Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Gender roles in latino culture
Gender roles in latino culture
Gender roles in latino culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Junot Diaz’ (2007) The Brief Wondrous Life of Oscar Wao discusses the life of Oscar Wao, an overweight Dominican comic book loving-nerd spending a majority of his time pursuing the love and attention of the female characters in his life. His pride which was deeply rooted to that of his Machista ideology exhibited all throughout his homeland of the Dominican Republic began to deteriorate in his teenage years as a result of his grotesque and subpar characteristics to that of the ideal male of Dominican society. The novel offers the ability to dissect the differing perspectives of a female feminist and female machista reader living in the Dominican Republic in terms of who the actual novel is centralized around, how certain instances are socially …show more content…
For example, the lack of presentation from his mother, Beli, was further established throughout the novel as it further developed her overall persona and background as to why she was so blunt and brutally honest with Oscar. From the feminist perspective, it can be deduced that Beli was the epitome of individuality as she had face innumerable tribulations to establish herself with a tenacious attitude towards life and ability to freely express herself, which many women are unable to do so. “Telling Beli not to flaunt those curves would have been like asking the persecuted fat kid not to use his recently discovered mutant abilities. With great power comes great responsibility…Our girl ran into the future that her new body represented and never ever looked back.”(Diaz, Page 94) exhibits the perspective that a feminist would establish during the reading of the novel. However, a woman who identifies under the idealism of machismo can argue that the novel is mainly focused on ridiculing Oscar to the point in which the reader is able to sympathize with the thoughts and emotions that he has had to face throughout the development of his life. “....his tío a box of condoms: Use them all, he said, and then added: On girls” (Diaz, 49) exhibits the concept that Diaz attempted to create in which Oscar’s development is purposely meant to be a prolonged process towards his primary of goal of having sexual intercourse with a woman due to it being a way of teaching the reader that he is essentially shaped by those around him. However, Oscar still attempts to create his own path and make decisions for himself that are
In the novel Chulito author Charles Rice-Gonzalez creates a familiar world seen through the eyes of a young, gay Latino from New York to strip the reconstructed masculinity that is inherent to the urban Latin communities' sense of machismo and expose the realities of outdated views on gender roles and sexual orientation, and the internal power struggle against the machismo aspects that entrap its members in a cycle of poverty and violence. The majority of young Latinos growing up in impoverished areas of urban society think machismo is necessary for survival and acceptance within the community. Rice-Gonzalez reveals this to be an oversimplification by the members of the community of the social dynamics that are at work behind the scenes and,
Junot Diaz's Drown, a compilation of short stories, exemplifies how the high standard of masculinity within the Latino community can have a detrimental effect on males. These stories are told in the first person by a narrator called Yunior. The different stories are told against the background of The Dominican Republic and the United States. The narrator highlights the different challenges that he faces throughout his childhood and into his young adult life. During this period, he struggles to find his identity which is expected by every Latino. In the Dominican Republic, a man’s manhood is closely tied to his identity, and Yunior is no exception. While in the process of finding his identity, Yunior is challenged with abuse, poverty and the lure of drugs, which leads to his addiction and his becoming violent .…
Upon returning to the Dominican Republic after many years, Yolanda decides to take a trip across the island––something her family views as ridiculous. “‘This is not the states’ . . . ‘A woman just doesn’t travel alone in this country.” (9) This quote highlights the sexism inherent in Dominican society. Yolanda’s family is asserting that women are not individuals capable of taking care of themselves. On another hand, Yolanda’s close friendship with Mundín causes tensions as their mothers confront them about crossing gender lines. “My mother disapproved. The outfit would only encourage my playing with Mundín and the boy cousins. It was high time I got over my tomboy phase and started acting like a young lady señorita. ‘But it is for girls,’ . . . ‘boys don’t wear skirts.’” (228) This is an example of how Dominican societal norms and gender roles have impacted the sisters. Yolanda and Mundín were the only boy-girl playmates out of all the García children, yet this was frowned upon by both of their parents as to not impede the seemingly inevitable growth of Yolanda’s femininity, and conversely, Mundín’s masculinity. Moreover, this shows how societally-prescribed gender roles were instilled in Yolanda at a young age. However, this is not the only way in which women’s freedoms are
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
Sandra Cisneros once said “'Hispanic' is English for a person of Latino origin who wants to be accepted by the white status quo. ’Latino' is the word we have always used for ourselves.” In the novel I read, The House on Mango Street, by Sandra Cisneros the main character a twelve-year-old Chicana (Mexican-American girl), Esperanza, saw self-definition as a struggle, this was a major theme in the novel through Esperanza’s actions and the ones around her. Esperanza tries to find identity in herself as a women as well as an artist throughout the novel through her encounters. Esperanza was able to provide the audience an image that was vivid of her surroundings by her diction and tone. Esperanza presents a series of stories that she deals with in her neighborhood as she is growing up. Esperanza arose from poverty and always dreamt of having a house of her own. Sandra Cisneros' strong cultural and gender values have a tremendous influence in The House on Mango Street. Cisneros feels that the Mexican-American community is very abusive towards the treatment of women because men are seen as the powerful, strong figure. Women are seen as failure and can’t strive without men in a Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes.
By examining the narrative voice as well as the cultural restraints placed on them, readers can see the sexist culture in the novel and that the novel itself does not necessarily advocate this misogyny. Yunior, a Dominican man, is the overall narrator of the novel, so readers essentially see everything through his masculine eye. When discussing a brief fling with Lola, Oscar’s sister, Yunior says, “Even those nights after I got jumped she wouldn’t let me steal on her ass for nothing. So you can sleep in my bed but you can’t sleep with me?” (Diaz 169) His question suggests that it is his right to sleep with her, and his discussion of Lola herself objectifies her by noting only her body and her refusal to use it. This objectification is clearly sexist, but it is a reflection of the narrative voice, Yunior, not of Lola. Yunior will casually refer to a woman as “a bitch” (Diaz 183), which is clearly demeaning, but it is a man’s view and does not reflect on the substance of the women. It shows readers the culture he was raised in, not an actual portrayal of the women, illustrating a misogynist society but not a misogynistic novel. In the Dominican Republic, gender-based violence is the fourth leading cause of death, hinting at the overall problems caused by the hyper-sexualized nature of the country. Sociologist Denise Paiewonsky
Throughout Díaz’s novel, males show dominance over women in the Dominican Republic. From the beginning, men in the Dominican Republic shared stories of terrible male dictators, including the Trujillo, and the abuse they placed on women. Men began to heap on women and throughout history, have continued to treat women unfairly. In response, women in the Dominican Republic are targeted by male’s dominance because the continuing of history. Lola, Isis's mother, grew up with a rough upbringing. Lola narrates her past in a way that shows how abusive and aggressive her mother Beli is because she had no father. Lola talks about a life she only wished for and explains, "I was fourteen and desperate for my own patch of the world that had nothing to do with her. I wanted the life that I used to see when I watched Big Blue Marble as a kid..." (55). Lola refers to the Big Blue Marble, a television show that contained stories about children and encouraged intercultural communication. Lola describes the barrier of living in the Dominican Republic and wanting something more. When Isis is introduced in Díaz’s novel, she enhances the moment of Lola referring to her past. This moment also enhances the plot because it is shown how Lola ends up treating her own daughter. Isis is given a life that her mother did not have as a child;
One of the issues that was raised is the idea of the relationship between femininty, technology and sexuality. The relationship between all of these qualities converse in one character, Maria. The real Maria has many roles thoughout the movie, including one who cares for the workers children, a preacher of peace for the workers, and one who loves Freder. The machi...
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
WEESR, KHATHERINE. “Tu no Eres Nada de Dominicano”: Unnatural Narration and De-Naturalizing Gender Consruction in Junot Diaz’s The Brief Wondrous Life of Oscar Wao. “Journal Of Men’s Studies 22, no.2 (Spring2014 2014): 89-104. Academic Search Complete, EBSCOhost (accessed November 30,
By educating herself she was able to form her own opinion and no longer be ignorant to the problem of how women are judge by their appearance in Western cultures. By posing the rhetorical question “what is more liberating” (Ridley 448), she is able to get her readers to see what she has discovered. Cisneros also learned that despite the fact that she did not take the path that her father desired, he was still proud of all of her accomplishments. After reading her work for the first time her father asked “where can I get more copies” (Cisneros 369), showing her that he wanted to show others and brag about his only daughters accomplishments. Tan shifts tones throughout the paper but ends with a straightforward tone saying “there are still plenty of other books on the shelf. Choose what you like” (Tan 4), she explains that as a reader an individual has the right to form their own opinion of her writing but if they do not like it they do not have to read it because she writes for her own pleasure and no one else’s. All of the women took separate approaches to dealing with their issues but all of these resolutions allowed them to see the positive side of the
Junot Diaz is a Dominican-American writer whose collection of short stories Drown tells the story of immigrant families in the urban community of New Jersey. His short story “Fiesta, 1980” focuses on Yunior, an adolescent boy from Dominican Republic and his relationship with his father. On the other hand, Piri Thomas was a great Latino writer from Puerto-Rico whose memoir Down These Mean Streets tells his life story as an adolescent residing in Harlem and the challenges he faces outside in the neighborhood and at home with his father. Both Diaz and Thomas in different ways explore the dynamics of father-son relationships in their work. Furthermore, both expose masculinity as a social construct.
In Junot Diaz’s The Brief Wondrous Life of Oscar Wao, he is telling the story of a Dominican family but mainly about the son, Oscar de Leon. The book opens with the story of Oscar as a child and him having two girlfriends at the same time. The older people in town see him as a ladies man and encourage him. The boy and the two girls all break up and his life seemed to be on a steady decline since then. He grows up to become a nerdy, fat, and awkward adolescence with few friends and even less interest from girls. This phase persists throughout his life and he never develops out of the nerdy boy he was as a child. The Dominican Republic was a hostile and poor place during the time of the novel. The dictator Trujillo controls the lives of the people in the country. This influenced the de Leon family’s present and future. Diaz develops the story by using the superstition, the cane field, and male dominance of the Dominican men
Junot Diaz’s The Brief Wondrous Life of Oscar Wao, set in the late 1900’s, tells a story of Oscar Wao, an overweight Dominican “ghetto nerd”, his mother and rebellious sister who live together in Paterson, New Jersey. Throughout the novel, Diaz incorporates many different stories about each character that show acts of resistance. One of the most prominent stories of resistance in the novel is through Oscar’s mom; Beli, who is prompted by great tragedy, known as the Trujillo curse, to love atomically and thus follow a dangerous path. Beli’s family history plays a large role in her choices that eventually compel her into a different life than what her adopted mother, La Inca, had wanted
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.