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The female body is the site of extensive theoretical discourse and intense political struggle; it has become the expressions of culture but also has become a site for social and political control. Through history the female body has been the site of discrimination, exploitation, abuse and oppression. She has also occupied a dominant position in the discourse of beauty; its imagery being pervasive and manipulated throughout literature, visual arts and religions and also the site of scientific and psychological investigation. Through historically male dominated fields of expertise and political power, the female body has become the subject to conscious and unconscious patriarchal influences. The term ‘beauty’ is synonymous with the female face and body, it is rarely applied to men in the discussion of aesthetics. Beauty is theorised across art, aesthetics, sociology, psychology, and scientific and cultural studies.xxxxxx Todays society, science and statistics teaches us that beauty leads to success; being beautiful increases chances of better jobs, better mates and more advantages though life. In a study by Dr Hamermesh (2011:[sp]) he …show more content…
Wolf argues that because women are increasingly attaining equal rights to men; such as voting, education, money and reproductive power they are challenging the historical power dynamics that enforce patriarchal dominance. As a result, she argues that the ‘beauty myth’ is the “last one remaining of the old feminine ideologies that still has the power to control those women”(1990:4). She comments further “a culture fixated on female thinness is not an obsession about female beauty, but an obsession about female obedience. Dieting is the most potent political sedative in women’s history; a quietly mad population is a tractable one”
Throughout the centuries, notions about the female body have created and recreated the human form. This has resulted in many varieties of depictions of the female body and thoughts of what “beauty” is and how to represent the female body in different
Like a blueprint or instruction manual, the objective of a rhetorical analysis is to dissect a written argument, identify its many parts, and explain how all of them come together to achieve a desired effect. Susan Bordo, a professor of Gender and Women’s Studies at the University of Kentucky, wrote “The Empire of Images in Our World of Bodies”, published in 2003 in The Chronicle of Higher Education. Her essay examines how the media plays a pervasive role in how women view their bodies to the point where we live in an empire of images and there are no protective borders. In “The Empire of Images in Our World of Bodies”, Bordo not only effectively incorporates numerous facts and statistics from her own research and the research of others; she also appeals to emotional realities of anxiety and inadequacy felt by women all over the world in regards to their body image. Ultimately, her intent is to critique the influence of the media on self-confidence and body image, and to remind her audience of the overt as well as subconscious messages they are receiving on a daily basis.
While societies change and old forms of patriarchy corrode, new ones concentrate and develop (Bartky 94). A woman’s feminity is no longer restricted to certain forms of disciplinary practices such as her dressing and her smile. However, the center of attention in today’s modern society is a female’s body and its appearance. Bartky argues that when this anonymous power controls a woman about how she should feel about her body, oversees everything she does and directs her to change what is not good enough, she immediately becomes objectified (Bartky, 94). While today‘s world is advancing, a female’s body, such as her breasts will always be the center of attraction and always be seen as sexual.
My mother was taught, as her mother before and so on, that these conversations are to be kept private and talked about quietly. In response to this, the power of men has an increasingly strong hold on the ideal physical beauty and how the changes of the body, such as menstruation, are in private and never spoken of. The Body Project gives a disturbing look at how women in the past few centuries and the present should act, look like, and keep hidden in response to what men think is most desirable. No matter how free women think they are, we are still under the control of men, even if it is not directly. This book opens the conversation on the problems that are still plaguing women and how society needs to change to have a healthier environment for women to be comfortable in their skin.
In the essay “What Meets the Eye”, Daniel Akst explains scientific facts about the beauty of men and women matters to people. He argues that attractive individuals receive attention, great social status, marries, and gets paid more on a job. One can disagree with Akst’s argument because anyone with the skills and knowledge, despite the appearance, can gain a decent relationship and can get paid well. Akst looks at beauty as if it can lead individuals to an amazing and successful life, but he is wrong. Nancy Mairs’ and Alice Walker’s views on beauty are explained internally and through self-confidence. Both women’s and Akst’s arguments on beauty share some similarities and differences in many ways, and an
There is certainly no dearth of representations of women in visual media. Throughout history and across the globe, the female form features heavily in creative spheres and remains one of art’s most enduring and ubiquitous images. Painted or photographed, sculpted or sketched, these portrayals often work to create and reinforce society’s conceptions of normativity and naturalness with regards to the female body. In other words, the constant reproduction of certain types of women’s bodies encourages women to conform to these apparently superior physicalities. Artists can, however, counter these hegemonic bodily norms through the depiction of female bodies considered non-normative. This untraditional portrayal of women’s bodies has the possibility
Naomi Wolf's "The Beauty Myth," discusses the impact of our male-dominated society upon women. Wolf argues that women's most significant problems associated with societal pressures are a "fairly recent invention," dating back to the 1970s (6). She explains that women have "breached the power structure" by acquiring rights equal to men in areas such as, education, professional careers, and voting. As a result, Wolf suggests that the "beauty myth" is the "last one remaining of the old feminine ideologies that still has the power to control those women" (3). Considering that the beauty myth is women's last battle, the struggle is increasingly more difficult. Wolf claims that women are currently experiencing "a violent backlash against feminism," noting the recent rise in eating disorders, cosmetic surgery, and objectification of women's bodies (3,2). While Wolf accurately defines the beauty myth, she incorrectly states that eating disorders, cosmetic surgery, and pornography are recent issues, resulting from an intentional "backlash" against women's rights.
Turned, pulled, stretched, tucked; molded by the average man with a wedge and hammer at hand. The female body is a dissected organism in which tolerance is searched for. In search for a tolerable female form, modifications on the female body are performed. This lust for acceptance and understanding causes females to partake in methods of “beautifying themselves” to please man. Man, the omnipotent being whose thoughts and words cascade onto the hearts of women causing mutilation, suppression, and the desire to discover oneself. Upon the discovery that the female body portrays different views amongst the culturally different beings, social movements allow the unvoiced words to be shared. Within the social movements founded by feminism, the social movement that will be focused on throughout the piece a feminist perspective on the body. The body in its natural form can cause controversy among those who view it in a criminal manner. The issue with the female body is that
Is it a crime to be born beautiful? For some, the answer is perhaps yes. From women such as the mythical character Helen of Troy, historical figure Cleopatra to scandalous socialite, Wallis Simpson or even Marilyn Monroe, the tragedies and misfortunes that they endured are often believed to be the repercussions of their gifted beauty. However, in today’s world, not all of these features of physical attractiveness are victimized. For example, The Beauty Bias claims that being born beautiful is now more likely to be considered as an advantage in the competitive job market. In this essay, I argue that despite the prejudice toward unattractiveness in our society is still real and alive, the call for reform
According to Greek philosopher Plato, “...justice is a human 'human virtue' that makes a person self consistent and good; socially, justice is a social consciousness that makes a society internally harmonious and good.” (Bhandari 19). Which means that justice, for Plato, is a part of human virtue and the bond that joins man together in society. It is the identical quality that makes us all good, social, harmonious, equal, honest, and just. Which can also be pertained to types of social control, or the different way society tries to control people in an attempt to maintain some kind of order; particularly social control of the female gender. Like the essay, “The Beauty Myth”, by Naomi Wolf, where she argues about the Beauty Myth, a social standard that controls women by imprisoning them within their body. She also discusses topics such as how the fashion
An elevation of beauty is treated as a form of improvement, both for men and for women. Simply put, women emphasize their differences in order to gain a sense of equality and avoid comparison from men. However women are limited in the sense that beauty in itself is very restricting. And the fact that women direct their beauty towards men shows us that men are the basis and the end means of beauty. In which this beautification is not really a form of self-improvement; there is no real flourishing...
It is proposed that, as the years progressed, there have been strengths in culture that endeavor to rebuff women who look for more control over their lives and their surroundings. Efforts of women at accomplishing fairness are adversely influenced by pictures of women depicted as sex articles. Women are frequently connoted by their particular body parts; their lips, legs, hair, eyes, as opposed to being spoken to as a genuine entire or subject. In notices women are urged to think about their bodies as things or parts that need to be formed and molded into a male origination of female flawlessness. The fissure of the female body into body parts that they ought to then enhance frequently brings about women having scorning toward oneself associations with their bodies.
In this essay the writer will discuss whether beautiful people deserve to be more successful than ugly people and provide evidence to support the argument
Nowadays, some people present women’s body as an object with form of art. I believe, that women are not an object, but
I would like to begin with the fact that women have always been known to dedicate their time to beauty. Those who are devoted to their appearance most often believe that beauty brings power, popularity, and success. Women believe this, because they grow up reading magazines that picture beautiful women in successful environments; not to mention they are popular models and world famous individuals. Beautiful women are no longer just a priority for most advertising, but we have become a walking target for the working class employers. It is documented that better-looking attorneys earn more than others after five years of practice, which was an effect that grew with experience (Biddle, 172). We cannot overlook the fact that it is always the most popular and most beautiful girl who becomes homecoming-queen or prom-queen. While these are possible positive effects of the "beauty myth," the negative results of female devotion to beauty undercut this value. These effects are that it costs a lot of money, it costs a lot of time, and in the long run, it costs a lot of pain.