells us in his poem that the young character is "a lovere and a lusty bacheler"(Norton, 83), who loves so hotly that he sleeps at night "namoore than dooth a nyghtyngale"(Norton, 83). Chaucer uses meadows, fresh flowers, and squire's songs as the methphors to represent the character's sexual image that hides under the portrait of the candidate for a knight. Chaucer also refers to the object of squire's chivalry, his lady.