The Art Of Trickery And Manipulation In Shakespeare's Othello

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Final Essay on Othello The art of trickery and manipulation have been a subject in literature for centuries. Shakespeare displayed such qualities in the story, Othello, as Othello is deceived by who he believes to be his best friend, Iago. Iago has an unreasonable hatred toward Othello, likely formed from a jealousy of his success. From this hatred, he devises a plan to destroy Iago’s marriage with seeds of jealousy. Because of Iago’s charisma and inviting personality, he was capable of convincing Othello of his wife’s “infidelities” with fake concern, misleading sympathy and several accounts of lying. In the beginning of the play, Shakespeare opens on Iago and Roderigo, a side character who is in love with Othello’s wife Desdemona. …show more content…

Going to him to speak about the suspected relations between his wife and Cassio, he plays the situation as if he is reluctant to say what is going on between the two of them. Othello pulls the suspicions out of him, but Iago brushes it off, saying “Would take no notice, nor build yourself a trouble out of his scattering and unsure observance” (3.3.150-151). Although, he simply does this to remain a tight hold on the illusion of trust Othello has for him, knowing he has already said enough to give him a strong paranoia. Now, Iago needed proof, an item or object that could create an idea of Desdemona at Cassio’s place. Finally, he persuades his wife to take the handkerchief in which Othello had gifted Desdemona as a symbol of his love for her, because Othello argued, “No, Iago, I’ll see ‘before I doubt; when I doubt, prove” …show more content…

He warns him to “observe her well with Cassio,” (3.3.197). Clearly, Othello is becoming shocked and concerned throughout this discussion, just as Iago is looking for. He gives him reason to not trust her by stating, “She did deceive her father, marrying you,” (3.3.206). This sent Othello to think and ponder over what his wife had the capacity to do. Now, in order to carry on with manipulation and to prevent Othello from becoming suspicious of his character, he apologizes, “I humbly do beseech you of your pardon For too much loving you.” (3.3.212-213). This false remorse creates an innocent appearance and a stronger trust between the two of them. He then tries to tell Othello not to worry about it or draw any conclusions, but just to keep simple suspicion. Then, he acquires the

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