“Identity cannot be found or fabricated but emerges from within when one has the courage to let go” – Doug Cooper. This quote symbolizes the courage it takes for people to find themselves; this is precisely the theme in “The Bell Jar” by Sylvia Plath, “The Yellow Wallpaper” by Charlotte Perkins Gilman and “The story of An Hour” by Kate Chopin. The main characters in these readings had to go through hell in an attempt to break the chains that society created against women. These women symbolize the will of women back in the nineteenth and twentieth century’s. In “The Bell Jar” by Sylvia Plath the main character Esther comes into the novel not knowing who she is; she comes into New York City she says, “I felt very still and very empty, the …show more content…
She found out that Buddy was cheating on her for over three months with a girl he had met, but in the twentieth century; the man was allowed to go explore his options even when in a committed relationship, a man could have sexual intercourse with dozens of women and not be shamed for it. If a woman, on the other hand, has sexual intercourse outside marriage even just once then she is a whore. Her virginity is holding Esther back from becoming the woman she wants to be, it is preventing her from being free. In “The story of An Hour” by Kate Chopin; the main character Louise had been feeling oppressed with the marriage she was in, feeling trapped in this prison called marriage. She could not be herself, she had to be what society wanted her to be, society wanted her to conform to the standards of women. Only when Louise hears that her husband had died in a train wreck does she feel free. Only then does she actually start to be happy, that it is a sign for the better. She can finally be herself without anyone punishing her or judging her. The same is true in “The Bell Jar”, where Esther finally loses her virginity to a man named Irwin. It is a sign of individuality; she is finally developing her own
The Scarlet Letter, and Zora Neale Hurston’s Their Eyes Were Watching God, the difficulties and trials that we all must face can transform the mundane liquid mixture of existence into a vibrant and fulfilling gumbo. The protagonists of these works are two strong-willed and highly admirable women, who prevail in the face of overwhelming odds stacked in everyone’s favor but theirs. In their trying periods of isolation brought about by cold and unwelcoming peers, particularly men, they give their lives meaning by simply pushing forward, and living to tell the tale. Beginning with the very first words of The Scarlet Letter, the reader is thrust into a bleak and unforgiving setting.
A notable image that readers of the twentieth-century literature easily recognize is a bell jar. A bell jar is an unbreakable, stiff glass container that confines objects within its inescapable walls. It metaphorically represents the suffocating and an airless enclosure of conformism prevalent during the 1950’s American society. More specifically, American societal standards approve men to have the dominant role as they are encouraged to attend college in order to pursue professional careers. They are given the responsibility of financially supporting their families. In contrast, a women’s life in the 1950’s is centralized around family life and domestic duties only. They are encouraged to remain at home, raise children and care for their husbands. Women are perceived as highly dependent on their husbands and their ability to receive education is regarded as a low priority. Thus, the social conventions and expectations of women during the 1950’s displayed in The Bell Jar by Sylvia Plath correlate to Esther Greenwood’s downward spiral of her mental state. Throughout the course of her journey, Esther becomes increasingly depressed because of her inability to conform to the gender roles of the women, which mainly revolved around marriage, maternity and domesticity.
Sylvia Plath wrote the semi autobiographical novel, The Bell Jar, in which the main character, Esther, struggles with depression as she attempts to make herself known as a writer in the 1950’s. She is getting the opportunity to apprentice under a well-known fashion magazine editor, but still cannot find true happiness. She crumbles under her depression due to feeling that she doesn’t fit in, and eventually ends up being put into a mental hospital undergoing electroshock therapy. Still, she describes the depth of her depression as “Wherever I sat - on the deck of a ship or at a street a cafe in Paris or Bangkok - I would be sitting under the same glass bell jar, stewing in my own sour air” (Plath 178). The pressure to assimilate to society’s standards from her mother, friends, and romantic interests, almost pushes her over the edge and causes her to attempt suicide multiple times throughout her life. Buddy Willard, Esther’s boyfriend at a time, asks her to marry him repeatedly in which she declines. Her mother tries to get her to marry and makes her go to therapy eventually, which leads to the mental hospital. Esther resents the way of settling down and making a family, as well as going out and partying all night. She just wants to work to become a journalist or publisher. Though, part of her longs for these other lives that she imagines livings, if she were a different person or if different things happened in her life. That’s how Elly Higgenbottom came about. Elly is Esther when Esther doesn’t want to be herself to new people. Esther’s story portrays the role of women in society in the 1950’s through Esther’s family and friends pushing her to conform to the gender roles of the time.
In the end of the novel, Esther at last, comes to terms with reality. She has got to stop living her life according to what others expect of her. She needs to start living her life for “her”. After Joan commits suicide, Esther believes that unless she turns her life around, she will also commit suicide. Esther saw so much of herself in Joan, that when Joan ended her life she was frightened that she would follow in her footsteps, due to the fact that she had throughout the entire novel. Once Joan was gone, Esther was truly free. The part of Joan that was reflected in Esther vanished. The “bell jar” that had been suffocating her was finally lifted.
Bernard, Lauren. "TAKING ON A MOURNING HER MOTHER NEVER BOTHERED WITH: ESTHER’S ANGUISHED MEMORY AND HER RESISTANCE TO A DOMESTIC LIFE IN SYLVIA PLATH’S THE BELL JAR." Ed. Steven Axelrod.Department of English University of California, Riverside, 2009. Web. 5 Dec. 2013.
One is often enticed to read a novel because of the way in which the characters are viewed and the way in which characters view their surroundings. In the novel The Bell Jar by Sylvia Plath, Esther Greenwood is a character whose "heightened and highly emotional response to events, actions and sentiments" (Assignment sheet) intrigue the reader. One of her character traits is extreme paranoia that is shown in different situations throughout the novel. As a result of this, she allows herself to be easily let down, as she believes that all events that are unsatisfactory are directed towards her. Finally, it is clear that she attempts to escape this notion by imagining an idyllic yet impossible life that she envisions in remote circumstances. It is clear that Plath's creation is a Novel of Sensibility as her writing not only possesses all of the qualities associated with this genre, it also effectively takes the reader into the story with the protagonist.
Both “The Story of an Hour” and Charlotte Gilman’s “The Yellow Wallpaper” display women discovering freedom from society’s standards during the setting’s time period. In “The Story of an Hour,” Louise locks herself in her room after discovering that her husband has died and at that point in the story she finds herself more confident in herself. She exclaims, “Free! Body and soul free!” (Chopin 83). After she believed her husband died she finally had reason to take initiative in life and did not have to live a life were nothing was expected of her. She found freedom in locked quarters. Just as John’s wife did in “The Yellow Wallpaper.” As the wife’s sickness progressed, her anxiety over the yellow wallpaper increased. The patterns developed within the walls showed the image of a woman creeping along, and as the shadows of the bars from the window cast across the woman. This can symbolize how she is like the shadow, imprisoned in her room and mansion. As time moved forward, the wife fully identifies with the image in the wall, and by the end of the story she locks herself in her room and frees the woman behind the bars by pealing off most of the wallpaper.
For the main character in The Bell Jar, Esther Greenwood is a college student who suffers from depression in a numbness type of way, going about life as if everything means nothing. Elizabeth Wurtzel’s memoir Prozac
Esther’s psychological transformation from a perfectly healthy person ends up suffering from depression. Her influences around her have negatively shown Esther a negative path to take. The events during the 1950s such as the Rosenbergs executions have only made the transformation even powerful. Sylvia Plath’s life could be compared to the Bell Jar because she was in the same situation as Esther. Freud’s theory of psychoanalysis and psycho dynamic has addressed depression through the main character Esther.
In Sylvia Plath’s The Bell Jar, gender roles are presented as barriers that stop female characters from reaching their full potential and from being in control of their own lives. The novel relates to the Feminist Phase of Second Wave Feminism which is focused on the oppression of women and the roles of women within a society.
In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient woman, the one who has buckled and succumbed to become an empty, emotionless shell. In men’s eyes, this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
...which were dead in mothers’ belly, were placed in the bottle. To Esther, this image always linked to abnormal growth, suffocation and death: “The air of the bell jar wadded round me and I couldn’t sir” (p.178). The latter part in the novel, Esther experienced a serious of symbolic events, and she began all over again and was ready to new life. However, what waited for her was still the contradiction that the society put on women, and the value of women could not be totally reflected as before. It could be predicted that in such society-value was distorted like the bell jar, Esther would be probable to fall into the “crisis of roles” and lost the courage for living again. The novel did not describe Esther’s “new born”, anyhow, the “new born” of the author-Sylvia Plath did not last for a long time.
In comparing the three authors and the literary works of women authors Kate Chopin (1850 -1904), The Awakening, Charlotte Perkins Gilman's (1860-1935), The Yellow Wallpaper, and Edith Wharton's (1862-1937) Souls Belated, a good number common social issues related to women are brought to light and though subtly pointed out are an outcry against the conventions of the time. In these three stories, which were written between 1899 and 1913, the era was a time in which it seems, that women had finally awaken to realize their social oppression and were becoming rebellious in their pursuit of freedom from the male-dominated societal convention in which they existed. They commenced viewing their social stature as unjustly inferior and realized that these conventions placed deterrents on their intellectual and personal growth, and on their freedom to function as an independent person. All three of these women authors have by their literary works, have voiced their strong unfavorable feelings about the patriarchal society in which they lived.
One’s identity is the most important lesson to be learned. It is vital part of life knowing who you are in order to live a fulfilled life. Without knowing your identity, and the way you perceive life, it is difficult for others to understand you, along with a struggle to live a happy life. In Sylvia Plath’s “The Bell Jar,” Esther Greenwood struggles to find her own identity, and in the process, she develops a mental illness which helps her discover the person she is on the inside.
The Bell Jar, written by Sylvia Plath, starts of in the summer of the mid-1950s. Esther Greenwood, the main character, is a 19 year full of ambition and creativity that works at a popular magazine company. Esther mainly has two “best friends”, Betsy and Doreen. Having a pretty decent life in New York she feels as though she is missing something and that she isn’t experiencing life as some of the other ladies her age are. Esther is faced with the thought of not being what she should be. Which is, what the other women of her age are expected to be, by society’s views. The night before Esther is supposed to go back to her mother, who lives in the suburbs outside of Boston, she goes to a country club dance with Doreen and Doreen’s boyfriend and