Who is innocent their whole lives only to find guilt at the end? Is there a force larger than life that controls a human being from birth to death? What if a person so confident of their position in life, finds a truth to be a lie? The story of Oedipus Rex, tells of a doomed heir of Thebes who is foretold that he will kill his father and marry his mother. The oracle that foretells his future is indeed right, although is thought to be drivel at first. The guilt plays out in the end, with innocence and unknown identity being the cause of Oedipus’s destruction. Sophocles creatively demonstrates the themes of human will versus fate, the nature of innocence and guilt, and the quest for identity in his play, Oedipus Rex. In Oedipus Rex, Sophocles uses a philosophical sense to portray a theme of human will versus fate. Choragos explains to Oedipus that he does not know who the murderer of King Laius, the previous king of Thebes, is. Choragos asks the oracle if it can tell him where to find the murderer. Oedipus responds saying, “But no man in the world can make the gods do more than the gods will” (Sophocles, Oedipus Rex.1.1.267-268), which one can infer that the Greek gods, whom the characters in Oedipus Rex believe in, are very influential in Grecian every day life. Oedipus is stating that the Greek gods have the power to do whatever pleases them and may not grant a wish if one asks. Later on, Oedipus meets with Teiresias, a blind soothsayer who tells Oedipus that Oedipus himself is the murderer of King Laius. Oedipus does not believe Teiresias and alludes to him that he cannot hurt him. When Teiresias responds saying, “True: it is not from me your fate will come. That lies within Apollo’s competence, as it is his concern” (Sophocle... ... middle of paper ... .... The quest of identity shines throughout the story because the audience sees Oedipus’s life unravel before them, and his own quest and pondered questions reveal that he is trying to understand the true story of his own life. Human will versus fate, the nature of innocence and guilt, and the quest for identity are all themes that Sophocles exquisitely incorporates in his play, Oedipus Rex. Human will is in everyone, but when a stronger force is present, one’s fate comes from a source larger than life. Innocence may be prominent in everyone, but guilt only comes to those seeking a punishment for what wrongful thing they do. Even if a person is found guilty of an innocent act, that person’s identity makes him/her who he/she really is. One’s fate determines one’s innocence, which determines one’s guilt through a voyage of finding one’s identity.
No one can be held fully responsible for actions committed under some kind of external constraint, and for the case of Oedipus, such constraint might be exerted by god. But it does not mean that Oedipus suffers not because of his guilt, but of his goodness, because Oedipus is responsible for those actions which are not performed under constraint. Oedipus has choices, but every time he chooses the wrong one even he knew that the one he chose will turn out to be bad. He still chooses this road to certain extend, is because of his arrogant pride. I think the events of the play are Oedipus fault. Oedipus makes important mistakes or errors in judgment that lead to this ending. His pride, blindness, and foolishness all play a part in the tragedy that befalls him.
Many times in life, people think they can determine their own destiny, but, as the Greeks believe, people cannot change fate the gods set. Though people cannot change their fate, they can take responsibility for what fate has brought them. In the story Oedipus, by Sophocles, a young king named Oedipus discovers his dreadful fate. With this fate, he must take responsibility and accept the harsh realities of what’s to come. Oedipus is a very hubris character with good intentions, but because he is too confident, he suffers. In the story, the city of Thebes is in great turmoil due to the death of the previous king, Laius. With the thought of helping his people, Oedipus opens an investigation of King Laius’s murder, and to solve the mystery, he seeks advice from Tiresias, a blind prophet. When Laius comes, Oedipus insists on having the oracle told to all of Thebes showing no sign of hesitation or caution. This oracle states that he will kill his father and marry his mother. Oedipus must learn to deal with his terrible and appalling fate the way a true and honorable king would. Because...
The purpose of this essay is to demonstrate that the events in Oedipus the King, written by Sophocles, are the result of the hero’s self determination and restless attempt to escape a terrifying destiny predicted for him by the oracle of Apollo at Delphi. My intention is to prove that although the Fates play a crucial part in the story, it is Oedipus'choices and wrong doing that ultimately lead to his downfall.
Greek play writer Sophocles believes human understanding has evident limits, proven accordingly in context to Sophocles works such as Oedipus Rex. There is an abundance of arguments that can be constructed in consideration to what certainty and proof can be formulated from this particular claim, pulling from the reading one could comfortably confirm that the prominent extent of an individuals understanding is related to everything they are thought from a young age. The protagonist in the play know as Oedipus lives much of his life as a cocky reigning king of Thebes, he is firm in his belief and knowledge that under no circumstance , that he is the murderer of the previous king. Even with all the evidence put forth him, which would have disproven his long-lasting belied in his so called innocence, Oedipus instead utilizes these pieces of information with his secular reasoning and constant conviction that he could never be in fact the killer.
The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story.
Insuring the portrayal of his theme, Sophocles targets the tension of his tragic play, Oedipus Rex, through the growth of the main character, Oedipus, rather than the mystery. Utilizing literary devices such as dramatic irony, soliloquies, and foreshadowing, Sophocles reveals to the audience the conclusion to the mystery of Oedipus before the hero has solved it himself; forcing the audience’s attention towards character growth of the hero, over the actual development of the mystery.
In Oedipus The King, Sophocles presents a view of life fixed by fate. This fate, predetermined by the gods, is the sole factor in deciding human destiny. Tiresias expresses his understanding of the unchangeable fate of Oedipus, laid out by the gods, as he argues with the King about revealing the truth of all the Theban troubles. When Oedipus, frustrated by the lack of cooperation, insults Tiresias, he responds "I pity you, flinging at me the very insults / each man here will fling at you so soon."(322) Even more telling of the fated existence of Sophocles' characters is Jocasta's revelation of prophecies given before Oedipus' birth which foretold all that the gods had in store, which had indeed come to pass (332).
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
In Ancient Greece the existence of gods and fate prevailed. In the Greek tragedy King Oedipus by the playwright Sophocles these topics are heavily involved. We receive a clear insight into their roles in the play such as they both control man's actions and that challenging their authority leads to a fall.
Oedipus Rex (the King), written by Sophocles, is the tragic play depicting the disastrous existence to which Oedipus, an Athenian, is 'fated' to endure. With a little help from the gods and the 'fated' actions and decisions of Oedipus, an almost unthinkable misfortune unfolds. Athenian perfection can consist of intelligence, self-confidence, and a strong will. Oedipus, the embodiment of such perfection, and his tragedy are common place to Athenians. Ironically, the very same exact characteristics that bring about the ominous discovery of Oedipus' fate: to kill his father and marry his mother. Oedipus' 'fated' decisions entangle everyone whom is of any significance to him within a quagmire of spiraling tragedy. Sophocles uses the riddle of the Sphinx as a metaphor for the three phases of Oedipus' entangled life, the three phases of human life, and to describe how every life-changing action or decision can influence other lives.
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Oedipus Rex, an ancient Greek tragedy authored by the playwright Sophocles, includes many types of psychological phenomena. Most prominently, the myth is the source of the well-known term Oedipal complex, coined by psychologist Sigmund Freud in the late 1800s. In psychology, “complex” refers to a developmental stage. In this case the stage involves the desire of males, usually ages three to five, to sexually or romantically posses their mother, and the consequential resentment of their fathers. In the play, a prince named Oedipus tries to escape a prophecy that says he will kill his father and marry his mother, and coincidentally saves the Thebes from a monster known as the Sphinx. Having unknowingly killed his true father Laius during his escape, he marries the widowed queen of Thebes, his mother Jocasta. Many events in the story should lead to suspicion of their marriage, but out of pride and ignorance Oedipus stubbornly refuses to accept his fate. Together, these sins represent the highest taboos of Greek society, revealed by Socphocles’s depiction of the already pervasive story. Before the Thebian plays, the myth centered more around Oedipus’s journey of self-awareness; meanwhile, Sophocles shows Oedipus’s struggles with his inevitable desire toward his mother throughout these stages of psychological development.
In the play Oedipus the King, Sophocles affirms that the gods ultimately have the final say to control one’s destiny; however, an individual is solely responsible for the decisions he makes. Approaching near the climax, Sophocles sets up a fundamental conflict of the play, the need for Oedipus and Jocasta to perceive the immutable state of prophecy through the consequences that deliver itself when the gods fulfill their plans for one’s destiny. The messenger even describes the omnipotent power of the gods, and witnesses the augury of death proposed by the supernatural, finally stating:
Sophocles demonstrates in the play Oedipus the King that a human being, not a God, ultimately determines destiny. That is, people get what they deserve. In this play, one poorly-made judgment results in tragic and inescapable density. Oedipus fights and kills Laius without knowing Laius is his father. Then, Oedipus's pitiless murdering causes several subsequent tragedies such as the incestuous marriage of Oedipus gets into the flight with Laius. However, Oedipus's characteristics after Laius's death imply that Oedipus could avoid the fight as well as the murder of his father, but did not. Ultimately, Oedipus gets what he deserves due to his own characteristics that lead him to murder Laius: impatience, delusion, and arrogance.
From the very beginning, Oedipus was destined to fulfill Apollo's prophecy of killing his father. Even though King Lauis tries to kill Oedipus to stop the fulfillment of this shameful prophecy, fate drives the Corinthian messenger to save Oedipus. What the gods fortell will come true and no human can stop it from happening, not even the kings. Oedipus is once again controlled by this power when he leaves the place of his child hood after he hears that he is to kill his father and marry his mother. "I shall shrink from nothing...to find the the murderer of Laius...You are the murderer..." Oedipus tried to stop the prophecy from coming true by leaving Corinth and only fate can make Oedipus turn to the road where he kills his true father. Leaving Corinth makes Oedipus lose his childhood by making him worry of such issues young people should not have to worry about and becoming a king of a strange land. Last of all, Oedipus carries the last part of the prophecy out, marrying his mother. " I would... never have been known as my mother's husband. Oedipus has no control over the outcome of his life. Fate causes Oedipus to have known the answer to the Sphinx's riddle and win his marriage to his mother, Jocasta. Had fate not intervened, the chances of marrying Jocasta would have been small since there is an enourmous number of people and places to go. Oedipus loses his sense of dignity after he discovers he is not only a murderer, but also that he had committed incest.