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Essay on anton chekhov the cherry orchard
Essay on anton chekhov the cherry orchard
Essay on anton chekhov the cherry orchard
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The Cherry Orchard The Misunderstood Comedy When the first production of The Cherry Orchard was performed on stage in Moscow, there was a significant difference of opinion between the author and directors. Chekhov strongly faulted the directors interpretation that the play should be preformed as a tragedy and insisted that what he had written was a comedy. The famous philosopher Aristotle defined a comedy as "an imitation of characters of a lower type who are not bad in themselves but whose faults possess something ludicrous in them." The misinterpretation of The Cherry Orchard could be mainly due to a misunderstanding of the comic character. A "comic" character is generally supposed to keep an audience in fits of laughter, but this does not always have to be so. The sympathy and compassion the main character's in The Cherry Orchard bring out in the reader should not blind them to the fact that they are virtually comic characters. For example what character could be more ludicrous then a "typical" patrician like Gayev ,whose main characteristics according to Chekhov were "suavity and elegance," turning to his sister and demanding that she should choose between him and a footman like Yasha? And is not the fact that Gayev became a "bank official" ludicrous, particularly since it is made quite clear to the reader that he would not be able to hold a job for even a month? Not to mention the love aff...
In the movie, the three main types of comedy I recognized were farce, parody, and satire. Farce is comedy designed to provoke the audience into simple, hearty laughter and often uses highly exaggerated or caricatured character types and puts them into improbable and ludicrous situations. It also makes use of broad verbal humor and physical horseplay. Some examples of farce in the movie are:
A utopian society is very hard to come across these days. People tend to start a utopian society in order to better the life’s of others. Bronson Alcott of the Fruitland Community tries to find a utopian society that will last and be productive. The Fruitland’s goal is to abstain from worldly activity and integrate systems of trade and labor in order to find spirituality.
Aristotle was a phenomenal Greek philosopher. His words and thoughts inspired millions, and continue inspiring today. He taught lessons to those who would listen, he preached his scientific findings, but above all, Aristotle enjoyed the theatre. In fact, Aristotle had his own views about different genres. Today we will look at tragedy. In Aristotle’s mind, a tragedy was the process of imitating an action which had serious implications, was complete, and possessed magnitude. He even composed six elements that a tragedy must contain. Aristotle’s six elements of tragedy are a plot, characters, thought, verbal expression, song composition, and visual adornment. Each contributes to an aspect of a tragedy.
According to Aristotle, “Comedy can be any colloquy or performance generally intended to amuse or stimulate laughter”. In modern times, comedy can be found in different forms, such as television, movies, theatres and stand-up comedy.
By the age of 6 we had lived in four different houses. For the time being, we were living at a house in Fruit Heights. This house was much different than any other house I had ever lived in. Since I was the youngest out of five girls, I felt it was my duty to be the rambunctious one.
When discussing the human ability to tell a lie, or to deceive, it is often discussed in reference to morals and trustworthiness of individuals. Yet, it appears that everyone, or almost everyone, tells untruths at some point in their lives. So, is it wrong to deceive, or are there situations or circumstances that make it okay, actually appropriate, to give false information or to mislead another? There is no question that trust is a requirement for success in life and is attained by honesty, integrity, and building of trust among individuals, but can successful people be liars? Perhaps, the lie itself is measured in levels of deception, levels of harm it causes when found out to be misleading or false. To address
What is comedy? Funk and Wagnalls New Encyclopedia says: "A comedy depicts the follies and absurdities of human beings." Webster's Dictionary defines comedy as: "A drama or narrative with a happy ending." Shakespeare's play, Measure for Measure, fits both of these descriptions. Follies and absurdities are present in the play: Lucio slanders the Duke, not realizing that his crude remarks are being spoken to the Duke himself; Angelo abuses his power thinking that the Duke is not present to know; and Ragozine happens to die in prison the day a head is needed to substitute for Claudio's. The play also ends on several merry notes, consistent with the definition of comedy. For example, Angelo's life is spared and he is forgiven; Mariana is married to Angelo; the Duke punishes Lucio humorously with marriage; Barnardine is pardoned; and Claudio is saved. The parallels between Measure for Measure and three other Shakespearean comedies, The Merchant of Venice, As You Like It, and Twelfth Night, also help to classify Measure for Measure as a comedy. In Measure for Measure, like in The Merchant of Venice, As You Like It, and Twelfth Night, an arbitrary law or obstacle is eventually overcome; a disguised character affects the outcome of the play; a clown adds humor to the plot; a female character bears a large responsibility for the final resolution; and forgiveness and reconciliation mark the conclusion of the action.
A satirical comedy is an attempt to ridicule a certain aspect of government, religion, or another aspect of society to bring about change through the use of comedy to lighten the blow. Tartuffe is a prime example of a satirical comedy. Molière used this play to point out one of the biggest flaws of organized religion during his time, religious hypocrisy. Although he may not have directly intended it to be about the Catholic Church, it was interpreted by them as such so they made the king ban it for a period of time. By making it into a play, Molière was able to reach a larger audience. People tend to enjoy plays more so due to their quick, lively nature. Plays are always changing, and they are stories being brought to life. A reader may not be interested by a short story or novella, but a play could be the very thing to draw in their attention. Molière was able to reach more people by making this into a play, therefore making the problem of religious hypocrisy more widely
Language or the way in which words are used is one of the most important components of a comedy. Through an intelligent use of word play and the ability to add
Satire is a literary manner built on wit and humor with a critical attitude directed to human institutions and humanity. A successful satiric play will show certain truths about society and then try to improve upon them. Satire is meant to be constructive rather than destructive. Aristophanes uses satire in Lysistrata to convey many different themes such as war and peace, the struggles of power and class, and the life and death issues that are seen in war. Satire is successfully used and seen in Lysistrata by stereotyping women in general and then the different classes of women as well. Double entendres are seen throughout the play to help add humor to the play. Sex is used as humorous tool but only to covey a deeper theme that consists of war and peace and also of life and death.
In addition to three tragic plays (a trilogy) each poet had to present a satyr play - a farcical, often bawdy parody of the gods and their myths. Later, comedy, which developed in the mid-5th century BC, was also presented. The oldest extant comedies are by Aristophanes. They have a highly formal structure thought to be derived from ancient fertility rites. The humor consists of a mixture of satirical attacks on contemporary public figures, bawdy, scatological jokes, and seemingly sacrilegious parodies of the gods. By the 4th century BC comedy had supplanted tragedy as the dominant form.ANCIENT THEATERSThe form of the Greek physical theater evolved over two centuries interestingly, the permanent stone theaters that survive today as ruins were not built until the 4th century BC - that is, after the classical period of playwriting.
In Rebecca Ray's words, "Comedies contain elements of love or lust with obstacles that the lovers must overcome throughout the play. Mistaken identities are often used in both intentional and unintentional ways for comic relief". A comedy will generally depict human mistakes in a comical way. It mocks the faults that humans encounter on a day to day basis. Since humans are not perfect, we all relate in some way, we have all undergone at some point ...
A tragedy is defined as beginning with a problem that affects everyone, i.e. the whole town or all the characters involved, the tragic hero must solve this problem and this results in his banishment or death [run-on sentence]. A comedy is defined as also beginning with a problem, but one of less significant importance. The characters try to solve the problem and the story ends with all the characters uniting in either a marriage of a party. Although these two genres are seen as being complete opposites of each other, through further analysis one can gather that though they are different certain similarities can also be seen.
Comedy and tragedy are two totally opposing genres but both have been very successful during the Elizabethan period. Several plays were written to help people to be instructed in a general way and to purge their emotions through the laughing in comedy or the crying in the tragedy. Among the writers of tragic plays, there was Shakespeare with one of his most famous play The Tragical History of Hamlet, Prince of Denmark. Regarding comedy, John Lyly takes the myth of Endymion in his courtly comedy Endymion, the Man in the Moon. Starting from these two plays this essay will look at the boundaries that allow defining and distinguishing between tragedy and comedy as well as their importance at the time. Tragedy and comedy stand out mainly by the fact that one of these genres makes people cry and the other makes them laugh. The boundary between the two is not always easy to distinguish, since a play can be considered as a comedy without being funny, simply because it has a happy ending. The issue here is to contrast these two genres to better draw the border between them.
Writers at the time such as Aristophanes and Menander wrote comedy similarly to how we do today, mocking politicians, fellow writers, and Greek philosophers (Mark Cartwright). The word ‘comedy’ is derived from Middle English, from Medieval Latin comoedia, from Latin, ‘drama with a happy ending’ (Merriam-Webster). This joyful type of performance may be why we commonly use the word ‘comedy’ to talk about jokes, humor, and hilarious performers. Comedy is meant to bring us joy and relief from reality’s negativity. Mary O’Hara wrote about comedy for a BBC article titled “How Comedy Makes us Better People”: “Comedy is more than just a pleasant way to pass an evening, humour more than something to amuse. They’re interwoven into the fabric of our everyday existence. Whether you’re sharing an amusing story down the pub, making a self-deprecating joke after someone pays you a compliment or telling a dark joke at a funeral, humour is everywhere. (O’Hara)” This is certainly an accurate statement about modern comedy. Comedy is not sadness, but rather a way to forget the woes of everyday life. What is the point in humorous incidents and ridiculous jokes if they do not make a person smile or laugh so hard their gut