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Development of baroque art
About the baroque
The baroque period 1600 to 1750
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The Baroque in Italy and Spain
The period called “Baroque” cannot easily be classified. The work that distinguishes this period is stylistically complex and even contradictory. While Baroque was born in Rome during the final years of the sixteenth century, it was not specifically Italian. Nor was it confined to religious art. While Baroque did have ties to the Counter-Reformation, it quickly entered the Protestant North where it was applied primarily to secular subjects. It would also be difficult to claim that Baroque is “the style of absolutism,” because Baroque flourished in the bourgeois Holland no less than in the absolutist monarchies. Nor do we see the turbulent history of the era reflected in Baroque art. While the seventeenth century was one of almost continuous warfare, these wars had practically no effect on Baroque imagery. It is equally difficult to relate Baroque art to the science and philosophy of the period. While a direct link did exist in the Early and High Renaissance, when an artist could also be a humanist and scientist, this changed in the seventeenth century. During this time, scientific and philosophical thought became too complex, abstract, and systematic for the artists to share. Still, there is a subtle but an important relationship between Baroque art and science. The complex metaphysics of the humanists, which gave everything religious, meaning, was replaced by a new physics. Human awareness of the world was continuously expanding and the cosmology of such men as Copernicus, Kepler, and Galileo broke the ties between sensory perception and science. By placing the sun, not the earth at the center of the universe, it contradicted what our eyes told us: that the sun revolves around the earth. The world...
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...r more subtle. Velazquez explored the optical qualities of light more fully than any other painter of his time. Francisco de Zurbarán (1598-1664) stands out among the painters of Seville for his quiet intensity. Zurbarán worked almost exclusively for monastic orders and his most impressive baroque compositions are deeply moving for their direct and realistic approach to religious subject matter. The work of Bartolome Esteban Murillo (1617-1682) is the most cosmopolitan, as well as accessible, of any Spanish Baroque artist. His “Virgin and Child” (1675-1680) unites the influence of the Northern artists and Italians in an image that nevertheless retains an unmistakably Spanish character.
Religion, politics, and philosophy all played a part in Baroque art. This interplay of passion, intellect, and spirituality make it one of the most compelling periods of Western art.
As the late Baroque period morphed into the new period known as the classical period, technological advances and new compositional techniques and ideas created new opportunities for the musicians of the period. The changes allowed for new performance techniques, forms, performance venues, and newly available compositional orchestrations to be improved and evolved into something new and improved for the new period.
This book by John Rupert Martin is a good introductory book in the understanding of Baroque artists and their tremendous variety. Martin defines the Baroque characteristics, but only very broadly leaving a significant amount of room for the reader to make his own deductions. In general, Martin believes that the typical definitions of the Baroque are "too restrictive and hence likely to create more problems of classification and interpretation than it solves." Even the time of the Baroque is left open to the reader when Martin says the Baroque is roughly comprehended by the seventeenth century. It is important to note at the outset that this is only a convenient approximation; for epoch as a whole can certainly not be fitted into such a strait-jacket." This helps to define the Baroque much more generally as a gradual change which can much easily be noticed from the present than the past.
I first checked out a site written by a supporter of the "gay gene." http://voyager.dvc.edu/~bmckinney/www.pilot.infi.net/~susanf/aolgay.htm is written by Don Robertson. Don Robertson is a gay teacher of biochemistry and molecular biology. In his article, he states that many experiments have proved the genetic connection to homosexuality. He names some of the experiment's methods but he doesn't include who ran the experiments, where they were done, why or why not they would be reliable or whether they would have the same results if the experiments were repeated. He comes up with figures like if one identical twin is gay there is a sixty- percent chance that the other identical twins will also be gay. This is included to prove that since identical twins share identical genes, they must have had the "gay gene" passed down to both of them. This claim brings up a few problems.
In Jonathan Swifts’ “Gulliver's Travels”, humankind is pointedly examined from three vantage points, and the protagonist, Gulliver, transforms a bit in the process. Initially, during Part 1, he apparently is the very picture of a generic 18th century explorer: adventurous, utilitarian and unsentimental. Gulliver’s rather plain worldview is well explained to the audience at the start: Gulliver is 40 years old, he has two kids), and by showing the items he carries on his person, particularly his glasses, which appear throughout the work. When the reader reaches Part II Gulliver is basically the same, but occasionally the satire dictates he transform into somewhat of a fool, bragging about his ‘great country’, and other Nationalist-esque slogans. Yet, ironically, he simultaneously betrays many a fact about his Love, England. The reader finds in Part III he is, again, very much who he was when they first found him. But once the reader discovers he mainly is now hanging out nearly exclusi...
Dean Hamer et al at the National Cancer Institute published the initial paper that is accountable for the explosion of interest and argument regarding genetic determination of sexual preference in 1993 (2). Hamer's study found that, of thirty-two pairs of brothers who were "exclusively or mostly" homosexual, twenty-two pairs of brothers shared the same type of genetic material. This introduced the idea that there is a gene for homosexuality. Hamer went on to identify a specific genetic sequence that exists on the maternally passed-on X chromosome...
One of the most influential studies on the genetics of homosexuality was done by Dean Hamer and his co-workers at the National Cancer Institute in Washington DC (1993) clearly shows that there are differences in the genetic structure between heterosexuals and homosexuals, particularly based on looked closely at the DNA of these gay brothers tried to the region of the X chromosome, that most of the homosexual brothers shared.
The first voyage is to Lilliput, the people who reside here are called Lilliputans. Gulliver is seen as a giant here because the people of Lilliput are extremely tiny; not six inches high (3). The Lilliputians are a political satire of the England of Swift's time. For reference, England and France kept having constant wars as to Lilliput and Blesfuscu. (S45) This is shown especially when in the text of Gulliver's travels:
One of the characteristics of the Italian Baroque is the realistic depiction of human figures, vivid use of color and foreshadowing techniques, especially in the paintings. In addition, the figures of the paintings seem to emerge from the background, giving huge differences between light and dark. The Italian baroque structure has a sense of movement and that of energy when in static form. The sculptures make the observers to have multiple viewpoints. The Baroque architecture has characteristic domes, colonnades, giving an impression of volume and void.
they first started up this new style, so when the french took in the Italians
Gulliver’s Travels begins in Lilliput where he finds himself waking up to his shipwreck. He then finds himself surrounded by numerous tiny people called Lilliputians. He’s addressed by the Lilliputians who are wondering what this creature is. The Lilliputians are very protective of their kingdom, so they are not afraid to use violence against Gulliver, even though their arrows have very little effect to Gulliver. Overall, they are giving. They risk famine in their land by feeding Gulliver, who eats more food than a thousand Lilliputians could at one time. Gulliver is taken into the capital city by a very elegant wagon the Lilliputians built just for him. He is introduced to the emperor, who is amused by Gulliver. Gulliver is grateful of the attention he is receiving by the royalty. Later, Gulliver becomes apart of the Lilliputian army. He fights in the war against the people of Blefuscu, who the Lilliputians hate for doctrinal differences concerning the prop...
Salvation, in Christianity, is defined as the state of being saved from sin or evil (Merriam-Webster). The word salvation is mentioned in one hundred and fifty-eight different verses in the Bible (The Holy Bible: KJV). It is written in John 3:16 that “For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.” According to that verse, God loves us so much that he gave the life of his only Son so that we could obtain salvation from the sin and evil within the world. The verse also explains that by believing in God and that God sent Jesus to die on the cross for our sins we can have life everlasting in heaven with him. Numerous times salvation and the Christian faith can seem confusing to those who are not Christians. However, as the verse John 3:16 explains, salvation is in actuality simple. Hearing the Gospel of Jesus Christ, believing that Jesus Christ is the Son of the one true God, repenting of sin, and confessing that Jesus Christ is God’s son who was sent to die on the cross for the sin of all mankind is how we can obtain salvation and have eternal life in heaven.
In the beginning of the story, Gulliver explains to the reader a bit about his background, why he was on these journeys to begin with, and where he finds himself at the beginning of his tale. The story begins with Gulliver recounting how he was shipwrecked the land of Lilliput. He awakens to find himself tied down and held captive by a tiny race of people. To the inhabitants of Li...
Swift ties his satire closely with Gulliver's perceptions and adventures. In Gulliver's first adventure, he begins on a ship that runs aground on a submerged rock. He swims to land, and when he awakens, he finds himself tied down to the ground, and surrounded by tiny people, the Lilliputians. "Irony is present from the start in the simultaneous recreation of Gulliver as giant and prisoner" (Reilly 167). Gulliver is surprised "at the intrepidity of these diminutive mortals, who dare venture to mount and walk upon my body" (I.i.16), but he admires this quality in them. Gulliver eventually learns their language, and arranges a contract with them for his freedom. However, he is bound by this agreement to protect Lilliput from invasion by the people of Blefuscu.
The first book covers Gulliver’s encounters with the Lilliputians. The Lilliputians are a race of small and peculiar humanoids with oddly specific particularities. For example, rather than electing government officials based on merit and
Gulliver's Travels is one of the most beloved satires of all time (Forster 11). Yet, careful analysis shows it to be very complex with not one definite interpretation. A very surface reading may leave one feeling that the point of the book is "don't be Yahoo." This is the message that David Ward feels Gulliver the character is giving and says that it is no more complex than Orwell's, "four legs good, two legs bad." But this grows out of the fact of Gulliver's nature. A synthesis of the opinions of the writers I read paints Gulliver as an average man of average courage, honesty, compassion, and intellect, a typical Englishman. But there is nothing typical about Gulliver's Travels.