The question of which one of the characters is the biggest fool of “The Cask of Amontillado” is may seem obvious at first, but clues within the story are conflicting. Fortunato dressed to play the part of the fool in the most literal sense; his tight-fitting jester’s outfit, complete with an eccentric hat covered in bells. This choice of clothing could not only be Poe’s way to make Fortunato the obvious choice of the “fool” of the poem, but also to convey the cruel jests that he often made that counted towards the injuries Montresor claimed he inflicted. Fortunato’s costume also ties in to the feeling of “supreme madness of the carnival season” (14). This fools uniform contrasts sharply with Montresor who was wearing a cloak complete with an eerie black mask to further portray his villainous form. Fortunato, who had apparently caused “a thousand injuries” to Montresor, foolishly agreed to trust Montresor and go to his house (14). This action is clearly absurd. Fortunato interpreted Montresor’s “you are luckily met” as amicable and that Montresor was happy to see him. However, Montresor despised him and is only happy to see him to murder him later. Montresor referred to Fortunato as “my friend” when speaking to him to further convince that he meant no harm and hide the fact that no bad deed goes unpunished. Fortunato’s obliviousness continued to dig him a deeper grave when he unceasingly in made demeaning remarks toward Montresor. To “forget your arms” when Montresor reflected how he came from a “great and numerous family” Fortunato implied that he could not remember the family crest because they had long ago lost their prestige (16). Also, by sneering and “recoiling a few paces” when Montresor claimed he was a mason, a secret... ... middle of paper ... ...). This sad jingle of bells, as though Fortunato didn’t even have the strength to call out for mercy, made Montresor’s heart grow sick with regret. He then hastens to finish his job and escape in an attempted to remove himself from the guilt of his murder. The greatest question is if Fortunato was the biggest fool to drunkenly trust Montresor, or if Montresor is the fool for overreacting. Although Montresor had his doubts that he must satisfy, murdering Fortunato over a single insult was hardly worth it. Montresor’s final wish that Fortunato rests in peace confirms that he would live to regret his decision. Even though Fortunato is the one that dies due to this dispute, and wasn’t nearly as fortunate as him name suggests, Montresor had to live at least fifty more years with this guilt; making Fortunato the freer character of the two despite is eternal confinement.
Montresor, fifty years after it happened, is confessing to the murder of his foe, Fortunato. He justifies his actions by saying that Fortunato caused him a thous...
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
Montressor had said “In pace requiescat!”, but rest in peace Fortunato did not. As Fortunato took his last breath he heard Montressor yell his name and then leave. A strange sensation then came over Fortunato and he could sense the energy flowing out of him, a rising feeling held him above the ground as he became a restless spirit. He thought to himself “Why am I not allowed to go? What must be keeping me here?”, and then recalled that it was Montressor that had done this to him, Montressor that had led him into the vaults and then sealed him up to die of pneumonia. Revenge, that was what had drove Montressor to murder, and what was keeping Fortunato in the mortal world. Fortunato realized that he must find Montressor, and exact his revenge before he would be able to pass over. And down there, in the deepest, darkest vault, he planned his revenge.
Montresor proves not to mess with someone's feeling. He explains, “I must not only punish, but punish with impunity” (Poe 372). Fortunato does not know that he is going to die, yet Montresor and the reader do know, making the situation dramatic irony. By punishing him with impunity he is going to get revenge that he has wanted now for years ever since he did wrong to Montresor and now that he finally gets the chance of course he will seek revenge on Fortunato. And it is dramatic irony because Fortunato is oblivious to the situation. Montresor proves that one should be careful on what they say. He speaks, “I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation” (Poe 372). Montresor is saying
No matter how well executed, a crime of this magnitude will leave scars on the conscience, thus marring it’s perfection. Conflicting psychological emotions and actions plague the journey causing inner conflict ranging between pity and revulsion by the time the narrator concludes. Notwithstanding the shortage of information on Montresor’s life in the ensuing fifty years since Fortunato’s death; it can be surmised from the events leading to the murder that Montresor does, in fact, have a conscience and that it builds upon itself as the action
The author introduces the readers to the narrator who is known as Montresor when he is talking to an unknown audience. In the course of the discussion with the unknown audience, Montresor attests to the fact that Fortunato, who is a close friend of his has morally insulted. Due to the moral insult labeled against him, Montresor intends to revenge. “Part of Montresor's vengeance plan, however, is to ensure that he does not expose himself neither to Fortunato nor to the society at large” (Johnson et.al, 8). To this effect, he does not let open the ill feelings that he harbors against Fortunato. Montresor asserts to the fact that he would consider his vengeance plan a failure if at all Fortunato found out and exerted revenge. That notwithstanding though, he says that he would let Fortunato know that he is the mastermind of all his misfortunes when he will be satisfied that his vengeance plan will not backfire.
Hoping to obtain revenge, Montresor, the narrator, lures Fortunato, one of his friends, into the depths of his catacombs to be murdered. Montresor says, "The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge"(149). This is the first line in the story, and this is why Montresor seeks revenge. There is no explanation of the insults that Montresor received, so the reader may infer that Montresor is just lying. The insults that were received could possibly be just outdoing in the business arena. Montresor might be using that excuse for his desire to kill Fortunato, because he may be killing Fortunato out of jealousy. Montresor is likely telling this story to a family member, friend, or his doctor while lying on his deathbed. Montresor says, "…your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter."(150). Montresor just admitted that he knows Fortunato is better than he. Montresor may have been under the influence of jealousy. Redd 4 There are different theories to ...
As the story begins, Fortunato believes he and Montresor are friends or at the very least friendly. However, Montresor is secretly plotting Fortunato’s murder. Montresor believes that Fortunato has given a “thousand injuries” and it is not until he “insults” Montresor that Montresor springs into action. Unfortunately, it is never explained if these injuries and insults really happened or if they are a delusion. Montresor makes an unreliable narrator and one gets the feeling he suffers from a psychological disorder, such as delusional paranoid personality disorder. This disorder causes the victim to become obsessed with a delusion “involving a phenomenon that the person’s culture could conceivably regard as plausible.” They often believe “they have been injured by friends or strangers, and they tend to see other persons as enemies.” Montresor gives the impression he and Fortunato have known each other for an extended amount of time. Montresor knows more about Fortunato than Fortunato knows about Montresor; possibly because Fortunato is constantly drunk.
and his family, Montresor retaliated by plotting to kill him. Montresor thought of Fortunato as a
You were not to be found, and I was fearful of losing a bargain (Poe 332)”. This revels Montresor notices that Fortunato is not able to tell Amontillado from Sherry as he is a great wine-lover. When Montresor is coughing, Fortunato is trying to convince him to leave: “Come,” I said with decision, “ we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was”. This shows jealousy and kindness of Montresor against Fortunato at the same time that is quite sarcastic. From this perspective, Montresor envious all of the things that Fortunato has and who is not reconciled to someone surpass him in the status. He mistakenly feels that this is the injury created by Fortunato resulting in his revenge. Therefore, he blame on Fortunato for all fault that he should eradicate him as soon as possible before he become a threatening when it is too late to take any action. Additionally, he does not even regret his choice and believes everything he does is right. This is because he tries so hard to makes an effort to draw Fortunato to his trap and put down his vigilance simultaneously by
With Fortunado dead and buried, Montresor has won. Thanks to his deception he has the revenge he wanted for so long. There are no more insults or injuries for Montresor to tolerate. Fortunato is dead, never to be seen again. Because Montresor believes what he has done is not wrong he does not have to worry about the guilt or shame afterwards.
Irony is defined as words or actions that convey a reality different from appearance or expectation. The use of such device in the story gives it humor and wit. The continuous use of irony is detected through style, tone and the use of exaggeration from Montresor, the narrator. From the start we can blatantly see the irony in the story. The name Fortunato implies that this man is of good luck, when in actuality he was about to face the end of his life. The setting itself in which the story takes place also contains an ironic element. It is during Venice’s Carnival that the characters meet. Carnival is supposed to be a time of celebration and happiness for everybody. However, in the tale it is a time for revenge and death. The mood changes drastically when the two characters leave the carnival for the d...
Ending in death most foul, “The Cask of Amontillado” and “The Tell-Tale Heart” feature revenge and a painstaking cruelty. Pushed to the point of insanity and retribution sought over trivialities, the narrators tell each story by their own personal account. The delivery of their confessions gives a chilling depth to the crimes they have committed and to the men themselves. Both men are motivated by their egos and their obsessions with their offenders. Prompted by their own delusions, each man seeks a violent vengeance against his opposition in the form of precise, premeditated homicide.
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
While at the carnival, Montresor bought some of the finest Amontillado wine to use in his vengeful plan to murder Fortunato. He then meets his "friend," Fortunato. Fortunato is wearing "a tight fitting parti-striped dress and head is surmounted by the conical cap and bells" (Poe 528). By him wearing this outfit, makes it great for the narrator because he is going to make a fool out of Fortunato. Montresor is a manipulative person. He challenges Fortunato's connoisseurship on wine tasting and leads him to his family estate.