All people know a circus clown when they see one. Jim the clown was not your typical circus clown, with gigantic fire engine red shoes on his tiny feet. He was very different in various ways.
His ears where so colossal, that they hung off the side of his head, like ears on an ancient elephant born deep in a lush tropical subterranean rain forest of South East Africa. Standing about nine feet in the air, swaying from side to side, like a redwood timber tree in the cold snow drifts Alps of Washington State. He towers over everyone he meets, like the skyscrapers of New York City. His hair, looked to be made of thick cotton, but curly as ribbon on a bow, a multicolored rainbow running from forehead the neckline and approximately an extra foot soaring from him crown. Jim the clown could be heard from miles around as his voice carried, as roughly as sandpaper, through the dusty cannon bottom of the poverty stricken village. A few nineteenth sentry cobble stone homes and rubble is all that remained.
Upon his pale pasty balloon shaped face were two perfectly round circles that sat upon his cheeks. These rose to attention whenever he smiled, but it was very rarely. They plummeted just as fast with a horrifying frown. Fear came to many when they saw him smile. For it brought a sensation of death and grief throughout the several villagers he encountered. His gums and teeth where so disfigured. A hazy banana yellow tint presided over them, whenever he smiled or talked.
Always dressed in jailbreak stripes, he wore red and white pants, an extremely large canary yellow bow tie. None of the children loved to see him but even fewer of them loved to hug him. With every tearing hugging embrace, they felt the smooth texture of his plum colored sequenced embedded velvet shirt.
If being nine feet off the ground was not enough, he was as round and rotten smelling as a decaying Florida naval orange.
It was a village on a hill, all joyous and fun where there was a meadow full of blossomed flowers. The folks there walked with humble smiles and greeted everyone they passed. The smell of baked bread and ginger took over the market. At the playing grounds the children ran around, flipped and did tricks. Mama would sing and Alice would hum. Papa went to work but was always home just in time to grab John for dinner. But Alice’s friend by the port soon fell ill, almost like weeds of a garden that takes over, all around her went unwell. Grave yards soon became over populated and overwhelmed with corpse.
Jim had run away from his abusive father and enabling small town to find himself traveling down the Mississippi on a raft. His traveling partner was a black slave, Jim. Wondering why Jim was there, Huck discovers that Jim had run away from his slave owner, Ms. Watson. Jim had spoken about his harsh life as a slave, and resented talk of being sold down to Orleans for a “big stack o’ money.” Huck felt that Jim’s escape was wrong, but kept his promise of secrecy, like any good friend would.
Jim is one of the most underrated and most understood characters in The Adventures of Huckleberry Finn by Mark Twain. There are many arguments that people can use about the way Twain portrays Jim. Even for the best arguments that readers can have, there is always an argument to rebut with, unless the readers completely understand Twain’s purpose for writing Jim in such a way. Twain shows Jim in a complex environment that helps strengthen him as a character. In Twain’s The Adventures of Huckleberry Finn, Twain depicts Jim to be a kind, loving, and trusting family man who, against all odds, challenges the social norm that black and white people are different.
The most important binary operation in Faulkner's masterpiece is the projected idea of the rich versus the stark reality of the poor. Throughout the entire work, the scenes of the Snopes family are constantly described in detail and compared to the richness that appears abundant around them. For example, at the very beginning of the story, the young Colonel Sartoris Snopes is described as "small and wiry like his father" wearing "patched and faded jeans" which are later described as too small (Faulkner 1555). This poor child, with his tattered clothing, bare feet, and scared-to-the-bone look is juxtaposed against the wealth of the Justice of the Peace's borrowed courtroom--its "close-packed" shelves filled with cans of food, aromatic cheese, and "the silver curve of fish"--th...
First, Mark Twain uses educated diction and obscure descriptions of Simon Wheeler in an attempt to entertain the general public reading the newspaper “The Saturday,” the newspaper where Mark Twain published his original version of his short story. To begin, Mark Twain uses the character of Jim Smiley to interest the reader and keep them hooked at the obscure personality of Mr. Smiley and his frog. Jim Smiley, a man addicted to gambling and competition, fools others through deception and false manipulations and gains the reader’s attention through his dedication to win and compete. Through clever manipulation of words, Jim downplays the skill of his...
According to a criticism on the short story in the second volume of Short Stories for Students, writers of local color attempt to exaggerate cultural differences (Schmidt 27). The genre of writing generally focuses on unsophisticated characters in a specific part of America (Schmidt 27). In Twain’s short story, the narrator travels from eastern American to a western mining town in search of Leonidas W. Smiley. When he is trying to obtain information about the man he is searching for, he encounters Simon Wheeler, the stereotypical western frontiersman who rambles on about a man named Jim Smiley that had a pet frog who could jump higher than any of the other member of his
Jim is an excellent example of how Twain demonstrates human nature. Jim is a black slave from the fictional town of St. Petersburg Missouri, who decides to run away from his owner, Miss Watson, for fear of being sold down south to New Orleans. Jim encounters Huckleberry Finn, who is also running away, and the two quickly develop a bond as they were able to relate to each other. Jim is a black slave, someone’s property, and Huck comes from the lowest level of white society. Jim and Huck’s friendship demonstrates the human nature of companionship.
I looked around at everyone in the room and saw the sorrow in their eyes. My eyes first fell on my grandmother, usually the beacon of strength in our family. My grandmother looked as if she had been crying for a very long period of time. Her face looked more wrinkled than before underneath the wild, white hair atop her head. The face of this once youthful person now looked like a grape that had been dried in the sun to become a raisin. Her hair looked like it had not been brushed since the previous day as if created from high wispy clouds on a bright sunny day.
Looking out across the stone-paved road, she watched the neighborhood inside the coffee colored fence. It was very similar to hers, containing multiple cookie-cutter homes and an assortment of businesses, except no one was there was her color and no one in her neighborhood was their color. All of them had chocolate skin with eyes and hair that were all equally dark. Across the road to her right, a yellow fence contained honey colored people. She enjoyed seeing all the little, squinted almond eyes, much smaller then her own, which were wide set and round. One little, sunshine colored boy with dark straight hair raised his arm and waved his hand, but before she could do the same back her father called her into the house. His lips were pressed and his body was rigid, the blue of his eyes making direct contact with her
“Hope and fear are inseparable. There is no hope without fear, nor any fear without hope” (François de la Rochefoucauld). One of the many defining qualities of human existence is the ability to experience emotions. Among them, hope and fear may be two of the most commanding. The balance of the two and the influence they have on a person, as well as each other, is imperative to one’s personality, behavior, resolutions. Authors use the contrast of hope and fear to create a character out of thin air. By applying these to emotions to a flat character, he or she is sculpted into a complexly depicted person. Both Charlotte Perkins Gilman and Sandra Cisneros use this technique to create their main characters. The narrator in The Yellow Wallpaper and
When the doctor came to the stand you could see the weight that had encumbered him. He had dark sags under his eyes. Wrinkles plagued his face. He was much too skinny and his white hair had been cut to a close shaved. Most notable, though, was the lack of life behind his eyes. Anyone could see that he was tired of politics and weapons.
David was in the seclusionary time-out room for physical aggression as well as verbal aggression towards a female staff. He had taken his tee shirt off and had torn it into long narrow strips, which he used to tie around his neck and to tie his hands and fingers together and still attached to his neck. His arms were flexed upwards towards his neck in order to make the strips reach both.
The writer gradually shifts from the negative assumptions to the reality of the matter by using symbolism. Baca describes a leader as being “asthmatic” (12) with “wrinkles on his face” (14) t...
As human beings, we are designed to pick up acceptable social cues from our interactions with people. In the story, Le Guin used words to clue the readers about the citizens of Omelas. When describing the people, Le Guin uses an unclear approach when releasing information about the people’s happiness, by writing that they do not say the words of cheer much. Additionally, Le Guin describes the happiness expressed as “all smiles
Humor, along with its various forms, including satire, is often used to present social commentaries. This is especially true in Mark Twain’s Adventures of Huckleberry Finn. In his novel, Twain tells the story of a boy named Huckleberry Finn voyaging down the Mississippi River to free his slave companion, Jim. In doing so, Twain evokes many issues of Southern culture. Through the use of satirical devices, characterization, and story, the author enlightens readers and offers a critique on racism and religion. One of the best, if not the single most important, humorist in American history, Mark Twain, through his satire, paints a portrait of the pre-Civil War American South and all its flaws.