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Sexual awakenings in literature
Sexuality and literature
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Tom Stoppard, in his hit play, Arcadia, utilizes many different themes to show how time affects the understanding of history; none of these themes have a greater impact than that of sex, or “carnal embrace”(1). Arcadia is built on a foundation of love and lust; characters from two different eras, the Regency era and the modern age, show parallels in their desires. “Carnal embrace” is inherent to Arcadia and this is shown when looking at sex’s effect through the lense of determinism. This theory of inevitability states that all things in life can be reduced into a formula that would be able to predict the future. Determinism is incessantly discussed in Arcadia and is even invented by Thomasina, a young girl from the Regency era who shows flashes …show more content…
Thomasina’s discovery lives the test of time and is scrutinized by a modern character, Chloe, “[The formula] doesn’t work...because of sex. The only thing going wrong is people fancying people who aren’t supposed to be in that part of the plan” (73). Sex stifles the formula which consequently ruins the inevitability of the future and makes the past nearly impossible to decode. Chloe’s theory of love and lust being being the reason life has no calculated formula is spot on and it is shown throughout Arcadia. The constant infatuation with sex is not confined to the modern era; in fact, the regent characters of Arcadia are much more liberal with their desires than the modern characters. These characters of the past, although way more eloquent in their confessions of lust, all have the same animalistic intentions at heart. These impulses of desire caused major rifts and plot points in the lives of these characters. One character that proved Chloe’s theory was Thomasina, the inventor of the theory of determinism. This thirteen year-old student showed the progression of how love takes a hold of a person and throws their life in an unpredictable direction. Thomasina began ignorant to the effect of love and even scrutinized humans for being too wrapped up in love; when talking about Cleopatra, she
Eupriedes, Medea and Sappho’s writing focus on women to expose the relationships between a variety of themes and the general ideal that women are property. The main characters in both pieces of literature demonstrate similar situations where love and sex result in a serious troll. These themes affected their relationship with themselves and others, as well as, incapability to make decisions which even today in society still affects humans. Headstrong actions made on their conquest for everlasting love connects to sacrifices they made to achieve their goal which ultimately ended in pain. Love and sex interferes with development of human emotions and character throughout the course
Diamant’s magic enables a romance to flower from violence and the formulation of a “voiceless cipher” into an ingenious being transpire (1). She forces the reader see that in the eyes of trial and tragedy, happiness and love, we find reflections of ourselves no matter the age gap. She emphasizes that such a task could not happen if not for the “scolding, teaching, cherishing, giving, and cursing one with different fears (2),” that “summon up the innumerable smiles, tears, sighs and dreams of human life” (321). All this, Diament reminds all females, can be sequestered in the red tent.
Romeo and Juliet is probably one of the most famous plays in history. It has been translated in almost every of the common languages in the world. Many people have analyzed this piece of art and concluded that one of the main themes is love. This story of forbidden love has been an example and a great influence for future literary works. There has been cases where people’s relationships connect to the lover’s tale. Huxley understands the influence created by these plays, and has reflected his feelings about Shakespearean love in his book Brave New World. He demonstrates in his book that no connection between individuals changes the way you think, yet when there is a feeling of passion your personality can also change.
Love that is filled with hatred and other powerful mixed emotion coincides in the theme of both Sylvia Plath’s, “Mad Girl’s Love Song”, and, “Hate Poem” by Julie Sheehan. Plath’s title a “Mad Girl’s Love Song” hints that the work is about an angry adolescent girl who is heartbroken. The title’s message entails feelings enraged with vengeance, remorse, and, hatred after a heart retching break up. As the poem story unfolds, a woman’s immense pain surfaces. The subject of the poem expresses a specific event, “I shut my eyes and all the world drops dead. / I dreamed that you bewitched me into bed/ And sung me moon-struck, kissed me quite insane” (Plath). The first line of the quote builds towards the impending outcome that would forever change her personal outlook of life, “I dreamed that you bewitched me into bed”; the loss of virginity. Regardless woman or man, an individual’s virginity is a precious and valuable aspect of human life. From this passage, the reader can assume that Plath was tricked, as clued by the word “bewitched”, in giving her innocence to an undeserving man. Feeling broken and unfaithful she wishes, “I should have loved a thunderbird instead; / At least when the
The two major examples from the period examined are Danielis and Zoe Karbonopsina. Danielis is a woman Basil I encounters when he is traveling in the Peloponnese with his master Theophilos before he was emperor. While there, a monk randomly greats Basil as if he is an emperor and disrespects Basil’s master. Danielis, described as “ranked first in that region, by both her way of life and her high-birth,” heard the story of the monk’s behavior and knowing he had the power of “foretelling the future,” asked the monk why he acted so. The monk told her Basil would one day be Emperor and those chosen by God should be revered. This causes Danielis to summon Basil and gift him considerable favors and gifts, the only thing she requested in return was that he formal bond with take her son. Basil agrees and also promises Danielis that if he does become emperor he would make her “mistress of all that area.” Years later, once Basil is emperor, he has kept his word in having a bond with Danielis’ son, who was a protopatharios, and sends for Danielis to come to Constantinople. When she arrives after being “carried in relays by three hundred strong young servants of her choosing,” Basil holds a reception for her in the Manguara, which is usually reserved for very distinguished guests. The last description of Danielis is when she visits Leo VI once he is emperor and names him heir to all her worldly goods. In Synopsis, Danielis is not defined through her marriage, her children, or through participation of a malevolent act. Danielis has agency, something few women in Synopsis exercise and she uses it for purposes that are not murder or seizing power. Danielis is the true outlier of all of the women reviewed in this paper as she is a relevant and revered woman, who acts on her own accord for purposes that are not outright evil. Danielis’ unique status is more than likely a result of the fact that she
The time is the sixth century, the place is Rome and the person is Lucretia, a woman who contributed to one of the biggest parts of Roman history: the creation of the Roman republic. The rape of the virtuous Lucretia by Sextus Tarquinius, the son of Tarquinius Superbus' (an Etruscan king) was the final straw for the Roman people and pushed them to want to change from a monarchy to a republic. From the accounts of the rape of Lucretia from ancient historians like Livy, Cicero and Dionysius, it is clear that Lucretias rape not only spurred the roman people to want to get rid of the Etruscan King and his family, but also revealed the important role of virtue in women in roman society.
Beatrice's refusal to be controlled by men and Hero's subservience carries echoes of modern-day feminism. Comparing this novel to a contemporary society, women have made a substantial amount of progress in terms of gender roles. It is women like Beatrice, and the many others that choose to defy the expectations that are placed upon us by society, that help us progress to a more utopian civilization. This novel can be read by future generations to reflect back on how much we have changed and how much we have progressed, not only as women, but as humans in general. Additionally, this play also serves as one of the world's greatest odes to the single life known to man.
In “‘A Language Which Nobody Understood’: Emancipatory Strategies in The Awakening,” Patricia Yaeger questions the feminist assumption that Edna Pontellier’s adulterous behavior represent a radical challenge to patriarchal values. Using a deconstructionist method, Yaeger argues that in the novel adultery functions not as a disrupting agent of, but, rather, as a counterweight to the institution of marriage, reinforcing the very idea it purports to subvert by framing female desire within “an elaborate code [of moral conduct] that has already been negotiated by her society.” A reading of The Awakening that can envision only two possible outcomes for its heroine – acquiescence to her role as good wife/mother or “liberation” from the marriage sphere through extramarital passion – suffers from the same suffocating lack of imagination that characterizes the most conventional romance tale. Thus, Yaeger contends, Edna Pontellier’s extramarital dalliances with Alcée Alobin and Robert Lebrun are hardly “emancipatory” or “subversive” as critics such as Tony Tanner would see them.
The idea of sexuality as constructed by Ancient Romans is wholly complex as was most of Roman society. An interesting way to look at Roman sexuality is through the lens of Roman society. Ancient Roman sexuality was not uniform throughout society and different societal classes created different types of sexualities. Three authors examine sexuality from three different social realms, the realm of the prostitute, the realm of Roman patricians in terms of contraception, and the realm of Vestal Virgins. Prostitutes in Rebecca Flemming's article, "Quae Corpore Quaestum Facit: The Sexual Economy of Female Prostitution in the Roman Empire" are a representation of lower class sexuality. Mary Beard's article, "The Sexual Status of Vestal Virgins" examines a form of deviant sexuality based around religious values. Lastly, Keith Hopkins' article," Contraception in the Roman Empire" examines the sexual practices of upper class Romans using contraception and abortifacents, vital conclusions about Ancient Roman society and sexuality can be determined.
The title page offers an immediate insight into the patriarchal constraints placed on women in early modern England. Although The Tragedy of Mariam is the first known English play to be authored by a woman, the fact that Cary is unable to give her full name is indicative of the limitations on women writers of the period. This semi-anonymous authorship...
In literature, both new and old, one of the most popular themes is love. Many novels, poems, and short stories explore this theme in every imaginable way. Henry James’s Washington Square and Steve Martin’s Shopgirl are worthy additions to this timeless tradition. The twist for these two novels is that both heroine’s, Catherine in Washington Square and Mirabelle in Shopgirl, fall for men that do not love them in return. At least the ladies’ love is not returned in the manner they expect. The novels were written more than a century apart. Thus the dialogue, settings, and characters are different, but the central theme of unrequited love is present in both novels.
Given the tragic outcomes of certain female characters (i.e., Desdemona and Juliet), sexuality must be promptly considered. Desdemona’s “jeopardized” fidelity ignites Othello’s murdering hands. Her sexuality controls him. In the same way, it might be argued that severe sexuality is the compulsion of Romeo and Juliet. Considering the brevity of their relationship, which implies the absence of shared memories and the absence of mutual and intimate knowledge, one may deduce that all they really can share is bodies. And it may be precisely their bodies that drive the entire relationship and tragedy. In Woman’s Part, Paula S. Berggren r...
Works of Literature that I have studied in depth and others that I am acquainted with have challenged me significantly, for they have made me question that which I already seem to know. Often, society bears witness to a few significant individuals who are able to impact it to the extent that they are able to reconstruct and divert the course of history. Such individuals are who we call ‘genius’.
In 1979, Caryl Churchill wrote a feminist play entitled Cloud Nine. It was the result of a workshop for the Joint Stock Theatre Group and was intended to be about sexual politics. Within the writing she included a myriad of different themes ranging from homosexuality and homophobia to female objectification and oppression. “Churchill clearly intended to raise questions of gender, sexual orientation, and race as ideological issues; she accomplished this largely by cross-dressing and role-doubling the actors, thereby alienating them from the characters they play.” (Worthen, 807) The play takes part in two acts; in the first we see Clive, his family, friends, and servants in a Victorian British Colony in Africa; the second act takes place in 1979 London, but only twenty-five years have passed for the family. The choice to contrast the Victorian and Modern era becomes vitally important when analyzing this text from a materialist feminist view; materialist feminism relies heavily on history. Cloud Nine is a materialist feminist play; within it one can find examples that support all the tenets of materialist feminism as outlined in the Feminism handout (Bryant-Bertail, 1).
Amidst war, censorship, and persecution, D.H. Lawrence channeled his resulting emotions into his writing and emerged a visionary author. Wholly misplaced with regards to the century in which it was constructed and gifted to the populace, Lawrence’s Women in Love was met with criticism for its sexual implications. However, with proper deconstruction of the novel and psychoanalysis of the principal characters, it is apparent that Lawrence’s genuine intention in his creation of Women in Love was to set concepts of new complex philosophies concerning the rituals of marriage, definitions of love, rapidly increasing modernization, and the negative effects of excessive industrialization within the minds of his audiences.