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Violence in movies
Violence in movies
Violence symbolism in literature
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The Assassination of Jesse James by the Coward Robert Ford is a western film. The film has both positive and negative components that make it an uneasy viewing, due to immoral behaviours and sense of unhinged characteristics. The director Andrew Dominik has great control in creating beautiful pictures throughout the film. Dominik gives the best understanding of Jesse James possible so that we, as viewers, are able to become better acquainted (more familiar) with Jesse’s character.
In the scene (Blue Cut Robbery) where Frank and Jesse James have collated a bunch of “amateur robbers and petty thieves” to commit the Blue Cut train robbery the filmmaker, Andrew Dominik, portrays the idea that being an outlaw is being a bully. This scene is significant
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This is clear because Robert idolises Jesse and has done since he was a young boy but for all the wrong reasons. This film clearly indicates that as humans we are easily sucked into the lives of others if we believe they are better off than ourselves. This message is shown through Robert unhealthily obsessing over Jesse, which is clearly seen within the scene “Imagining Himself.” The Blue cut robbery scene demonstrates Jesse’s bully like, yet insecure, characteristics. The scene helps us as viewers to understand Jesse’s character, we see that Jesse is not a nice person. Due to the fact that Jesse is aware that what he does is wrong, yet he still continues to carry out similar actions. Killing people for no reason, because he wants something or simply because he feels threatened by them is purely selfish. Due to Jesse’s selfish actions as viewers we dislike his character. Although he does show remorse for the actions he has carried out. The internal battle that Jesse has about his actions show the beginning of his emotional breakdown. Throughout the film as we observe Jesse’s breakdown, as viewers we begin to feel sorry for him but not enough to see him any differently than being a bad person. The style that Dominik used within the blue cut robbery scene had dull, dark and gloomy connotations. This was a large contrast with the other scene as the colours were a lot brighter and the overall scene had a sepia tone. The difference helped to establish that blue cut robbery was a scene full of bad deeds whereas when Robert is imagining himself as Jesse the scene portrays Roberts innocence to the real life of Jesse James. Within imagining himself when Robert fabricates Jesse as viewers we know that Jesse is a bad person and does not deserve to be
O'Reilly, Bill, and Martin Dugard. Killing Lincoln: The Shocking Assassination That Changed America Forever. New York: Henry Holt and, 2011. Print.
Douglass, Frederick. The Heroic Slave. In Violence In the Black Imagination. Ed, Ronald T. Takaki. New York: Oxford University Press, 1993.
Jesse James and Billy the Kid are almost perfect examples for the definition of outlaw. Billy and Jesse lead a life of defiance, always running from the law, their lives clinging to existence, hoping death was not a breath away While running from a governor or robbing a bank, both Billy and Jesse were not the type of men that stop and smell the flowers. It is hard to think that these two men were proud of all they had done, but their choices lead them to become legends and icons of the wild wild west, and their fast lives created senerios in the minds of young and old people everywhere. Their stories were embedded in the history of America, stories of two not so different men.
In 1976, the US Senate ordered a fresh inquiry into the assassination of President John F. Kennedy, who was murdered in 1963 during a motorcade in Dallas, Texas while campaigning for re-election. People who had been involved in the original Warren Commission investigations were asked to make fresh statements. The FBI and the CIA were persuaded to release more of their documents on Oswald. New lines of inquiry were opened and individuals who had not previously given evidence were persuaded to come forward. Most important of all, pieces of evidence such as photos and sound recordings were subjected to scientific analysis using the most up-to-date methods and equipment. The House Select Committee on Assassinations (HSCA) completed their investigation in 1979 and they finally came to a discrete verdict that Lee Harvey Oswald fired three shots at Kennedy, one of which killed the president. A fourth shot was fired from the grassy knoll, which was contradictory to the statement printed by the Warren Commission 16 years earlier. They concluded that John Kennedy was assassinated as the result of a conspiracy.
John Ford directed many well-known western films that brought back the vibrancy of that era. One of which is, The Man Who Shot Liberty Valance. Back in 1962, when the film was made, many dismissed it as a petty, disappointing work. Much of the criticism leveled against The Man Who Shot Liberty Valance focused on its look. The majority of films were done in color that gave it a bright, upbeat tone that the public loved. The “look” present in Liberty Valance was black and white, which went against the normal film characteristic of its time. This was an artistic choice made by Ford, because it is known that the film had a extensive budget, which would of made it easy to make in color. One can inference that Ford's intention was to suggest a sense of reminiscence. To some extent, this movie is about the passing of the old ways. The West is changing. The frontier is deteriorating. The present is dissolving not into history, but into legend, which removes facts and puts in what we want to know.
While researching the Kennedy assassination there were many articles, saying that the mob was involved in the shooting. The writers were convinced that there was more than one person involved when it came too killing John Kennedy, on that warm sunny day in downtown Dallas. However, while these authors were convinced that there was another party involved, so was the rest of America with eighty percent saying the report was false. The goal of this paper is to bring this topic into the spotlight once more, by connecting the shooting of the president with the mob, and Lee Harvey Oswald.
The Birth of a Nation (1915) is one of the most controversial movies ever made in Hollywood, some people even consider it the most controversial movie in the long history of Hollywood. Birth of a Nation focuses on the Stoneman family and their friendship with the Cameron’s which is put into question due to the Civil War, and both families being on different sides. The whole dysfunction between the families is carried out through important political events such as: Lincoln’s assassination, and the birth of the Ku Klux Kan. D.W. Griffith is the director of the movie, and him being born into a confederate family in the South, the movie portrays the South as noble and righteous men, who are fighting against the evil Yankees from the North, who have black union soldiers among them, whom overtake the town of Piedmont, which leads the KKK to take action and according to the movie become the savior of white supremacy. During this essay, I would focus on the themes of racial inequality, racism, and the archetypical portrayal of black people in the movie, which are significant especially during the era when the film was released.
Based on a television documentary, Lincoln, A&E Networks provides readers with an in-depth summary of the assassination of Abraham Lincoln. This online article goes along with the documentary to give details as to what happened the night of Lincoln's assassination. Although this article is not based on a conspiracy theory, it was a good starting point to find out more about the assassination. I began my research by analyzing the proven facts that pertain to the assassination plot. These facts provided me with a general knowledge of dates, times and important figures that were involved with this historic assassination. I then was able to create a timeline by analyzing the chronological order of this article. This article provided me with clean-cut facts such as that Lincoln was assassinated by John Wilkes Booth on April 16, 1865. I was able to use the information gathered from this site to eventually support conspiracy theories with proven information. The validity of this source could be proven through its publisher, a major television network, whose main focus is producing historical shows and documentaries. Knowing that the facts on this website were proven, I was able to begin my research based on confirmed facts.
“With malice towards none; with charity for all; with firmness in the right, as god gives us to see the right, let us strive to finish the work we are in; to bind up the nations wounds; to care for him who shall borne the battle, and for his widow, and his orphaned child-to do all which may be achieved and cherished a just and a lasting peace among ourselves, and with all other nations”-Abraham Lincoln, Second Inaugural Address (Great Documents of America 19).
This cultural phenomenon is not exclusive to music, of course. One need not be a sociologist or anthropologist to clearly see this Africanist presence operating in the linguistic as well as aesthetic elements of popular culture today; however, a particularly fascinating and recent development in the use of blackness can be seen in recent Hollywood cinema. No longer a mere source for cultural self-realization, blackness now actively aids in the empowerment and redemption of whiteness and in no other film is this made quite as clear as it is in Frank Darabont’s adaptation of Stephen King’s The Green Mile. A period piece not unlike Darabont’s previous film, The Shawshank Redemption, The Green Mile is also set in a prison during the first part of the twentieth century. The central character, Paul Edgecomb (Tom Hanks), is an affable guard placed in charge of Cold Mountain Correctional Facility’s death row, called The Green Mile by the prison population.
The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
In “The Thematic Paradigm,” Robert Ray explains how there are two vastly different heroes: the outlaw hero and the official hero. The official hero has common values and traditional beliefs. The outlaw hero has a clear view of right and wrong but unlike the official hero, works above the law. Ray explains how the role of an outlaw hero has many traits. The morals of these heroes can be compared clearly. Films that contain official heroes and outlaw heroes are effective because they promise viewer’s strength, power, intelligence, and authority whether you are above the law or below it.
In the article “The Thematic Paradigm” exerted from his book, A Certain Tendency of the Hollywood Cinema, Robert Ray provides a description of the two types of heroes depicted in American film: the outlaw hero and the official hero. Although the outlaw hero is more risky and lonely, he cherishes liberty and sovereignty. The official hero on the other hand, generally poses the role of an average ordinary person, claiming an image of a “civilized person.” While the outlaw hero creates an image of a rough-cut person likely to commit a crime, the official hero has a legend perception. In this essay, I will reflect on Ray’s work, along with demonstrating where I observe ideologies and themes.
Jesse James was known as an American outlaw and legendary figure. Jesse and his family were in favor of the south, which caused he and his brother to join a guerreila band. Jesse and his brother were the most feared outlaws of the late 1800's. They were said to have robbed multiple banks and trains and to have killed countless individuals. It was said that Jesse was like Robin Hood; supposedly he took from the rich to give to the poor. Jesse was killed by a friend who became a traitor for the greed of money. Jesse James gained fame through his criminal ways and remains as an American icon even today.
...he Vigilante" first dehumanized the black man and then beat him which was very cruel. ("he got up, and then somebody else socked him and he went over and hit his head on the cement floor."P.137). The manner in which the characters commit the violent actions helps show the evil of man.