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Essay on the plot in the book thief
Essay on the plot in the book thief
Structure of the book thief
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Maybe we shouldn’t fear the idea of death. Maybe the black hooded Grim Reaper who carries a scythe is just a figment of our imagination that we cling to because it is oblivion, not death, that we truly fear. And maybe, just maybe, Death has more in common with us than we think. Mark Zusak explores this ideology by introducing Death as the narrator, who tells about the vivid but tragic stories of human brutality and kindness. By choosing such an anomalous entity, Zusak created an omniscient narrator who is able to tell about the story and the fates of the characters from an unbiased point of view. Because of this, Death is able to foreshadow and slightly spoil important events of the story in order to keep the readers focused on the conflict …show more content…
Death identifies himself as being fair, in the sense that he comes for everyone, no matter how old, kind, or venerable they are, even though he wishes he didn’t have to come for those he cares for. He notices the colors of the sky with each person he takes away and urges the readers to consider what color the sky will be when he comes for them specifically. At first he tries to describe himself as someone who is detached from humans and tries to distract himself from his distressing job by noticing the colors of the sky. However, his true personality is revealed through his close bonds with some of the characters. The omniscient point of view also allows Death to describe each character’s thoughts and feelings in depth and interweave each character’s personal story into the big picture. Death chooses not to introduce the readers to Max, Hans, or Rosa until they are introduced to Liesel’s first. Through this technique, the readers learn to understand the background of where each character came from and why they did the things they did. For example, when Hans gave bread to a walking by Jew, the readers could associate this action with his previously mentioned anti-Nazi beliefs and arguments with his son over joining the party. Death is also able to show the characters’ growth and emotional change over the course of the story. When Liesel arrived on Himmel Street, she was scared and …show more content…
He is portrayed as a human-like being who cares and has compassion for the souls he takes away. Ironically, death is the only thing that we all have in common and that makes us human. Death mentions that he is not what causes people to die. He is a result. He is not a Grim Reaper and he doesn’t want to take us away to heaven or hell. He conflicts the readers by asking, “You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.” This means that the only thing that kills people is humanity; all the disease, all the murder, and all the conflict is caused by humans. Death only exists to help carry the souls of the dead away. In the book, Death feels a certain connection to Liesel and her family. He claims that when he came for Hans and Rudy, they sat up to meet him. They were ready. As Death picked up Rudy’s innocent soul, he began to cry. This shows that Death is not the big scary thing we all fear of, he is somebody who struggles to do his job. This view of Death gives the readers a comforting impression that death is always there with them, watching their every move and growing closer to each person as their life goes on. This creates a lasting impact on the readers’ feeling of safety and understanding the close connection Death had with Liesel. Death is fragile and vulnerable, and quite frankly afraid of humans. As people are born,
Prologue: On page 4 the narrator says, “Personally, I like a chocolate- colored sky. Dark, Dark chocolate. People say it suits me.”(Zusak 4) This led me to believe the narrator is death. He sees life in color because he appreciates color more because his life is so dark and filled with death, color is in our lives and our souls will soon be filled with darkness and him and not have a colorful life.
In The Book Thief, author Markus Zusak tells the tragic story of Liesel Meminger and her experiences in 1939 Nazi Germany. Zuzak incorporates compelling literary devices such as toe curling foreshadowing, personification, and vivid imagery in the form of simile and metaphors to grasp the readers’ interest. Zusak’s use of various literary devices helps to deepen the text and morals of the story, and makes the dramatic historical novel nearly impossible to put down.
Belonging is being accepted by a group of community that relate together by a common factor. A sense of belonging is not just dictated by yourself and your own values and beliefs but also by the ideas and values held by others. I believe that people can choose not to belong to a certain community due to the fact that they may not agree to other people values and beliefs. The Book Thief follows a German girl named Liesel Meminger, abandoned by her mother, she is sent to live with foster parents. The text is set in Nazi Germany during the WWII era. Through the text we follow her living in war times and experience her realisation to the true nature of the German people. At Rainbows End follows an Aboriginal family living in racist times in Australia. We are shown the way of life these people have to endure and how it feels to have a government who doesn’t care about your existence. (Reword)
The main character Liesel, known as “the book thief” is who Death is looking over. Liesel, her mother, and brother are on a train to Munich. On the train ride her brother dies. She and her mother get off the train to bury him. The first book Liesel steals is from the gravediggers. They continue the journey to a town called Molching, where Liesel will be raised by foster parents, Hans and Rosa Hubermann. Liesel adjusts to her new home life. Hans teaches Liesel how to read. The war is escalating in Germany. The town holds a book-burning to celebrate Hitler’s birthday. That’s when Liesel steals another book from the flames. Liesel’s job is to deliver laundry to the Hermann family. The Hermanns’ have a library full of books. Liesel is allowed to read them in the study. Meanwhile, a German-Jew named Max needs help, so he seeks out the Hubermanns. Max hides in the basement, so he is safe from the Nazis. Liesel begins stealing books from the Hermanns. The Nazis parade the Jews through the town of Molching on their way to the concentration camp for everyone to see. Liesel is given a blank notebook to write her own story. One night the neighborhood is bombed. Hans, Rosa, and the rest of the neighborhood is killed. Rescue workers find Liesel under the rubble. She leaves behind her finished book, called The Book Thief. Death, who has been watching, rescues the book. Liesel ends up living with the mayor
Have you ever thought that Death is a person and not a thing? Well in the book The Book Thief by Markus Zusak Death is the narrator and tells the story. In this book, there is a girl named Liesel. Liesel is going to live with her foster parents, while she was traveling with her mom and her brother, her brother died. He was buried and near his grave was a book. It’s name was “The Grave Digger’s Handbook”. This was the first book she stole, and she only continues from here. She lives on Himmel Street and which she meet kids and she has to show her worth. That is not the important part. In the end of The Book Thief by Markus Zusak, it ends up really ironic. There are multiple ironic things in the book, it is practically filled with ironic and
"I am a result," claims Markus Zusak's Death in his novel The Book Thief (Zusak 8). This state of being for the persona commonly seen as malicious and destructive provides a good view of the unique image of Death presented in the novel. Far from the scythe toting, black hooded robe wearing Death of culture's common perception, the Death here is amiable, affable, and agreeable (1). He poses to the readers wishing to find out what he truly looks like to "find [themselves] a mirror" while he continues to narrate the tale. The being here hold much more of a resemblance to a beleaguered old man with an exhaustible deep supply of dry gallows humor. He is not taking joy in the deaths of humanity, or even causing them. He is the result of our dying. Someone (not just something) to clean up the mess we leave behind. And after millenia of witnessing humans at their best and worst, Death has developed a special love for them.
Liesel Meminger’s remarkable actions like feeling good when she steals a book and her family hiding a Jew help demonstrate why Death is “haunted by humans”. Stealing books and hiding a Jew were both wrong things to do because they were not allowed. These two things are just a few of the ways Death could have become haunted by
Even death has a heart” (Zusak 242). If this statement is true, then he is on the same footing as humans; susceptible to the same foibles; hence, creating a sense of proximity of Death to humans. Death’s sentient personality serves several functions in The Book Thief. Displaying a full spectrum of human emotions, from empathy to frustration, he is no longer the macabre foe the readers have been taught to dread, making him appear more trustworthy and likable as both a narrator and a character. In addition to shaping readers’ impressions of Death’s humanness, this characteristic also sheds light onto Death’s compassion for humans.
“Like most misery, it started with apparent happiness” (84). In the beginning, we are introduced to the narrator by the name of Death. He informs the readers that he has many stories, but only remembers the ones that interest him. The tale of Liesel Meminger is one such tale, as he was always fascinated by her will to live through the most horrible instances. It should be duly noted however, that this story does not have a happy ending. Death makes this clear before we even have a chance to get our hopes up. He tells us that everyone dies; the amount of time that they last is truly the only difference. After this sordid fact is in place, he mentions just Liesel first attracted his attention.
In The Book Thief, by Markus Zusak, beauty and brutality is seen in many of the characters. Rudy, Liesel, and Rosa display examples of beauty and brutality often without realizing what exactly they are doing, because it is a part of their human nature. Zusak not only uses his characters, but also the setting of the novel in Nazi Germany to allude to his theme of the beauty and brutality of human nature. The time in which the novel is set, during World War II, displays great examples of beauty and brutality, such as the mistreatment of the Jews. As a result of this time period, the characters have to go through troubling times, which reveals their beautiful and brutal nature in certain circumstances. Zusak uses his characters and their experiences to demonstrate the theme of the beauty and brutality of human nature in the novel.
Death is a very well-known figure that is feared by many in all countries. He is suspected of being cruel, disturbing and all synonyms of horrifying. Death is inevitable and that is the most fearing aspect of his persona. In Markus Zusak’s The Book Thief, Death is made to seem or resemble humans. Effectively using the narration role, Death introduces a unique description and definition of colors in which he uses as a tool to effectively engage the readers to the events occurring throughout the book. He also demonstrates him personal and different experiences as well, mostly about soul gathering and the implications of WWII that have affected him. On the contrary to Death’s dead, appalling and scary nature that many interpret him to be during the book, Death shows many emotions and features to his personality that reasoning would declare otherwise. One of those feature would be the colors.
The point of view Edgar wrote this in is very effective and understandable. His main focus is on two characters, capturing image-like thoughts of their minds. The characters actions relate back to their personal conflicts within themselves. Poe wrote this story in 3rd person, limited point of view. The Red Death's emotions and feelings are filled with hatred and terrorism. Poe says,"...and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterward, fell prostrate in death the Prince Prospero" (Poe). This clearly shows the Red Death's goal, to kill and destroy. Prince Prospero however, ignores the death and instead shows, as it has no impact on him. He avoids the dreary thought of death overall. He asserts,"...he summoned to his presence a thousand hale and light-hearted friends"(Poe). He is loved by many and loves unlike the Red Death. The Red Death's thoughts are not clear in comparison to Prince Prospero as to what he wants and feels towards otherwise. Edgar asserts, "The Prince Prospero was happy and dauntless and sagacious"(Poe). His feelings were blunt. Poe also states, "No pestilence had ever been so fatal, or so hideous"(Poe). The Red Death's thoughts are very vague and unclear. This direct and indirect perspective helps the story flow and create a suspicion....
People say the mind is a very complex thing. The mind gives people different interpretations of events and situations. A person state of mind can lead to a death of another person. As we all know death is all around us in movies, plays, and stories. The best stories that survive throughout time involve death in one form or another. For example, William Shakespeare is considered as one of the greatest writers in literary history known for having written a lot of stories concerning death like Macbeth or Julius Caesar. The topic of death in stories keeps people intrigued and on the edge of their seats. Edgar Allan Poe wrote two compelling stories that deal with death “The Tell-Tale Heart” and “The Raven.” In “The
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
Death states that, “I’m always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both” (Zusak 491). This book shows us human doing things that weren’t even imaginable before this point. Many people give into ideas that were lies. But, we also watch a few people go out of their way and sacrifice everything for a man they barely even know. They do everything they can to keep him safe and alive. They work harder, the get another job, and they even steal. In Markus Zusak’s The Book Thief, death examines the ugliness and the beauty of humans.