Blood, guts, and gore, common yet cliche aspects to horrors and thrillers, which horror movie fanatics seem to thrive on. Mike Flanagan, a fairly new player in the horror/thriller genre, goes against all these common thrills in his 2016 movie Hush. With no gore, no supernatural beings, no over-the-top sound effects or jump scares, Hush had many opportunities to fail miserably. However, Flanagan’s new take to this genre, brings something new and original to a cliche, predictable genre, leaving the audience on the edge, or should I say back, of their seats until the very end.
In Hush, Maddie (Kate Siegel) plays the female protagonist, who was afflicted with sense-crippling bronchial meningitis when she was just 13 years old which left her deaf and mute. The handicap of the main character was extremely unique and original. A very bold move for Flanagan as it put more pressure on the film as a whole, and on the actress having to play this character. After a tough break up and a struggle to finish writing her
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Flanagan used this skill cleverly, keeping the audience engaged throughout the film. With the man making his presence known in the beginning of the film, by stealing Maddie's phone and sending photos of her to her laptop, this allowed Flanagan to build up the tension between the two characters as they move toward the inevitable climax. The film becomes a one on one game of predator vs prey. However it doesn’t take long for Maddie to prove herself a capable heroine, turning the game from being cat vs mouse, to cat vs cat. The whole film involves the killer and Maddie trying to outsmart one another, creating thrill and suspense which is then multiplied during the final act when the killer and Maddie have a face of inside the
Silence — the sound of quiet, the state of mind, the lack of meaning — all these pertain to its definition. Communication is expanding, noise is increasing, music is becoming more obtainable as people search desperately for a moment of peace or a breeze of silence. As the scarcity of physical silence increases, its value as a rare commodity increases as well. The idiom “Silence is golden” may perhaps only grow closer to reality as time passes, as exemplified by the white noise machines or silent fans entering the market and fictionalized in Kevin Brockmeier’s short story, “The Year of Silence.” In light of this, Brockmeier explores the value of silence and noise in his story without putting one above the other. Through strange clues and hidden
First and foremost, the novel Hush by Jacqueline Woodson deals with a lot of issues, but if we really look closely at Toswiah/Evie’s internal journey we really understand that the book revolves around Evie/Toswiah and how she needs to about figure out who she is. Toswiah/Evie asks herself questions within the novel about her identity. So, if I were to judge: I believe the uprising theme of Hush is to never forget who you are. I say this because her character keeps reminiscing about how her life was in Denver how she had what she believes is “the perfect life” she had a roof over her head, food on the table, and a best friend who meant to world to her. In the novel Toswiah/Evie begins to question her external circumstances. For instance, being placed in the Witness Protection Program, and being
Alfred Hitchcock’s films not only permanently scar the brains of his viewers but also addict them to his suspense. Hitchcock’s films lure you in like a trap, he tells the audience what the characters don’t know and tortures them with the anticipation of what’s going to happen.
American History by Judith Ortiz Cofer is a short story that presents the audience with an average teenager 's emotions. The main character, Elena, lives in a cramped ghetto-like building that is looked down upon by the public eye. Elena is shy has difficulty reaching out to others to make friends, but when a new boy named Eugene moves in across the street from her, she eventually takes a step outside of her boundaries and confronts him, hoping that they can at the least be friends. However, the public view of her lifestyle makes Eugene 's mom turn Elena away and they never get a chance to meet.
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
It can be said that this film is more like a psychological thriller than the horror film. In fact, there is no blood, no ghost or make viewers startle and scream. Perhaps, Roman Polanski wants to against the tradition of horror film and show that he can threaten the viewer without turning off a lamp- in fact, he succeeds. The film opens with some of the main
Hush is a horror, thriller, suspense movie that was released April 8,2016. It was co-written by Mike Flanagan, also the director, and Kate Siegel, who played the main character, Maddie Young. It is possible that Flanagan’s fandom for Steven King’s novels may be a factor in his work with Hush as the book Mr. Mercedes can be glimpsed in a scene.
Enhancing the sustained fright of this film are an excellent cast, from which the director coaxes extraordinary performances, and Bernard Herrmann's chilling score. Especially effective is the composer's so-called "murder music," high-pitched screeching sounds that flash across the viewer's consciousness as quickly as the killer's deadly knife. Bernard Herrmann achieved this effect by having a group of violinists frantically saw the same notes over and over again.
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
Are you someone who loves a good scare? Are horror movies your favorite thing to watch? Well, then your just like me. I’ve always been a fan of horror movies, but I’ve never realized that they can affect you more than just a jump scare. I love that most horror films are predictable in a way that still scares you even though you know it’s coming or when you think the main character is going to die and, yet they figure their way out just to die in the end. According to Encyclopedia Britannica horror movies are defined as, “motion pictures calculated to cause intense repugnance, fear, or dread. Horror films may incorporate incidents of physical violence and psychological terror; they may be studies of deformed, disturbed, psychotic, or evil characters;
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
Thrillers have been films that are known worldwide to get the heart pumping, the chills crawling up and down your body, and the sweat rolling down your head. But, what causes this? What makes a thriller a thriller? A thriller is defined as “a type of media (film/ novel etc.) that heavily stimulates the viewer's moods, giving them heightened feelings of suspense, excitement, surprise, anticipation, anxiety and/or terror. Successful examples of thrillers are the films of Alfred Hitchcock. Thrillers generally keep the audience on the "edge of their seats" as the plot builds towards a climax. The cover-up of important information from the viewer, fight and/or chase scenes are common elements. Literary devices such as red herrings, plot twists,
Many of the major studio horror films are marketed towards a PG-13 through R audience. The genre has evolved over time where it is at a point that the blockbusters seem to follow a basic formula that is easily replicated. Jump scares and loud noises are common throughout many of these films, which tend to be released in mass as the years start to reach the autumn season. Sequels and reboots to the major horror franchises are also commonplace for studios, one such example is the Saw franchise. Independent horror films differ from this strategy. Typically they rely on either a unique character or focus on building elements of suspense. They don’t often rely on jump scares, rather opting for an emphasis on acting, direction, editing, and a cohesive script. One such example of a successful independent horror film would be El Orfanato, which New Line Cinema eventually purchased the rights of the film after its release in American