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The Bonesetter's Daughter
The Bonesetter's Daughter
Importance of self awareness to self development
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Recommended: The Bonesetter's Daughter
Amy Tan’s The Bonesetter’s Daughter is about the relationship between mothers and daughters and the importance of understanding one’s life stories. The novel is divided into three parts, wherein the first part we meet Ruth Young and learn of her tumultuous relationship with her mother, LuLing. The second part is a memoir written by LuLing about her own childhood and the titular bonesetter’s daughter. The final part of the novel ties the three generations of women together in strong, but difficult mother-daughter relationships. It is undeniable that the relationship between each set of mother and daughter is a key point in the novel, and Ver Ann Goh asserts in her essay “Mother-Daughter Relationships In The Identity Formation Of The Daughter’s In The Bonesetter’s Daughter” that it is the mothers that form the identity of the daughters in adulthood. On the other hand, the spirit of Gu Liu Xin, the dead grandmother, threads throughout the novel, and Xiumei Pu’s, “Spirituality: A Womanist Reading Of Amy Tan’s The Bonesetter’s Daughter” claims that it is spirituality that forms the identity of the women in the novel. Though both critical analyses recognise the growth and influence the women in The Bonesetter’s Daughter face, Pu’s …show more content…
In the discussed analyses, Goh is able to recognise the power mothers have in setting the course of their daughter’s lives whilst Pu attributes it to spirituality. It would be foolish to completely disregard the spirituality rooted in the women’s inner self and ancestry, but the novel does not provide enough conclusive evidence to attribute spirituality as the driving force in shaping the identities of the women. A reader may take The Bonesetter’s Daughter and apply it to their own life, learning to acknowledge the efforts of immigrant parents and native ancestry, building a more valid ethnic identity for
In the novel, “Ishmael,” Daniel Quinn introduces two groups of people with an apparent connection with Mother Culture; the Takers and Leavers of the world. Quinn’s intended purpose of introducing these two very distinct groups of people in “Ishmael” is to show an outsider’s perspective on the world’s captivity, the creation myth, and the fate of the world- all of which are often given by Mother Culture. The Takers and Leavers appear to have very different belief systems and methods. The Takers, for example, have their organized religion to tell their stories, while Leavers have their spirituality to tell their stories.
Shostak, out of all the women in the tribe had made close connections with a fifty year old woman with the name of Nisa. The woman, Nisa, is what the book is about. The book is written in Nisa’s point of view of her life experiences while growing up in that type of society. Nisa’s willingness to speak in the interviews about her childhood and her life gave Shostak a solid basis on what to write her book on. Nisa’s life was filled with tragedies. She had gone through certain situations where Nisa loses two of her children as infants and two as adults. She had also lost her husband soon after the birth of one of their children. According to Shostak, “None of the women had experiences as much tragedy as Nisa…” (Shostak, 351).
we are told that this story is about a girl or a woman and perhaps her
Our mothers have played very valuable roles in making us who a we are and what we have become of ourselves. They have been the shoulder we can lean on when there was no one else to turn to. They have been the ones we can count on when there was no one else. They have been the ones who love of us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, causes Jing-mei to struggle with who she wants to be. “Only two kind of daughters,” “Those who are obedient and those who follow their own mind!”(476). When a mother pushes her daughter to hard the daughter rebels, but realizes in the end that their mothers only wanted the best for them and had their best interest at heart.
I enjoy reading Fae Myenne Ng’s Bone. I find her novel easy to read and understand. Although she included some phrases the Chinese use, I find no difficulty in understanding them, as I’m Chinese myself. The novel Bone is written in a circular narrative form, in which the story doesn’t follow the linear format where the suspense slowly builds up and finally reaches a climax stage. Rather the story’s time sequence is thrown back and forth. I find this format of writing brings greater suspense and mystery to the reader. When I read the book, my mind was always wondering what reasons or causes made Ona commit suicide, and this made me want to continue reading the book to know the outcome. The happenings in the story do portray reality of the lives of Chinese immigrants in America, their hardship and difficulty in adapting American lifestyle and culture. For the younger generations, adapting the American culture and lifestyle is much easier than for the older generations. This is shown in the book and it also happens in reality, which is another reason why I like this book. This is a fiction novel, but the story told is like a non-fiction book; giving readers a sense of realism. As a Chinese reading Bone, I understand the narrator’s feelings and predicaments. Although she is an Asian, her thinking lies more on the American side. Leila wants to move out to stay with Mason but yet she fears leaving her mother alone and also of what her mother might say in r...
...cts of the mother and the descriptions, which are presented to us from her, are very conclusive and need to be further examined to draw out any further conclusions on how she ?really? felt. The mother-daughter relationship between the narrator and her daughter bring up many questions as to their exact connection. At times it seems strong, as when the narrator is relating her childhood and recounting the good times. Other times it is very strained. All in all the connection between the two seems to be a very real and lifelike account of an actual mother-daughter relationship.
Were Dash’s audience to return to the South Sea islands eighty years after “Daughters of the Dust” they might find the Gullah people and their lives similar to those of the Willow Springs of Naylor’s novel. Although nearly a century spans between them, these two people nevertheless share many traits. Many of the residents of Willow Springs answer to a nickname given them as a child; similarly, Viola Peazant reminisces about the nicknames given to children in Ibo Landing. Members of both communities, generations from Africa and steeped in “modernity,” still come to the traditional herbalist for help in matters of the body and spirit: Eula uses Nana’s medicine to contact the soul of her deceased mother; Bernice and Ambush come to Mama Day to heal Bernice when she becomes ill, and later for help in conceiving a child. Both Nana Peazant and Mama Day draw their knowledge from a life lived on their respective islands and their strength from their ancestors, whom they visit and tend at the village graveyards. And like Nana Peazant, Mama Day struggles to maintain a tie with her family members who have left the island and immersed themselves in the mainstream culture.
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
First of all, ‘The Lovely Bones’ is about a girl named Susie Salmon and tells a story of how she died and how people get along together and live without her. She was a normal fourteen-year-old girl when she was murdered in the novel 's opening pages. She narrates the rest of her story from heaven, often returning to Earth to watch over her loved ones; mostly family, some friends and Mr. Harvey and the other people he kills. ‘Lovely Bones’ is represents Susie’s body the connection of heaven to earth, earth to heaven. This is main symbolism of this book as Susie. ‘She began to see things without her and the events that her death will influence her in heaven and her family and friends in earth.’ In this passage, the author talks about her life
There are multiple reasons why a book can be banned or challenged. Book banning causes the removal of materials in schools and libraries due to “inappropriate” content. The Lovely Bones, by Alice Sebold, was banned due to sexual content and language.
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.
Regretfully, though readers can see how Mama has had a difficult time in being a single mother and raising two daughters, Dee, the oldest daughter, refuses to acknowledge this. For she instead hold the misconception that heritage is simply material or rather artificial and does not lie in ones heart. However, from Mama’s narrations, readers are aware that this cultural tradition does lie within ones heart, especially those of Mama’s and Maggie’s, and that it is the pure foundation over any external definition.
As Mother’s Day approaches, writer Penny Rudge salutes “Matriarchs [who] come in different guises but are instantly recognizable: forceful women, some well-intentioned, others less so, but all exerting an unstoppable authority over their clan” (Penny Rudge), thereby revealing the immense presence of women in the American family unit. A powerful example of a mother’s influence is illustrated in Native American society whereby women are called upon to confront daily problems associated with reservation life. The instinct for survival occurs almost at birth resulting in the development of women who transcend a culture predicated on gender bias. In Love Medicine, a twentieth century novel about two families who reside on the Indian reservation, Louise Erdrich tells the story of Marie Lazarre and Lulu Lamartine, two female characters quite different in nature, who are connected by their love and lust for Nector Kashpaw, head of the Chippewa tribe. Marie is a member of a family shunned by the residents of the reservation, and copes with the problems that arise as a result of a “childhood, / the antithesis of a Norman Rockwell-style Anglo-American idyll”(Susan Castillo), prompting her to search for stability and adopt a life of piety. Marie marries Nector Kashpaw, a one-time love interest of Lulu Lamartine, who relies on her sexual prowess to persevere, resulting in many liaisons with tribal council members that lead to the birth of her sons. Although each female character possibly hates and resents the other, Erdrich avoids the inevitable storyline by focusing on the different attributes of these characters, who unite and form a force that evidences the significance of survival, and the power of the feminine bond in Native Americ...
In Amy Tan 's Two Kinds, Jing-mei and her mother show how through generations a relationship of understanding can be lost when traditions, dreams, and pride do not take into account individuality. By applying the concepts of Virginia Woolf, Elaine Showalter, and the three stages of feminism, one can analyze the discourse Tan uses in the story and its connection to basic feminist principles.
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.