Each monster has its influences that caused its inception. Vampires were born of Byron’s lifestyle, sexuality, and opium use. “The Strange Case of Dr. Jekyll and Mr. Hyde” is a piece of writing about the duality of good and evil within humanity. Despite their differing influences, these books, written seventy years apart, inspire some of the same emotions in readers. What is it about the nineteenth century that caused a craving for the horrific and scary?
Byron and Polidori’s vampires are a representation for Byron’s audacious lifestyle and relatively secret bi-sexuality. Ignoring the fact that Byron was no stranger to Opium or drink, a vampire could easily be the manifestation of his self-image: the reserved lifestyle of the vampire being his popularity and the wickedness being the scandal that hides just underneath. Byron was a popular figure among women, having many affairs in his lifetime. He wasn’t only a hit among women, though, having sexual relations with men, as well. Homosexuality of any kind was frowned upon in his lifetime, the penalty for such being death in England.
Dr. Jekyll and Mr. Hyde represent the two halves of man, his good and evil sides. The upstanding and righteous Jekyll represents his good and the deformed Hyde is his darker human nature. This ties back to Lord Byron’s vampire in that they each have a stark contrast between a morally upstanding public appearance and a deplorable one to those who know of it. Why is it that seventy years later, Stevenson wrote about the same core principle? Better yet, why did it work?
Bram Stoker’s “Dracula” was written the year after Stevenson released his book. Dracula follows Byron’s idea of being alluring and of magical ability, but differs in that he is unpleasant in ...
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...adrenaline flow, the feeling of living. In a dark world of eighteen hour shifts and dreary alleys, what is more valuable than the feeling of life?
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J. Gordon Melton, in the excerpt “Sexuality and the Vampire” published in his The Vampire Book: The Encyclopedia of the Undead (1998), explains that vampires have a sexual appearance that started from their origin in Dracula. Melton supports his statement by analyzing the monsters' transition to sexual beings through the stories of Dracula’s desires, multiple countries’ erotic tales revolving around vampire-like beings, the manifestation of sensual themes in literary, stage, and screen works, and their current evolution of the once terrified immortals to loved heroes. The purpose of this essay was to outline the seductiveness of the written immortal creatures in order to explain the fanged-mammals’ appeal beyond their terrifying monster abilities.
Ginsborg P (1990). ‘A History of Contemporary Italy: Society and Politics: 1943-1980’ Published by Penguin; Reprint edition (27 Sep 1990).
...ve duality of man;… if I could rightly be said to be either, it was only because I was radically both” Thus, Stevenson creates in Dr. Jekyll and Mr. Hyde, two coexistent, and eternally opposed components that make up a “normal” individual. However, here, good and evil are not related but are two independent entities, individuals even, different in mental and physical attributes and constantly at war with each other. Evil now does not require the existence of good to justify itself but it exists simply as itself, and is depicted as being the more powerful, the more enjoyable of the two, and in the end ultimately it is the one that leads to Dr. Jekyll's downfall and death. Stevenson creates the perfect metaphor for the never-ending battle between good and evil by using Jekyll and Hyde. However, this novella is perhaps one of the few that truly show the power of Evil.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
These notions became of particular interest to the Gothic writer. The Gothic novel originated as the result of changes in culture in the eighteenth century: “Gothic represented excess and exaggeration, the product of the wild and the uncivilized, a world that constantly tended to overflow cultural boundaries.” (Punter and Byron 7). Bram Stoker used the Gothic novel as a medium to present the dark cultural changes in the Victorian society. His Gothic novel Dracula, published in 1897, depicts the fears and anxieties of the society of that period. Bram Stoker found “the prototype of our modern vampire (q.v.) and created one of the most potent of all literary myths.” (Punter and Byron 230) The fears and anxieties he depicts are the fears of reverse colonisation and the foreign, the contrast between science and folklore, breaking the taboo of sexuality and homosexually, and the change of the traditional role of women. Stoker lets his characters use the modern technological advances of that period such as phonograms and Kodak Cameras; he also emphasises the modernity of its settings by setting the plot in Transylvania and England. A special focus is set on London as the centre
Stevenson uses Dr. Jekyll to show the good in people and how they can be influenced by society. In the beginning of the story Dr. Jekyll, his good side, is the dominant, and he is well respected member of society (Dr. Jekyll and Mr. Hyde Themes). Dr. Jekyll wanted to separate the evil in him, because he knew that he could never have the conduct that he desired. As an honorable member of society, he knew that he needed to become pure and with no mistakes. Dr. Jekyll is being shaped by the society, a society that his desire cann...
Stevenson's Representation of Good and Evil in The Strange Case of Dr. Jekyll and Mr. Hyde
In the Strange Case of Dr. Jekyll and Mr. Hyde it is regarded that these identities are two different persons but this is not the case, Dr. Jekyll and Mr. Hyde are one in the same. There is much confusion when reading this literary work by Robert Louis Stevenson; this piece is regarded as horrific and disturbing in many ways. But the biggest twist is when it is reveled to the reader that these two people are the same and that below the surface of Dr.Jekyll is an evil man who enjoys committing evil acts. Mainly that Dr. Jekyll believes he has no choice but to commit these horrid acts because he has no control over is evil side. I don’t believe this is the case, Hyde isn’t a real person and doesn’t exist, nor is he someone who commits Jekyll’s sins for him; Jekyll is in control of his own actions.
Within the text of The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson portrays a complex power struggle between Dr. Jekyll, a respected individual within Victorian London society, and Mr. Hyde a villainous man tempted with criminal urges, fighting to take total control of their shared body. While Dr. Jekyll is shown to be well-liked by his colleagues, Mr. Hyde is openly disliked by the grand majority of those who encounter him, terrified of his frightful nature and cruel actions. Throughout Dr. Jekyll and Mr. Hyde, Stevenson portrays the wealthy side of London, including Mr. Utterson and Dr. Jekyll, as respected and well-liked, while showing the impoverish side as either non-existent or cruel.
Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
In The Strange Case of Dr. Jekyll and Mr. Hyde, the author Robert Louis Stevenson uses Dr. Jekyll and Mr. Hyde to show the human duality. Everyone has a split personality, good and evil. Stevenson presents Dr. Jekyll and Mr. Hyde as two separate characters, instead of just one. Dr. Jekyll symbolizes the human composite of a person while Mr. Hyde symbolizes the absolute evil. Dr. Jekyll and Mr. Hyde, who are indeed the same person, present good and evil throughout the novel.
Late autumn has arrived and with it comes the dark magic of Halloween--and, of course, the
Stevenson focuses on two different characters Dr. Jekyll and Mr. Hyde, but in reality these are not separate men, they are two different aspects of one man’s reality. In the story, Dr. Je...
From reading the last chapter, we can all see that Dr. Jekyll and Mr. Hyde are easily viewed as a symbol about the good and evil that exists in all men, and about the struggle these two sides in the human personality. Hyde has a short temper and is made to look evil. “I observed that when I wore the semblance of Edward Hyde, none could come near me at first with a visible misgiving of the flesh”. Jekyll is arguing that Hyde is the perfect physical embodiment of the evil inside him, implying that Hyde looks evil. Stevenson has also explored which aspect of human personality is superior, good or evil. Since at the start of the book Hyde seems to be taking over, you might argue that evil is stronger than good. However, Hyde does end up dead at the end of the story, suggesting a failure of the weakness of evil. Since Hyde represents the evil in Jekyll he is therefore symbolically represented being much smaller than Jekyll as “Jekyll’s clothes are far too large for him”. But as the plot progresses Mr. Hyde began to grow and becomes more powerful than Jekyll, and the reason for Hyde to become more powerful is due to the fact that Jekyll enjoys what Hyde does, which allow Hyde to gradually destroy the good in
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...