The Birthmark And The Minister's Black Veil

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Symbolism and Relationships Found in Nathaniel Hawthorne's Writings Nathaniel Hawthorne wrote many short stories, including “Young Goodman Brown,” “The Birthmark,” and “The Minister’s Black Veil”. There are many noticeable connections found in all three of these short stories that give each story merit because Hawthorne uses his writing style of using symbolism and newlywed and young relationships in almost every story. Symbolism is seen many times throughout each story and plays a part in emphasizing certain objects to create a theme or mood. Hawthorne includes young relationships in his writings which shows a change in characters’ reactions depending on relationship status and types of love. These connections between his writings show …show more content…

He returned to the town solemn and changed and afraid to look at his wife the same again because of the images the Devil showed during his “nightmare.”For example, “...and bursting into such joy at the sight of him that she skipped along the street and almost kissed her husband before the whole village. But Goodman Brown looked sternly and sadly into her face, and passed without a greeting.” (“Young Goodman Brown”) The meaning of this scene is to show that after experiencing a visit with the Devil or sinning, the stability and domestics of Puritan life might not cause the usual assurance and happiness of coming home or returning to Faith and Puritanism. The romance involved has diminished due to Goodman Brown’s sinning, which goes to show that sinning leads to a change in a relationship strength in a Puritan lifestyle. Overall, Romance and relationships are also found in the other Hawthorne’s writings, such as The Birthmark and The Minister’s Black Veil where newlyweds are involved and they endure a relationship changing …show more content…

The symbolism found in this short story is Minister Hooper’s black veil which represents the public sins. For example, “... Mr. Hooper, a gentlemanly person, of about thirty, though still a bachelor, was dressed with due clerical neatness, as if a careful wife had starched his band, and brushed the weekly dust from his Sunday's garb. There was but one thing remarkable in his appearance. Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath, Mr. Hooper had on a black veil. On a nearer view it seemed to consist of two folds of crape, which entirely concealed his features, except the mouth and chin, but probably did not intercept his sight, further than to give a darkened aspect to all living and inanimate things.” (“The Minister’s Black Veil”) In this scene Minister Hooper starts to wear his black veil and the public opinion is not in favor of his decision to wear it. He wears the black veil to make up for a grave sin and he pledges to never take it off. The public starts to notice his veil so much that they complain and gossip about it and forget about their own sins. This a close connection with “The Birthmark” and how Aylmer looked at his wife’s imperfections and overlooked his own. People did the same with Hooper’s veil and they soon

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