More handpicked essays just for you.
History essay grade 12 civil rights movement
Essay civil rights movement in usa
History grade 12 essay civil rights movement
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Graham Polacek Michael Ward Music in American Culture November 17, 2014 A New Generation The American Folk Movement was a phenomenon that started in the 1940s with classic folk musicians such as Woody Guthrie, and evolved into a unique social movement powered by music and self-expression by the 1960s. This movement was seemingly fully of irony, paradoxes and contradictions; yet it still managed to develop into a historically important social movement that proved to have critical implications on civil rights and a new generation of youth. It can be traced back to the youth and students gaining a love for Alan Lomax’s Archive of American Folk song, to Woody Guthrie, to Pete Seeger traveling with the Almanac singers, to the SNCC. An upcoming generation …show more content…
The folk movement had an important effect on the Civil Rights Movement in the 1960s as it exposed middle class white suburban kids from around the country to the struggles of the African Americans particularly in the southern region of the United States. While students and youth were able to hear about and learn about the Civil Rights Movement through the music of the folk movement. The feeling that the folk music was in the right morally drew these fans to both the folk movement and the Civil Rights Movement. Using the music to stand up for Civil Rights for African Americans was certainly a way for the folk moments fans to separate themselves from their parent’s generations. They all began to believe like Seeger had all along that folk music had the power to shape and form people into wanting to support Civil Rights Causes. This idea was key to bringing white youth in America on board with the Civil Rights Movement in the middle of the 1960s. The fans and followers of the folk movement really believed that escaping from history and there perceived limits of history was truly possible with a music movement. The title of the documentary created by Guy Caramen, “Freedom In The Air” perfectly describes the phenomenon and relationship between the folk movement and the Civil Rights Movement. Although the folk movement had powerful influences on getting white youth in America on the right side in the civil rights movement people still question whether or not the folk movement was authentic. The movement did seemingly have a paradox because although they claimed to be apart of an authentic folk movement there was no music being played that was one hundred percent untouched by commerce. The fans thought had built a wall between them and what was previously thought of as mass culture. Instead of the past where a mass movement simply required fans and followers to
Stein, Joel, and Josh Sanburn. "The New Greatest Generation." Time 181.19 (2013): 26. Academic Search Complete. Web. 13 Mar. 2016.
The African-American civil rights movement was a cruel time for the African American race to endure due to the harsh discrimination and segregation that they faced. This movement fought for the rights and the equality of African Americans in the United States. With all that was going on, African Americans turned to music for motivation, courage, inspiration and strength to overcome the difficult obstacles that they would soon face. “Non-violence marchers faced beating, hosing, burning, shooting, or jail with no defense other than their courage and songs” (Hast 45). “It's been a long, a long time coming/ But I know a change gonna come, oh yes it will” (Cooke, Sam. A Change Is Gonna Come). Music was their greatest hope for change in the near future and is the thing that kept them fighting for what they deserved. They came together with each other due to the lyrics of many different songs that kept the civil rights movement alive and known. Music painted a vision that they could picture and look forward to; it was a dream that they could fight for. “Music empowered African Americans to hold tight to their dream of racial equality” (Jeske). A genre of music that bought society together during this movement was folk.
Segregation and discrimination in America was a serious social issue that affected the lifestyle of African-Americans in the 1960’s and the civil rights movement was a social movement that had an aim of ending racial inequalities. As a result of the segregation between these two cultures, there was a lot of rising racial tension which consequently led to the culmination of race riots. The social issues at that time played a significant part in Gordy’s success in the production of Motown as he wanted to produce the “sound of young America” regardless of one’s colour or race and to take this sound to wider audiences including Baby Boomers. “Motown was about music for all people- white and black, blue and green, cops and the robbers…I was reluctant to have our music alienate anyone…” (Gordy, 2011). According to Boyce (2008), the image and sound of Motown was all about the promotion of “cross over” music without the involvement of politics, but Gordy ended up showing some support for the civil rights movement as he recorded and distributed Martin Luther King Jr.’s ‘The Great March to Freedom’ speech in 1963, later founding a Black Forum
The book depicts the story of culture conflicts of the music, which arose from the introduction of the foot-tapping, hip-swaying music now known as rock n' roll (Graarrq). The outcome of rock n’ roll coincided with tremendous uproar in the movement to grant civil rights to African American. Trapped in the racial politics of the 1950s, rock n’ roll was credited with and criticized for promoting integration and economic opportunity for blacks while bringing to “mainstream” cloture black styles and values (Altschuler). Black values were looked over and kind of not important to whites. Whites were very much so well treated then blacks were, however no one spoke out until the outcome of rock n’ roll.
For many Americans, country isn’t just a type of music. It’s a lifestyle. From sippin’ sweet tea on the porch, drinking beer at a tailgate or driving a pick up down the backroads, country music has made its way into the hearts and minds of many Americans. It is one of the only truly home grown American art forms. Its relatability and wide appeal has made country music one of the most commercially successful and popular genres in the United States. Using the work of scholars Tichi, Pecknold, and Ellison, I will show how country music grew from its rural southern roots into an integral part of American culture.
During the Civil Rights era, African Americans changed the way people looked at music by ending the segregation in the music world and by making a well-known “soundtrack” and influence during the Civil Rights Movement.
Although folk music played a big role in most of these artists’ performances, folk links back to the blues, and is similar...
Roy, W. (2010). Reds, whites, and blues social movements, folk music, and race in the United States. Princeton: Princeton University Press.
The 1960’s were a time of freedom, deliverance, developing and molding for African-American people all over the United States. The Civil Rights Movement consisted of black people in the south fighting for equal rights. Although, years earlier by law Africans were considered free from slavery but that wasn’t enough they wanted to be treated equal as well. Many black people were fed up with the segregation laws such as giving up their seats on a public bus to a white woman, man, or child. They didn’t want separate bathrooms and water fountains and they wanted to be able to eat in a restaurant and sit wherever they wanted to and be served just like any other person.
According to The Nashville Sound, markers that include “rural origins, stylized sets, seemingly spontaneous performance, accessible performers, and heartfelt songs can characterize country music’s authenticity” (13). The foundations of what country music has originated from are incorporated within these markers and are used to separate the real from the fake. Early country music was a means of coping with a life of work and worries; it also brought communities of the impoverished together in fellowship. The establishment of these markers glimpses into the culture and realities of many country music artists before their fame. Take for instance a family sitting huddled together on a porch on a cool summer evening listening to a family member play the banjo while another sings along. Everyone is enjoying and living in that moment and all worries are far from mind. Country music made people feel at ease and comfortable, it brought people back to their memories of the good old days. This is the way country music sh...
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
The 1960s was the era of rebellion. It was a time when views of many people started to change dramatically as unexpected things were happening from the Cold War to the assassinations of nation’s leaders. So within this disturbed era, many citizens started to rebel and question the authorities saying that they were ruining the country. The younger generation, especially, stood firmly in front to lead the action to change the ideas of the older generation. One of the main methods they used to speak their opinions was through music and we can see the power it had on the people through one of the main protest anthems called “Fortunate Son” by Creedence Clearwater Revival in 1969. The song speaks out to the elite controlled America and becomes one of many instances of the younger generation questioning and rebelling against the authority in the late 1960s. They send people a message that the citizens of United States do not live in a fair world and the authorities are not doing their jobs. By creating images through the comparative and descriptive lyrics such as who “waves the flag” , and “some folks are born with silver spoons in hand”, its repetition of the chorus “it ain’t me” and the instrumentation of the song which sounds like the cry of the working class to signify that the Vietnam War is a rich man’s war and a poor man’s fight, this song by the Creedence Clearwater Revival shouts to the world that the elite-controlled America is unfair as it can get; and becomes a big part of the counterculture movement. However, contrary to the message of the song, challenges to authority and privilege did not come exclusively from the working class. Rather, members of the upper class were also involved in opposition movements, for instance vi...
...o grew up in the tight nit-pick culture of the 50s who were influenced by this new wave of music of rock ‘n’ roll. The gap between values of parents and their children grew. As teens became more rebellious, the civil rights movement came to play. It was the same teens and young adults that took this rebellion from rock and made it lead the civil rights movement into action, realizing that not all tradition is right.
Historically, the Civil Rights Movement was a time during the 1950’s and 60’s to eliminate segregation and gain equal rights. Looking back on all the events, and dynamic figures it produced, this description is very vague. In order to fully understand the Civil Rights Movement, you have to go back to its origin. Most people believe that Rosa Parks began the whole civil rights movement. She did in fact propel the Civil Rights Movement to unprecedented heights but, its origin began in 1954 with Brown vs. Board of Education of Topeka. Brown vs. Board of Education of Topeka was the cornerstone for change in American History as a whole. Even before our nation birthed the controversial ruling on May 17, 1954 that stated separate educational facilities were inherently unequal, there was Plessy vs. Ferguson in 1896 that argued by declaring that state laws establish separate public schools for black and white students denied black children equal educational opportunities. Some may argue that Plessy vs. Ferguson is in fact backdrop for the Civil Rights Movement, but I disagree. Plessy vs. Ferguson was ahead of it’s time so to speak. “Separate but equal” thinking remained the body of teachings in America until it was later reputed by Brown vs. Board of Education. In 1955 when Rosa Parks refused to give up her seat, and prompted The Montgomery Bus Boycott led by one of the most pivotal leaders of the American Civil Rights Movement, Martin Luther King Jr. After the gruesome death of Emmett Till in 1955 in which the main suspects were acquitted of beating, shooting, and throwing the fourteen year old African American boy in the Tallahatchie River, for “whistling at a white woman”, this country was well overdo for change.
Swing music – and its predecessor, jazz – is, as famed swing artist Benny Goodman put it, “folk music special to the United States” (Erenberg 65). It is perhaps one of the most “American” genres of music. The very characteristics that define swing music are uniquely “American”; it is lively, promotes freedom of expression (through improvisation), and bursts with seemingly endless optimism. It is energetic, youthful, and most importantly, unifying. As it is formed from a mix of elements from African American, European and American folk music, swing played a crucial part in bringing the issue racial integration to the forefront of the American psyche, especially among the younger population. It is no surprise that swing was so wildly popular – it promised “personal freedom, hope for a better life, and a measure. . . of racial acceptance” (Erenberg 70), which seems an apt remedy for a society suffering from not only widespread unemployment and hardship, but also rampant racism and classism.